heroize

My goal, however, is not to collapse the stories of these three listening hearts into a single heroizing narrative but rather to show kinship in their intellectual projects after 1933.

Working against the grain of elegiac memorial practices, Delbo's text does more than just reproduce the tendency Yaeger identifies in trauma criticism that locates trauma at either of two poles: "heroizing classicism and the prurient anarchy of the grotesque" (2002: 33).

"If not for that lucky tip-off from the warehouseman, we would now be awarding and heroizing the very officials who colluded with the drug syndicate," Aquino says.

Women without Men, thus, offers a multiplexed, heterogeneous representation of Iran and Iranians, intersecting the personal and political without heroizing characters or groups, or, alternately, offering an overly simplistic representation of the story's villains.

The fact that Armenians are heroizing him, build a monument to this man shows that even today they are followers of fascist ideas, without even trying to hide this," the MP noted.

That confusion, furthermore, is shared widely in public representations of journalism, including in popular heroizing films.

This heroizing of the disabled veteran served the post-Vietnam film canon's political aims, which almost de facto represented the war as unjustly inflicting carnage not just on the Vietnamese, but the American draftees who fought it against their will, with further social and political afflictions reverberating politically and socially on the homefront.

These posters heroizing Ho Chi Minh connect him to the kind of masculinized revolutionary legacy left behind by both himself and Che.

Modernism, the 20th-century intellectual movement that focused on issues like meaning and quality, has fallen out of fashion for its naive heroizing of Great White Men and its ignoring of social realities and differences.

(168) The legal profession's heroizing of the fiercely independent solo practitioner may exacerbate this danger and serve as an obstacle to a more systems-based approach.

Indeed, if the trope of the maverick and mentally fragile creative genius is one of the grand canards of artistic modernism, the adoption of this pose, whatever its grounding in actual psychology, by a slight woman from Japan performs the double critical move of revealing the phallocentric and fundamentally Western aspects of such heroizing while also indicating the terrible double-bind in which the marketplace puts the serious artist.