CANNES 2026
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Dispatches
Festival selections Fjord, The Beloved, and I'll Be Gone in June grapple with what’s lost—and gained—in translation
James Gray’s Paper Tiger, Ryûsuke Hamaguchi’s All of a Sudden, and Radu Jude’s The Diary of a Chambermaid are standouts of the festival’s first week
New films from Ryûsuke Hamaguchi and Lisandro Alonso speak to our current moment with clarity and empathy
Early festival premieres of Fatherland, In Waves, and Teenage Sex and Death at Camp Miasma outshine safer selections
This year’s festival presents a cross-section of an industry in flux
Interviews
Reviews
Podcasts
Critics Justin Chang, Tim Grierson, and Jessica Kiang close out the festival, discussing The Dreamed Adventure, The Birthday Party, Coward, and more
Cannes 2026 #8: Bringing It All Back Home
Thomas Flew and Neta Alexander recap late-festival premieres The Black Ball, Minotaur, The Man I Love, and more
Cannes 2026 #7: Standing Ovations
Dennis Lim, Kong Rithdee, and Antoine Thirion join to unpack this year’s festival
Cannes 2026 Subscriber Exclusive: Join the Party
Isabel Stevens and Neta Alexander share their responses to Pedro Almodóvar’s Bitter Christmas, Cristian Mungiu’s Fjord, and more
Cannes 2026 #6: Happy Hours
Jordan Cronk, Adam Piron, and Ruun Nuur dive into mid-festival highlights 9 Temples to Heaven, Paper Tiger, The Unknown, and more
Cannes 2026 #5: Out-of-Body Experience
Critics Öykü Sofuoğlu and Inney Prakash debate their reactions to Clarissa, Sheep in the Box, and Hope
Cannes 2026 #4: At My Window
Robert Daniels and Inney Prakash debate new films from Radu Jude, Marie Kreutzer, and Ryûsuke Hamaguchi
Cannes 2026 #3: Picture Perfect
Critics Katie McCabe and Alison Willmore join to discuss Fatherland, Nagi Notes, Parallel Histories, and more
Cannes 2026 #2: Historical Fictions
Jonathan Romney and Beatrice Loayza kick off our Cannes 2026 coverage with reactions to Teenage Sex and Death at Camp Miasma, Butterfly Jam, and more
Cannes 2026 #1: First Looks


