in Superman in Action Comics (Abbeville Press, 1993 series) #1 (1993)
in Superman: The Action Comics Archives (DC, 1997 series) #1 (1997 [February 1998]), #1 (1997 [February 1998]) [back cover; 1/4 page]
in Clásicos DC (Norma Editorial, 2004 series) #6 - Los Archivos de Superman en Action Comics Volumen 1 (Marzo 2005)
in The Superman Chronicles (DC, 2006 series) #2 ([April] 2007)
in Superman: The Golden Age Omnibus (DC, 2013 series) #1 ([August] 2013)
in Superman: The Golden Age (DC, 2016 series) #1 ([May] 2016)
in DC Finest: Superman: The First Superhero (DC, 2024 series) (2024 [January 2025])Previous art credit given to Joe Shuster, who was the primary artist. His first ghost/assistant Paul Cassidy probably did the finished artwork.
The scene depicted is rather anachronistic. Although Superman never personally got involved in fighting on the European front (except for the famous, non-canonical, short story where he ends the war in a matter of hours by bringing Hitler and Mussolini to justice), the bi-plane, the mounted cannon, and the barbed wire on the hill suggests a first world war setting.
On sale date from the publication date and volume number found in the Catalog of Copyright Entries, Part 2, Periodicals, New Series, Volume 34, 1939, Number 4. Class B periodical. Copyright number B 435264.
| Script: | Jerry Siegel (credited) |
| Pencils: | Paul Cassidy (ghosted for Joe Shuster) |
| Inks: | Paul Cassidy (ghosted for Joe Shuster) |
| Colors: | ? |
| Letters: | ? |

in Superman: The Action Comics Archives (DC, 1997 series) #1 (1997 [February 1998])
in Clásicos DC (Norma Editorial, 2004 series) #6 - Los Archivos de Superman en Action Comics Volumen 1 (Marzo 2005)
in The Superman Chronicles (DC, 2006 series) #2 ([April] 2007)
in Superman: The Golden Age Omnibus (DC, 2013 series) #1 ([August] 2013)
in Superman: The Golden Age (DC, 2016 series) #1 ([May] 2016)
in DC Finest: Superman: The First Superhero (DC, 2024 series) (2024 [January 2025])Synopsis added by Craig Delich.
Pencils previously credited to Joe Shuster, but the layouts and unusual Superman flying poses are typical Cassidy. He claimed that Siegel and Shuster allowed both himself and Wayne Boring a free hand in how they depicted a script, with no interference from either creator.
| Script: | |
| Pencils: | Fred Guardineer (credited as Gene Baxter) |
| Inks: | Fred Guardineer (credited as Gene Baxter) |
| Colors: | ? |
| Letters: | ? |
Writer credit added by Craig Delich.
| Script: | ? |
| Pencils: | Homer Fleming (credited as H. Fleming) |
| Inks: | Homer Fleming (credited as H. Fleming) |
| Colors: | ? |
| Letters: | ? |


| Script: | Toni Blum ? (credited as Jack Anthony) |
| Pencils: | Fred Guardineer (spot illustration) |
| Inks: | Fred Guardineer (spot illustration) |
| Colors: | ? |
| Letters: | typeset |
| Script: | |
| Pencils: | Bernard Baily (credited, signed) |
| Inks: | Bernard Baily (credited, signed) |
| Colors: | ? |
| Letters: |
Letterer credit added by Craig Delich.
Writer and letterer credits added by Craig Delich.

Writer and letterer credits added by Craig Delich.
Page includes several small ads from stamps dealers.
| Script: | |
| Pencils: | Fred Guardineer (credited) |
| Inks: | Fred Guardineer (credited) |
| Colors: | ? |
| Letters: | ? |