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  • The Chinese Cultural Revolution: A History

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The Chinese Cultural Revolution: A History 1st Edition

2.8 out of 5 stars (7)

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A groundbreaking study of cultural life during a turbulent and formative decade in contemporary China, this book seeks to explode several myths about the Cultural Revolution (officially 1966–1976). Through national and local examination of the full range of cultural forms (film, operas, dance, other stage arts, music, fine arts, literature, and even architecture), Clark argues against characterizing this decade as one of chaos and destruction. Rather, he finds that innovation and creativity, promotion of participation in cultural production, and a vigorous promotion of the modern were all typical of the Cultural Revolution. Using a range of previously little-used materials, Clark forces us to fundamentally reassess our understanding of the Cultural Revolution, a period which he sees as the product of innovation in conflict with the effort by political leaders to enforce a top-down modernity.
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Editorial Reviews

Review

"Historical breaks often obscure the past. Why did so many Germans vote, fight, and die for Hitler? Why were so many ordinary Russians reduced to tears by Stalin’s death? How many Americans today admit to voting for George Bush? Dismissing these eras as lunatic aberrations risks condemning us to repetition. Paul Clark’s The Chinese Cultural Revolution: A History is an exciting and eye-opening read. Far from being a cultural desert, this wonderfully readable and scrupulously researched work shows us a period of innovation and vibrantly engaging cultural production. Furthermore, however derided that culture may be today, it partook of the drive for modernity and nationalism that continues to shape China today." - Chris Berry, University of London

"Paul Clark explains what was 'cultural' about the Cultural Revolution. Writing against the conventional but mistaken view that Chinese culture was put on hold or simply destroyed, Clark provides an impressively detailed and nuanced study of artistic life in the 1966-1976 period. He shows that despite enormous political adversity, artists fashioned a large number of new works, and that these are most usefully understood in the context of a longer-term modernization of Chinese culture over the 20th Century. Artistic professionalism and experimentation, energized by the political urgency of factional struggle, addressed many of the same questions that have gripped Chinese intellectuals and politicians since the 1911 revolution. Clark never loses sight of this bigger story as he analyzes a decade of Maoist tumult in the arts with grace and compassion." - Richard Kraus, University of Oregon

"This admirable work adds a much-needed dimension to our understanding of China's Cultural Revolution, its genesis in the immediate past, and its continuing impact on the decades thereafter. Clark convincingly reconstructs the place of culture in people's lives during the 1960s and 1970s by focusing on the production, dissemination, and reception of the arts rather than on the factional and ideological struggles they represented. In restoring ‘culture’ to the Cultural Revolution, this study enables readers to appreciate how this period of turmoil and destruction was experienced by people who had little choice but to survive as best they could―how it felt to be Chinese in that time and place." - Bonnie S. McDougall, The Chinese University of Hong Kong

"By placing 'culture' at the centre of this important reconsideration of the Chinese Cultural Revolution, Paul Clark provides a crucially new perspective on a tumultuous and vitally important era in modern Chinese history and thought. This balanced and sympathetic study helps make sense of China's struggle to be modern, as well as filling in the background to key events that have shaped that country's contemporary rise." - Geremie R. Barmé, China Institute, The Australian National University

"In this fascinating book, Paul Clark goes against the grain of mainstream English-language scholarship and puts the 'culture' back into the Great Proletarian Cultural Revolution (GPCR, 1966-76).... In this assiduously researched study, Clark excavates the roots of each model opera and ballet performed during the Cultural Revolution.... Reading Clark’s account is genuinely eye-opening." - China Perspectives

Book Description

This book analyzes the Cultural Revolution through the conflict between innovation and a top-down enforcement of modernity.

Product details

  • Publisher ‏ : ‎ Cambridge University Press
  • Publication date ‏ : ‎ March 24, 2008
  • Edition ‏ : ‎ 1st
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 368 pages
  • ISBN-10 ‏ : ‎ 0521875153
  • ISBN-13 ‏ : ‎ 978-0521875158
  • Item Weight ‏ : ‎ 1.34 pounds
  • Dimensions ‏ : ‎ 6.25 x 1 x 9 inches
  • Best Sellers Rank: #4,969,512 in Books (See Top 100 in Books)
  • Customer Reviews:
    2.8 out of 5 stars (7)

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Paul Clark
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Customer reviews

2.8 out of 5 stars
7 global ratings
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Top reviews from the United States

  • 1 out of 5 stars
    Simply dreadful
    Reviewed in the United States on March 24, 2013
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    Do I really even have to give this abomination a single star? This wasn't the worst book I ever read. That distinction has been reserved for Thomas Kuhn's "History of Scientific Revolutions." It is definitely close and in the conversation, however. It makes my top ten list of worst books ever, perhaps my top 5. Ironically, it makes the case for denouncing artists and intellectuals for if anyone deserves a session of criticism and hounding to the point of self-injury, it is Paul Clark who is the guilty one responsible for this dreadful work. I have enjoyed colonoscopies more than I did this book. Worst of all, it was an intellectually dishonest construct, promising to reveal the Chinese Cultural Revolution and then failing not only to deliver it, but to even pursue it in a reasonable fashion. Titled "The Chinese Cultural Revolution: A History" it really was nothing of the sort. Rather, it was a chronicling, or worse still, an inventory of the works created. The history of the time is treated as almost an accidental byproduct. This is one of those experiences where the best of it is the fact that it eventually, after the long arduous March, ends. Simply dreadful and likely to make your eyes bleed from reading it.

    4 people found this helpful
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  • 4 out of 5 stars
    Not a good introduction to the topic
    Reviewed in the United States on September 26, 2010
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    I am plugging through this book. This is my first book on the topic of the cultural revolution. Unfortunately, coming from a position of near ignorance about Chinese history, this book does not serve as an effective introduction to the topic. If you have some basic exposure to Chinese politcs or the cultural revolution, I believe this would be a good book to read.

    There are a few concepts that I feel I needed to know more about to get more from this book. The concept of "model operas" is mentioned as if the reader already knows what these are and what they are supposed to represent. Political manueverings that someone familiar with modern Chinese history would know about are referenced and affect the narrative. When you don't understand about Mao's fluctuating political fortunes, you can be a little lost.

    The book is well written. It is written in an easy manner. No "$5 dollar words" or unnecessary digressions in the text.

    My only fault with the book lies with my own unfamiliarity with the subject, which I had hoped this book would rectify.

    2 people found this helpful
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  • 1 out of 5 stars
    Not a History of the Cultural Revolution
    Reviewed in the United States on August 10, 2011
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    This book is a perfect example of how to make a fascinating topic excruciatingly dull. It is not even a history of the cultural revolution; rather,it is a history of chinese opera during 1966-78, and a bit about some other arts during that period.

    The second paragraph of the introduction, where Professor Clark attacks other academic studies, is telling: Clark is not interested at all in providing a readable history but in proving some king of ivory-tower academic point.

    6 people found this helpful
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  • 1 out of 5 stars
    Discarded book
    Reviewed in the United States on January 5, 2020
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    One person found this helpful
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  • 1 out of 5 stars
    Misleading Title
    Reviewed in the United States on November 20, 2013
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    The title of this book is incredibly misleading.Basically what the title should be called is The Chinese Cultural Revolution: A History of Chinese Theater.

    The author doesn't make any effort to explain the "history' of the Cultural Revolution and even in the 1st few pages makes it sound like he's going to talk about how different art forms like music, theater, and visual arts were affected during that time, but NOPE instead Paul Clark spends almost half just talking about theater and the rest he gives little attention to other art forms.

    To show how utterly disappointing of a read this was, I learned more about the Culture Revolution from Art and China's Revolution (Asia Society) filled mostly with pictures, so I definitely suggest you check that out in trying to learn about China's history during that time then waste your time with this!

    2 people found this helpful
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