This is why we have a hopping lamp in our logo.
If Toy Story can be considered the Snow White and the Seven Dwarfs of CGI, then Luxo Jr. is the Steamboat Willie.note A 1986 short directed by John Lasseter and the first short to be credited to Pixar (formerly Lucasfilm's Graphics Group, as they had been credited on their first short The Adventures of André & Wally B.). It premiered at that year's SIGGRAPH conference (where it received a massive standing ovation mere seconds into it) and was later released theatrically with Toy Story 2.
A desk lamp sits on a desk. A ball rolls into frame. The lamp is sentient and animate, and it has a child, in the person of another, smaller desk lamp. Luxo Sr. and its child Luxo Jr. kick the ball around a while. Luxo Jr. then jumps on the ball and starts bouncing on it — with unfortunate consequences.
Created with the intended purpose of demonstrating the utility of computers in creating animated films (something Lasseter had been fired from Disney for attempting to do just a few years prior), the success of this short and its follow-up, Tin Toy, convinced Pixar to abandon the computer software business and become a full-fledged animation studio. A year later, George Lucas, satisfied with the work that the team had done for his studio and looking to sell off assets to cover the combined cost of his divorce settlement, the construction of Skywalker Ranch and the losses from Labyrinth and Howard the Duck, sold the budding studio to Apple Computers co-founder Steve Jobs, and the rest is history.
The title character became Pixar's mascot, famously appearing in the studio's Vanity Plate where it jumps on the letter I in "Pixar" and taking its place. Both characters were also featured in a handful of Sesame Street shorts.
Luxo Jr. contains examples of:
- Ambiguous Gender: Luxo Sr. and Jr., who, as sentient lamps, don't really have visible gender indicators. John Lasseter considered it a personal accomplishment when a colleague of his at SIGGRAPH, who usually asks him technical questions about his work, instead wanted to know whether Luxo Sr. was the mother or the father. (While he did say that Sr. was the father, it's never been confirmed by Pixar themselves.)
- Animate Inanimate Object: Luxo Sr. and Luxo Jr., but not the ball (luckily for the ball).
- Aside Glance: After Luxo Jr. comes back with an even bigger ball, Luxo Sr. shoots one at the camera and then shakes its head (Luxo Jr. does this in all the later Pixar title cards).
- Character Title: Luxo Jr. refers to the smaller lamp.
- Creative Closing Credits: The closing credits show various sketches and drawings that were part of the making of the film.
- Didn't Think This Through: Luxo Jr. jumps directly on the small ball, which causes it to pop and deflate, and gets non-verbally scolded by Luxo Sr., its "parent."
- Easter Egg: The Luxo ball from this short has made it into many other Pixar films.
- The Faceless: Neither of the two lamps have faces. Instead, they express emotions using body language, such as Luxo Sr. "scolding" Luxo Jr. by shaking its head, and Luxo Jr. being ashamed by sinking down.
- Gag Credits: Mickey and Donald are credited for "computing" for Pixar.
- Happy Ending: Luxo Jr. gets a second, bigger ball to play with.
- Here We Go Again!: After accidentally popping the first ball, Luxo Jr. comes back with an even bigger ball to play with, leading Luxo Sr. to shake its "head" exasperatedly at the camera.
- No Flow in CGI: This early CGI short managed to sidestep this problem by having objects with smooth, non-flowing surfaces — except for the power cords to the lamps. That proved the most difficult thing to animate.
- Vanity Plate: The Pixar vanity plate of the lamp hopping up and down on the 'i' until it collapses, and then replacing it, came from this short, with the lamp hopping on a ball until it deflates. Luxo Jr. then lights his bulb, and the logo settles.