
Ghosts is a supernatural-themed BBC One sitcom that premiered in 2019, written by and starring The Six Idiots (Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard and Ben Willbond). This marks the group's fourth project together, after the sketch show Horrible Histories, fantasy comedy Yonderland, and feature film Bill. The fifth and final season premiered on October 6, 2023.
The premise revolves around a young couple, Alison and Mike Cooper (Charlotte Ritchie and Kiell Smith-Bynoe), who inherit the derelict Button House with plans to turn it into a hotel. Little do they know, Button House is also home to numerous restless spirits who have died there over the centuries, unable to leave the grounds and resigned to squabbling with each other for eternity: Robin (Rickard), a caveman and the oldest of the ghosts; Mary (Katy Wix), an eccentric woman burned as a witch during the Stuart era; Kitty (Lolly Adefope), an excitable and naive Georgian aristocrat; Thomas (Baynton), a melodramatic and easily-infatuated Romantic poet; Lady Fanny (Howe-Douglas), the repressed and overbearing Edwardian-era owner of the house; The Captain (Willbond), a stern, closet gay World War II-era military officer; Pat (Howick), a friendly scout leader who was accidentally shot in the neck with an arrow by one of his scouts in The '80s; Julian (Farnaby), a slimy Conservative MP from the early 90s who died as the result of a scandalous sex mishap; and Headless Humphrey (head - Rickard; body - Yani Xander), a beheaded Tudor nobleman who, due to his own clumsiness, spends most of his time trying to reunite his head and his body.
When the ghosts learn of the couple's plans for the house, they conspire to scare the couple away. Things don't quite go as they expect, as the ghosts prove themselves to be pretty ineffectual at haunting; however, thanks to a spiritual hand causing Alison to suffer a near-death experience, she gains the ability to see and hear them. After finding out that her husband has taken out a massive loan to renovate the house, which the couple can't get out of, Alison and the ghosts form an uneasy truce as both she and Mike try their best to stop their dream home/hotel from turning into a complete nightmare.
Similar to Taskmaster, the format turned out to be ripe for global remakes that take the basic idea of the haunted house but are updated to include both local ghost lore and unique historical ghosts. The first was the American remake, executive-produced by Joe Port and Joe Wiseman and with Rose McIver and Utkarsh Ambudkar in the leads, which premiered on CBS in 2021. Ghosts Germany premiered on March 7th 2025 with Cristina do Rego and Benito Bause as the living leads. Ghosts: Fantômes en Héritage premiered on April 9th 2025 with Camille Chamoux and Hafid F. Benamar as the living leads.Τα Φαντάσματα (Ta Fantasmata. ENG: The Ghosts) premiered on 28th September 2025 with Elli Tringou and Orfeas Avgoustidis as the living leads. Ghosts Australia premiered on 2nd November 2025 with Tamala Shelton and Rowan Witt as the living leads. A Spanish and Czech version are in development.
- The Apron Matron Ghost
- UK: Lady Stephanie "Fanny" Button - A matriarch from The Edwardian Era
- US: Henrietta "Hetty" Woodstone - A matriarch from The Gilded Age
- DE: Adelheid von Donnerhall - A matriarch from the late 1800s
- FR: Marie-Catherine de Mérudeaux - A Countess
- GR: Kallirroi Paparrigopolou - A Lady in Waiting to Queen Amalia in the mid 1800s
- AU: Miranda Munchen - A socialite and bride-to-be from The Edwardian Era
- The Military Ghost
- UK: "The Captain" - A British Army Officer during World War II
- US: Captain Isaac Higgintoot - An Officer in the Continental Army during The American Revolution
- DE: Claudius - A member of the Roman Legion
- FR: Colonel Georges Peyrache - An Officer during World War II
- GR: Athanasios Karkalentzos - A Major from the Hellenic Army during World War II
- AU: Gideon - a Third Fleet Naval Officer from the 1800s
- The Pantless Ghost
- UK: Julian Fawcett - A Sleazy Politician from The '90s
- US: Trevor Lefkowitz - A Stockbroker from the Turn of the Millennium
- DE: Joachim - An Insurance Salesman from The '90s
- FR: Roland Givorant - A Sleazy Politician
- GR: Apostolos Nikolpolous - A member of Parliament of the Hellenes
- AU: Joon - An (Australian) Gold Rush-era Chinese miner
- The Oldest Ghost
- UK: Robin - A Caveman
- US: Thorfinn - A Viking
- DE: Urs - A Neanderthal
- FR: Tayac - A Caveman
- GR: Vangelis - A Caveman
- The Basement Ghosts
- UK: Plague Victims from The Middle Ages
- US: Cholera Victims from The Antebellum Era
- FR: Poisoned Gallic Artisans
- GR: Ancient Athenians, victims of the Plague of Athens at the beginning of the Peloponnesian War.
- AU: Executed convicts from the 1820s
- The Headless Ghost
- UK: Sir Humphrey Bone - A Tudor Nobleman
- US: Crash - A Greaser from The '50s
- GR: The Headless One - A nameless knight decapitated sometime between 1204 and 1453
- The Scullery Maid Ghost
- UK: Mary Guppy - A victim of the Witch Trials during the Stuart Era
- DE: Griet - A maid burned at the stake in 1656
- FR: Berthe - A maid from The Middle Ages
- GR: Belio Karatasos - A rebel who was burned alive during the Greek War of Independence

- AU: Eileen - An Irish potato famine survivor and publican
- The Ghost with an Arrow in their Neck
- UK: Patrick "Pat" Butcher - A Youth Group Leader from The '80s
- US: Peter "Pete" Martino - A Youth Group Leader from The '80s
- DE: Svenni - A Waldorf Teacher from The '80s
- FR: Daniel "Dani" Quignon - A Youth Group Leader from The '70s
- GR: Paraskevas Papazoglou - A Youth Group Leader from The '80s
- The Poet Ghost
- UK: Thomas Thorne - A Poet from Regency England
- US: Sasappis - A Native American storyteller from the Lenape tribe in the 1500s
- DE: Friedrich Dorn - A Poet from the era of the Holy Roman Empire
- FR: Auguste Montfleury - A Poet from the Age of Enlightenment
- GR: Gerasiomos Zidodoros - A Poet from the early 20th Century
- The Creepy Child Ghost
- UK: Jemima - Died of the Plague, resides in the pantry, and sings lullabies that even mortals can hear.
- US: Stephanie - The most different because she is a teenager and Alpha Bitch who was killed by a chainsaw wielding maniac, she sleeps through most of the year in the attic and wakes up around the time Prom would occur.
- DE: Lotti - A little girl who drowned in the moat. She resembles Sadako/Samara.
- FR: Isabelle - Died of an unknown illness, sings lullabies that even mortals can hear, and she resides in the attic.
- GR: An unnamed girl - Died of plague, resides in the cellar and sings a folk ballad that the living can hear.
- The Home
- UK: Button House - An English Country Manor built around the reign of Henry VIII
- US: Woodstone Manor - An American Countryside Estate built during The Gilded Age
- DE: Donnerhall House - A German Castle
- FR: Mérudeaux Castle - A French Chateau
- GR: A mansion in Kifisia
- AU: Ramshead Manor - An Australian Countryside Estate
- The Accident
- UK: Alison was intentionally pushed out a window by Julian
- US: Sam tripped on a vase that Trevor was trying to move
- DE: Emma was accidentally electrocuted by Urs while he was flickering the lights
- FR: Alison had a chandelier fall on her after Tayac accidentally set it on fire
- AU: Kate fell off a ladder that was being pushed by Satan/Brian
A Comic Relief special starring Kylie Minogue was broadcast on 17th March 2023. It can been seen here.
A tie-in book, The Button House Archives, was released on October 26th 2023. On the 27th of February 2026, it was announced that a movie, Ghosts: The Possession of Button House, was in development
, and is scheduled for release on 23 October 2026.
This show provides examples of:
- The '80s:
- The opening of Happy Death Day takes place in 1984.
- Pat's Christmas present in "It's Behind You" is old VHS footage of him and his family celebrating Christmas in 1983 (his last one alive) and 1988, four years after his death.
- Accidental Suicide:
- Humphrey died when he banged the fireplace in celebration, causing the swords above him to fall and behead him.
- Robin died when the tree that he was touching was stuck by lightning.
- Actor Allusion:
- In "En Francais", the ghosts try to play Family Fortunes. In Horrible Histories, one of The Six Idiots' previous shows, Ben Willbond, Larry Rickard and Jim Howick star in the Stone Age Family Fortunes sketch. Ironically in the sketch, Rickard plays a caveman like Robin, so that may be where he got the idea for the character.
- Thomas' hatred for Lord Byron gets more ironic when his actor Mathew Baynton previously played the aforementioned poet in a Drunk History UK sketch.

- The Captain saying "Could that be any more vexing?" in "Moonah Ston" becomes funnier when considering Ben Willbond's previous role as Elder Vex in Yonderland.
- Actually Pretty Funny: Julian messing with Mike (by changing words into rude words in his emails) gets a giggle from Alison.
- Afterlife Angst: We get to see Julian's reaction to his death during flashbacks in the episode "A Lot to Take In" and it's not pretty. Basically, he initially doesn't accept the fact that he's dead and attempts to leave the mansion for at least a hundred times despite the fact that he can no longer leave. He eventually accepts it at the end of the flashbacks.
- All for Nothing: In the end, Alison and Mike abandon their plan to restore Button House, and decide to sell it to the developers of the golf club. The Ghosts are left alone, unable to interact with anyone, except for a few visits from Alison and Mike each year.
- Ambiguously Bi: When discussing his various sexual exploits, Julian often mentions multiple people of both sexes being participants.
- Anachronism Stew: Done deliberately in "The Thomas Thorne Affair". When The Captain retells the duel, it features single shot pistols firing multiple rounds and a WWII era grenade in The Regency Era. He then claims: "That's what I would've done" if he were in Thomas's situation.
- Animal Gender-Bender: One of Barclay's "bitches" is quite clearly a male dog.
- April Fools' Plot: The episode "Fools" revolves around Alison trying to get back at the ghosts on April Fool's Day after getting upset by a prank they played on her which made her think she lost her ability to see them. After initially failing, Humphrey suggests she pranks them one by one and helps her with it, which works on everyone except for Pat.
- Armour-Piercing Question:
- In Getting Out, the ghosts protest Alison wanting to leave until she asks them "Can any of you honestly tell me you wouldn't leave if you could?" In doing so, she points out that the house has become something of a prison to her and they'd likely do the same in her position. None of the ghosts have a response to that.
- In "The Hardest Word" Alison manages to rip apart the ghosts' insincere apology by asking one simple question: "Sorry for what?" The ghosts can't answer her.
- Armor-Piercing Response: When Lady Button is horrified at the fact that two women are getting married in the house and goes into a rant about how it goes against decency and tradition, Headless Humphrey quietly tells her that the arranged marriage between him and his wife was perfectly traditional and proper — but at the time he was fourteen and she was twelve, they didn't love each other, and in fact his wife didn't even like him. "Might have been nice if we could have chosen who we married." While the opener of season three, A Bone Plot reveals that his wife did like him, and was attempting to minimize his involvement in her plot to overthrow Queen Elizabeth for Mary, Queen of Scots because she thought he was a good man, the point still stands that their married life wasn't something either of them would have signed up for if they'd had any choice in the matter.
- Artistic License – History:
- This seems to be played straight with Humphrey at first, as he's is wearing all his finery, complete with ruff, when execution victims were actually beheaded wearing only an undershirt and trousers. But then Series 3 reveals that Humphrey was actually beheaded in a freak accident, and not executed.
- Mary was burned at the stake after being accused of witchcraft, when in real life she would have been hanged rather than burned. Shame the show isn't set in Scotland... note
- Artistic License – Linguistics:
- "En Francais" reveals that Robin is fluent in French, having learned by listening to Sophie Bone, Humphrey's wife...but he speaks modern French, which is very different from the 16th century French that Sophie would have spoken.
- The plague pit ghosts also speak more like modern council estate dwellers than medieval peasants. Presumably as a deliberate joke.
- Artistic License – Space: A lunar eclipse is shown as the moon being covered up, like a solar eclipse.
- Ascend to a Higher Plane of Existence:
- Some people who die, such as Alison's distant relative the last Lady Button, do this, while others become ghosts. The ghosts talk about the hope that they will eventually ascend to a higher plane themselves, but nobody knows why (or how) it happens.
- In series two, it's revealed that quite a few ghosts have come and gone during the years when Alison is surprised to hear of a ghost called Annie who was around for Thomas's death. Mary casually remarks that she was eventually "sucked off" like so many others. Mary herself moves on in series 4.
- In "Poached Guests", the ghosts turn their attention from squabbling back to Maddocks (a ghost in a field neighbouring the house whom they have been talking to through a gap in the fence) to find this has happened offscreen. He's actually hiding behind the hedge to make them think this has happened so they'll stop bothering him.
- Audience Participation: When the upstairs ghosts realize their pantomime is going to be rather lame if Alison is the only member of the audience (well, the only member who can see them; Mike doesn't count), they invite the plague pit ghosts, who prove to be a quite enthusiastic and vocal audience.
- Bad Omen Anecdote: As Mike tries to reassure Alison that the ghosts are all in her head:Mike: My uncle Graham, he thought he could smell toast but you know what? There was no toast.
Alison: He was having a stroke! He died, Mike. - Bait-and-Switch:
- After Alison's fall towards the end of the first episode, the scene cuts to a shot of Mike sitting alone on a hospital bed looking mournful, hinting that Alison has died and perhaps become one of the titular ghosts... until Alison shuffles into the room from an interior door, very much alive, wearing a neckbrace and having apparently just been using the toilet. Mike is actually looking mournful because he has gone into quite a lot of debt to see if they can get the house renovated.
- It looks like the ghosts failed to stop Alison from meeting Lucy...then it flashes back to show how they tossed Humphrey's head onto the car to get her attention.
- The last episode of series 4 opens with the ghosts looking at what appears to be the burning remains of Button House. The episode then flashes back to 8 hours earlier, and there are various points where it looks like a fire is about to start, only to be prevented. It turns out that it wasn't Button House that burned down, but the Gatehouse after being struck by lightning.
- As part of Thomas' April Fools day prank, Alison starts stripping in front of him to show her affection, only for her to reveal April Fools written on her t-shirt.
- In the season 5 finale, Obi is heartbroken when his girlfriend Brenda breaks up with him over the phone. In reality, she was actually talking about using her new phone.
- Barred from the Afterlife: This has effectively happened to the ghosts, though nobody knows why. In series 4, moving on is shown to happen apparently at random, with Annie having moved on while having a conversation with Mary, and Mary herself moving on at the beginning of the fourth episode of that series.
- Beer Goggles: Downplayed in "About Last Night". While drunk, Alison admits to Thomas that if he was alive, they were the same age and she wasn't with Mike, something might have happened between them. Thomas is elated. After sobering up, Alison, having just remembered what she said, is horrified.
- Big Fancy House: Button House is a deconstruction. While it was once grand and beautiful, the show goes into quite a bit of detail about how those British country houses that look so impressive from the outside can be absolute money pits to maintain and restore for the owners, especially when they no longer have the income that previous generations took for granted. It's only by the end of Series 2 that Alison and Mike restore the house enough that they can hire it out for weddings, and even then it's still a long way off from being a proper hotel. By season 4, they've even had to put plans for the main house on hold and done up the gatehouse as a boutique B&B instead.
- Big "YES!": Thomas when he learns that a period drama to be filmed at Button House is set during the Regency. He's so caught up in his joy that he drop-punts Humphrey's head out of the room.
- Bill... Bill... Junk... Bill...: In episode 4: "Red bill... red bill... ooh, normal bill..."
- Bittersweet Ending:
- The ending of series 4. The Gatehouse burns down in a thunderstorm, putting an end to the Bed and Breakfast business. While Alison and Mike admit they're glad to be free of the stress of running it, they're faced with having to find another way to make money and the stark reality that it would be so much harder to run an actual hotel. But they're determined to keep going.
- The ending of the 2023 Christmas Special, the Grand Finale. After having the baby, the ghosts convince Alison and Mike that it's time for them to move on and live their own life as a family. They sell Button House, which is turned into an elegant resort they never had the resources to create, but return every year to visit the ghosts. The final scene shows them visiting many years later, their hair now grey, with the ghosts ready to greet them in their usual suite and Kitty, Thomas and Julian are mentioned by name, confirming they never passed on while the fates of Fanny, the Captain, Robin, Humphrey and Pat are left unclear. Adding levity to the scene is the revelation that the basement has been turned into a sauna, which the plague ghosts absolutely love.
- Black Vikings: Kitty is a black British aristocrat from the 18th century, with the only explanation given that she's adopted. Unlike her presumed inspiration Dido Belle
, her actress Lolly Adefope doesn't have recent European ancestry. Adefope also plays a Medieval peasant who died of the 1348 Plague with no explanation whatsoever. - Blatant Lies: When Robin gets caught interfering with the lights on the set in 1x04 he claims "bigger boy made me do it."
- Blessed with Suck: Since Alison can see all ghosts, not just those occupying Button House, she can see those that haunt other rentals that she and Mike examine. This includes a murdered dinner guest at their first choice, a pair of pilots apparently stuck mid-air several storeys up in a crash scene near an apartment penthouse, and a Victorian nanny pushing a pram (baby carriage) in the town street.
- Bloodless Carnage: Zigzagged. There is not a drop of blood when we see Pat and Humphrey's deaths: a arrow through the neck and a beheading, respectively. On the other hand, Thomas's waistcoat is bloodstained around his fatal gunshot wound.
- Brick Joke: When Kitty vows to help Humphrey's head reunite with his body she references Atomic Kitten. After she reunites Humphrey's head and body, she calls herself Atomic Kitty.
- British Brevity: All five series have the BBC's usual six episode total (though also with four Christmas Specials). The final episode count is 34. For comparison, the US version had 40 episodes in the first two seasons.
- Broken Aesop: An in-universe example that's Played for Laughs in "Home". Whilst the Captain and Robin's stories do manage to snap Pat and Julian out of their North vs. South feud, they both end up seriously undermining their own messages:
- The Captain argues that what is important is they're all British, relating how during World War Two the nation came together in kinship, and how there was a northerner who served amongst his men whom no one treated any differently...only for him to realise at the end of the story that said individual was actually probably also from the South, making it clear he didn't really have any kinship with him, to the point of not remembering his name.
- Robin meanwhile relates about how he predates the very concept of North or South, or nations and countries, or even peoples; to him it was all land and they were all people, with everything belonging to everyone...only for him to admit that only applied to his people and that his tribe were actually extremely isolationist and xenophobic, as they would regularly slaughter other tribes whom they perceived as invading their territory, even considering others getting too close to them as invading.
- Burn the Witch!: How Mary died, with the result that she tends to start emitting smoke when she gets upset and the living can smell something burning should they step through her.
- But You Were There, and You, and You: In Kitty's retelling of her life, she imagines her fellow ghosts, Mike and Alison as people in her past. Subverted when she starts remembering her sister's cruelty and father's rage as they are played by different actors.
- Cacophony Cover-Up: Barclay drowns out Alison's insults at him, when he orders a road worker to drill into the entrance of her driveway.
- Call-Back:
- When Thomas is helping Alison to prepare for the history documentary, he mentions how he was nervous when he tried to be on Button FM in "The Grey Lady".
- While trying to get the woodworm men to leave the house, Mary tries her "get out, get out, get out" method, the same method she attempted on Alison all the way back in series 1. It doesn't work.
- "Speak as ye Choose" has brief flashbacks of Kitty playing with her sister alongside Florence the statue, which she states she used to do in "Redding Weddy", and Mary and Annie watching Thomas performing his poem like in "The Thomas Thorne Affair."
- In "The Hardest Word", The Captain pretends to use a Bren gun in a similar manner to Julian pretending to use an AK-47 in "Redding Weddy".
- During Mary's memorial service Alison gather items that relate to her actions or sayings in previous episodes, to help remember her. A fennel, a TV guide featuring Loose Women and a photo of Mike for she was seen fondly looking at him in the shower in "Happy Death Day". Alison puts them in a basket that Mary taught her using the same instructions she explained in "Who Do You Think You Are?"
- When trying to solve the mystery of Kitty's death, the ghosts makes Eleanor a suspect because she wanted the inheritance as she is seen protesting that she should have all of it in "Something to Share?"
- When Pat is deciding what to do instead of Food Club in "En Francais", he and The Captain have a Cocktail Society vs Cock Sock argument as seen in "I Love Lucy".
- In "Carpe Diem", The Captain is seen sitting by a window in the exact same position he has in "Redding Weddy".
- Also in "Carpe Diem", while Thomas is lamenting to not leaving any legacy Pat tries to confort him by reciting the lines of his most known poem, only to realize that this is actually the poem that Fanny created (and Thomas wrote word by word) in "Home"
- After Fanny learns that Alison plans to sell the house to be developed into a golf resort, she quotes Julian's "family, family, family" speech she is seen making in the opening of the 2020 Christmas special.
- Camping Episode: The plot of "The Woodworm Men"; Button House is being fumigated for woodworm, so Alison and Mike decide to camp for the night outside (though Mike is less enthusiastic about it).
- Catapult Nightmare: Alison has one in at the end of "Something to Share?"
- The Cavalier Years: Most of the flashbacks in "Speak as ye choose" are set in this era.
- Chekhov's Gun: In "The Bone Plot", Alison takes part in a History Documentary which she explains that she inherited the house though her father. It is where Lucy learns of Alison and got the photo of her father so she can trick Alison into believing that they were sisters.
- Chekhov's Skill: Thomas practises kick-me-ups using Humphrey's head in order to impress Alison. He later uses that skill to kick Humphrey's head in front of Alison's car in order to get her attention and stop her from leaving.
- Christmas Epilogue: The Grand Finale is "The Christmas Gift." It ends with a much-older Mike and Allison returning to Button House- now a successful hotel/resort -to visit the ghosts for Christmas. It's implied that they've been doing this every year since they moved out, and they always stay in their old bedroom.
- Christmas Episode:
- "The Ghost Of Christmas", which revolves around Mike playing host to his family over Christmas at the Button House. Meanwhile, Julian is forced to face his feelings over the fact that he abandoned his family every Christmas and becomes regretful of his actions.
- "He Came!" is also set over Christmas and deals with the cast dealing with an old man who may or may not be Santa camping in the premises of the house.
- "It's Behind You", involves the ghosts trying to put on a panto version of Cinderella as a way to say thank you to Alison her presents while she and Mike are away seeing Mike's family.
- "A Christmas Gift" focuses on Alison and Mike's attempts to get rid of Betty over the Christmas period, whilst Robin tries to muster the Christmas spirit.
- Comically Small Demand: After three days of non-stop trying to scare Alison away she tells the ghosts she can't leave and asks them what they want from her. The answers? Tank documentaries, a portrait taken down and to simply say hello. Subverted with Thomas, who wants Alison to leave her husband, kill herself and spend eternity with him, all of which is soundly rejected.
- Continuity Nod:
- In Series 1, when Alison first meets with her solicitor about the inheritance, Mike picks up what appears to be a sweet from a bowl on the solicitor's desk and pops it in his mouth, only to be told that it is actually potpourri. When the couple visits the solicitor again in Series 3, Mike wafts a bowl and compliments the aroma from the potpourri, only to be told that it is the solicitor's granola breakfast. In Series 5, the solicitor has a bowl of pot pourri and a bowl of sweets on his desk, and Mike's hand hovers over both in turn before the solicitor gives him a helpful look to indicate which is the edible one.
- "Happy Death Day" opens with Pat giving an archery safety demonstration to his scout troop on the grounds of Button House. His troop returns to the same place 38 years later to do archery in "It's Behind You." This time the current leader, who was actually in Pat's troop, lets someone else give the safety demonstration.
- In "Free Pass" Humphrey vows that once he gets control of his body, he will punch himself so hard. Once his head is reunited with his body near the end of "I Love Lucy", he punches himself so hard that his head falls off.
- Robin explains in "Moonah Stone" that his people once had a Stonehenge like monument which once stood in the dining room. "Not Again" reveals that he died near it.
- One of the flashbacks in "Something to Share?" features Thomas playing a man asking Kitty if she will dance with him at an upcoming ball. They end up dancing at a ball when they play Cinderella and the prince in the ghosts' production of Cinderella in "It's Behind You".
- During the flashback to the bear chase, Robin and two of his friends are walking through the woods with one of them is wearing a lot less animal skins, almost bare-chested and carrying a rock tied to a stick. Looks like this was Robin's friend "Hat."
- In "Free Pass" and "Something to Share?" Julian expressed an interest in Samantha Fox. As part of Alison's April Fools Day prank on Julian, she leaves a laptop for Julian to use to the Samantha Fox photos. She also gave him a Samantha Fox photo book as a Christmas present.
- At the end of "Home" Fanny makes a long speech about what home is which inspires Thomas' poem for the paper. The poem is later recited by Pat in "Carpe Diem". Thomas then gets upset as the poem is Fanny's not his.
- Covers Always Lie: Unlike in the poster above, ghosts do not float and are not translucent.
- Cranium Chase: Humphrey's series-long quest to be reunited with his body that keeps walking past him because it can't hear him call.
- Creator Thumbprint: Another historical-themed comedy with surreal/fantastical elements from the team behind Horrible Histories, Yonderland and Bill.
- Creepy Child: Jemima, the plague girl. Even the other ghosts are scared of her. She honestly doesn't understand why people find her recital of "Ring a Ring a Roses" so unsettling.
- Creepy Doll: When the ghosts initially try to alert Mike to the presence of burglars in the house in Bump in the Night, they get Julian to communicate to him in Morse code. Mike is already on edge due to his discomfort being in the house alone with the ghosts — Julian chooses to make a decrepit old doll wink in Morse code, prompting Mike to immediately hide in the wardrobe.
- Crowded-Cast Shot: Happens a few times as there are ten permanent cast members.
- Dead Man Honking: In "Happy Death Day", a flashback to Pat's death shows that after being shot in the neck with an arrow, he got in the troop bus and tried to drive himself to the hospital. He passes out at the wheel and drives into a tree, followed by the horn blaring.
- Death-Activated Superpower: Thanks to her brief brush with death (courtesy of Julian pushing her out of a window), when Alison returns to Button House, she can now see the ghosts.
- Death as Comedy:
- Naturally. Julian's sex scandal death has left him to spend eternity without any trousers on. Even the quite horrific deaths of Lady Button (pushed out of a window by her husband) and Pat (shot through the neck with an arrow by one of the children in his youth group) count. It says a lot that while the show gets some laughs out of a living person smelling something burning if they pass through her, or her emitting smoke when she's angry or upset, Mary's actual trial and execution are never played for comedy.
- Zigzagged with Thomas. The first few retellings of his death are very much Played for Laughs due to everyone's very different interpretations of it. But then Kitty and Humphrey are between them able to reveal what actually happened - Thomas' cousin, Francis Button, ruthlessly manipulated him and created a chain of events which resulted in Thomas being fatally shot in the back during a duel, and then left him to die after promising to fetch Isabelle, Thomas' love and the heiress to the estate that would become Button House. Thomas ultimately died completely alone (barring the ghosts) and believing Isabelle didn't love him while Francis married Isabelle himself and became the first Lord Button. This final version is played completely straight with all the ghosts and Alison visibly moved and upset by the story afterwards.
- Somewhat played straight with The Captain as he died of a heart attack due to his embarrassment as several officers spotted that he was wearing the badges in the incorrect order and they recognised him since he never left the country.
- Death-Based Ghost Powers:
- Mary was burned at the stake. As a ghost, she causes anyone who walks through her to smell like they're burning.
- Robin died from being struck by lightning. As a ghost, he has the ability to disrupt electrical fields.
- A Death in the Limelight: Given that most of the characters are dead to start with, there have been several episodes like this to fill in backstory and aid in character development. As of the end of Series 5, we've been either told or shown how every main ghost died.
- Depraved Homosexual: Most of the LGBTQ characters are portrayed in a positive light, but not Fanny's husband George Button. Fanny caught him not only cheating on her, but cheating on her with two men, an act that would almost certainly have been frowned upon in The Edwardian Era. Then, to make matters worse, he pushed her out the window because he couldn't trust her with his dirty secret. Ironically, she kept her death a secret from the other ghosts for more than a century (though the older ghosts admit that they already know, as they saw the whole thing go down).
- Dissuading the Property Buyer: At the end of the first season, Alison and Mike are planning to sell Button House to a hotel chain, which the ghosts try to convince them not to do. In the end, the Captain exploits Kitty's fondness of Alison by telling her about how the extra space in the basement could prevent the buyer from lowering the price, knowing that Kitty will either keep it to herself while Alison turns down the offer, or that she will tell Alison and it will lead to the plague pit beneath the house being discovered. Kitty chooses the latter, and the hotel chain withdraws the offer after finding out about the plague pit.
- Distant Finale: The series' closing moments take place several years into the future, revealing that Button Manor has been successfully converted into a hotel and that Alison and Mike, who had left the place for the sake of their child, still visit the ghosts from time to time. In a Call-Back moment, Alison and Mike's usual room is called the "Higham Suite," after the original family that owned the estate.
- Distracted by the Sexy:
- The Captain with Mike, Kevin the builder, and Adam the 1st AD. The latter makes him lose his train of thought twice.
- Fanny, in Series 2, develops a crush on Mike after reading Lady Chatterley's Lover, and becomes increasingly waylaid by him doing mundane things.
- Doom It Yourself: Mike's attempts at D.I.Y.—he puts a huge hole in Fanny's bedroom, "fixes" it by covering it up with a painting, and even with the help of video tutorials the ghosts from the Middle Ages have a better idea of how to fix the hot water boiler.
- Do Wrong, Right: In Bump in the Night Fanny spends the entire episode being more upset that the burglars are stealing less than worthy loot than her actual task at monitoring them.
- Dramatic Irony:
- Played for comedy in The Grey Lady. After failing to get the ghosts to do a haunting for a group of paranormal enthusiasts, Alison and Mike tries to do a faux haunting of their own in hopes to earn money. Unfortunately, Alison screws up and the episode ends with the enthusiasts thinking that the Button House is a hoax. One woman in particular calls Alison 'exploitative' because the enthusiasts are open-minded enough to accept that ghosts are real.Female Ghost Believer: Because, let me tell you, there are spirits all around us.
[The camera backs away to reveal the ghosts surrounding Alison]
Female Ghost Believer: I just hope one day you come to embrace them.
Thomas: [gazing wistfully at Alison] At least. - The Button House Archives claims that the Buttons' marriage was a love match, Lady Stephanie died after falling out of the window due to being startled by a mouse, and her grief-stricken husband George never remarried and spent the rest of his days with only his servants for company. As the show demonstrates, she was murdered by George, who threw her out of the window when she caught him in bed with the groundskeeper and the butler. Although her remark that she found the marriage "tolerable" might have served as a clue to in-universe historians.
- Played for comedy in The Grey Lady. After failing to get the ghosts to do a haunting for a group of paranormal enthusiasts, Alison and Mike tries to do a faux haunting of their own in hopes to earn money. Unfortunately, Alison screws up and the episode ends with the enthusiasts thinking that the Button House is a hoax. One woman in particular calls Alison 'exploitative' because the enthusiasts are open-minded enough to accept that ghosts are real.
- Driving Question: How did the ghosts all die? In some cases, the causes are notable right off the bat, such as Pat's arrow, Thomas' bullet wound, Mary's charred appearance and Humphrey being headless. For others - Fanny, Kitty, Robin and the Captain - they have no physical marks explaining their deaths. For both groupings however, the persistent factor is why they died. The only one who isn't a mystery from the start is Julian, whose lack of trousers and sleazy politician characterisation points towards a death via sexual escapade.
- Early-Installment Weirdness: In the second episode, Robin is asked if he's ever met someone who could see ghosts before. He says only once, and it was a bear, implying that it's rare for anyone, of any species, to be able to see ghosts. In later episodes, it's implied that all animals can see ghosts by default - Barclay's dogs, for example. He's also fairly nonchalant about interacting with a bear, when the episode centred on his death reveals that he's completely terrified of them, since one very nearly killed him.
- Embarrassing Animal Suit: The Christmas special sees Mike forced to wear a reindeer onesie for the occasion, much to his displeasure. Robin (who, for context, is a caveman dressed in animal skins) comments that "He look like dumb animal!"
- Ensemble Cast: Each of the multiple regular cast are treated as significant.
- Epic Fail:
- The ghosts' first attempt at haunting as detailed in the Funny tab.
- In Bump in the Night Mary and Kitty are assigned to make a list of things the burglars are stealing while the rest try to stop them. Considering one is a semi-literate Cloudcuckoolander and the other is a Kindhearted Simpleton borderline The Ditz, this goes about as well as you'd expected.
- In one episode, Alison enlists Mary's help to cheat at poker, not realising that Mary a) couldn't read and b) had probably never seen a deck of cards before in her life (or death).
- Equal-Opportunity Evil: Fanny's husband murdered her in cold blood to ensure her silence after she caught him in a threesome with the groundskeeper and the butler. This is in contrast to other LGBTQ characters who appear in the series (and other works by the creators), who are generally treated more positively.
- Evolving Credits: The opening credits for Season 5 show Mary moving on, as she did during the previous season.
- Everybody Knew Already: Having led everyone believe she jumped out of the window, Lady Button finally reveals to the other ghosts that she was in fact pushed by her husband after she caught him with the groundskeeper and the butler. The older ghosts then admit that they already knew because they watched the whole event.
- Everyone Calls Him "Barkeep": The Captain. note
- Everyone Has Standards: The ghosts did want Alison and Mike out of the house in the first episode, but (save for the Captain) they are very unhappy that Julian pushed Alison out of a window and nearly killed her.
- Everyone Knows Morse: The trope is invoked by name in Bump in the Night when the ghosts are trying to communicate with Mike despite their very limited ability to affect the material world. This is justified in that the two ghosts who say this are a youth group leader from a boy scouts-style organisation and a WWII army officer — two people who might well think that way.Julian: Hmm, will he know Morse code?The Captain & Pat, in perfect unison: Everybody knows Morse code!
- Explain, Explain... Oh, Crap!: Pat's realization that his wife was having an affair:Pat: He was always such a support to her, even before I died. [...] I remember one Sunday I came back from camp and I found all his clothes in the hallway. Everything. His socks, his knickers, they were all strewn up the stairs. [Beat] Oh no.
- Extended Greetings: Pat's attempts to greet Alison and give her a house tour in Gorilla War.
- Fake Memories: Kitty has rewritten her own memories, forcing herself to believe that her sister was a kind person when in reality she was cruel.
- Failed Dramatic Exit: Julian's attempt in Gorilla War. As he's a ghost, his hand goes straight through the door. The others stand around staring in amusement and he has to come back in.Julian: Imagine that slammed!
- Fairytale Motifs:
- Kitty's backstory and death are inspired by Cinderella and Sleeping Beauty since she had a wicked sister, was unable to go to a ball and died after being bitten by a spider. The fact that Kitty would have woken up a ghost and spent the next 243 years as one is an allusion to the part in Sleeping Beauty when the princess wakes up one hundred years later. She even got to play Cinderella in the ghosts' panto.
- Alison is an analogue to the prince in Sleeping Beauty as she discovers an abandoned house and "awakens" the ghosts from their slumber of existence with her (familial) love.
- Fictional Counterpart: The group of which Pat was a leader wasn't a branch of the official Scout Association but a generic activity-based youth group with similar uniforms.
- Flashback: A number of episodes have flashbacks, mainly to show the various ghost's key moments in life, or to show how they died.
- Fluffy the Terrible: A building version. Button House is the most harmless-sounding name possible, but it's haunted, falling apart enough to be hazardous and there's a limpet mine buried in the grounds and a medieval plague pit in the basement.
- Foreshadowing:
- The plague ghost played by Katy Wix is nowhere to be seen in the first three episodes of series 4. Mary, also played by Katy Wix, ends up moving on in the fourth episode.
- Mary tells the others about her dream of moving on in "The Thomas Thorne Affair" as well as Annie moving on and counting their blessings before they all move on, too in "Speak as ye Choose". Two episodes later, Mary herself moves on.
- There are several hints as to Alison's condition in "Fools" before the reveal at the end that she's pregnant.
- Forged Message: Francis writes two fake letters to trick his cousin Thomas, and his lover Isabelle that they don't love each other anymore. Thomas didn't know his cousin did this until Humphrey reveals he saw him writing them. He still carries the fake letter from Isabelle many years after his death; trying to remove it results in it re-materializing in his pocket.
- Four Eyes, Zero Soul: Francis Button, Thomas' villainous cousin, wears glasses.
- The Friends Who Never Hang: Thomas is a particular victim of this, but in general most of the ghosts give the impression that they don't spend time together because they've been stuck in Button House for so long with only each other to talk with.
- Funny Background Event: The show employs a lot of these due to the fact that Alison is the ONLY living person who can see the ghosts around her. It's common for the ghosts or the living to be talking or doing something hilarious in the background while someone else is talking in the foreground.
- Funny Foreigner: Not from another country but another time period. They might pick up the occasional modern word or manner but their references and behaviors are very much of their time.
- Ghostly Animals: After its death at the hands of a dog in the episode "Moonah Ston", the pigeon who lives in Button House becomes one of these. note
- Gilligan Cut:
- In the episode Getting Out a hotel agent has offered Alison and Mike a substantial amount of money for the house. Horrified, the ghosts offers to find other means for the two to make make money. After being left alone, Mike is surprised at the fact that the ghosts wants them to stay.Alison: But they are not going to be our problem soon. We can find an un-haunted house to live in.
Mike: Let's not get ahead of ourselves there.
Alison: Yeah, no, we should wait until it's official.
[cuts to them standing out a new house as their real estate agent approaches] - In The Grey Lady everyone finds out that Fanny actually shows up in photographs:Alison: Well, her photo's all over Facebook, so we can say goodbye to doing events. No-one wants a haunted wedding.
Mike: No-one will know. [points to his phone] Look it's only one window and he doesn't say where it is...
[someone tags the photo to their house]
Alison: Hmm.
Mike: Okay, but does anybody actually read the comments?
[cuts to a group of people hanging outside their gates taking videos and photographs]
- In the episode Getting Out a hotel agent has offered Alison and Mike a substantial amount of money for the house. Horrified, the ghosts offers to find other means for the two to make make money. After being left alone, Mike is surprised at the fact that the ghosts wants them to stay.
- Glamour Failure: In the first series episode Moonah Ston, one of Barclay Beg-Chetwynde's dogs barks incessantly at ghosts Robin and Pat, the latter of whom attempts to pet them.
- Go into the Light:
- Subverted when Pat thinks he's moving on after coming to terms with the fact that his widow remarried. Then the light goes out and it turns out that it was just an ordinary stage lamp all along.
- Played straight with Mary at the beginning of "Gone Gone".
- Good News, Bad News: Mike to Alison. Just as she's about to ask for the good news, he reveals the bad news is the extent of the repairs they'd need to make on the house would require a substantial amount of money that they don't have. The good news? He took out a massive loan.
- Gorgeous Period Dress:
- As part of their Jacob Marley Apparel, Humphrey, Kitty, Thomas, Fanny and The Captain wear one of these. More examples of this trope are found in the flashbacks regarding their past.
- Naturally the actors in the Lord Byron period drama wear Regency era costumes.
- Zara, the host, wears a Tudor era dress for a documentary about Humphrey .
- Got Me Doing It:
- In Moonah Ston, Thomas picks up on Robin's poor grammar, saying "me" when he should say "I" and vice versa as Robin does.
- Thomas does the same thing in season one when he picks up Mary's tendency to pluralize words, saying "And how you dies... Died!"
- Gradual Weardown: In "Gorilla War", Alison's patience gradually wears thin when the resident Button House ghosts' attempt to scare her and Mike into leaving the house. While she's already traumatized by her near-death experience, the addition of multiple ghosts scare tactics (In particular Robin resorting to outright brute scaring, Mary repeatedly saying "Get out" to her, the Captain singing "I Am the Very Model of a Modern Major General" off key, Fanny scolding her for acting un-ladylike) start to take a toll on her mental state, until she — fresh off a conversation with the ghost of a doctor who died in his office, and frustrated with Mike for putting them in a very costly mortgage while she was incapacitated — comes to accept the possibility that she can see and interact with ghosts, angrily telling them off. She negotiates a truce with the Button House ghosts while Mike worries that she may have suffered a psychotic break.
- Hair of the Dog: Julian suggests this as a cure for Alison's hangover in "About Last Night". He apparently made the suggestion the night before as well, which led to her drinking more booze...and getting even more drunk.
- Happily Married: Mike and Alison. Though they do have some rocky moments throughout the series such as almost ruining Sam and Claire's wedding. To complicate things, Alison can see and hear ghosts while Mike cannot.
- Haunted House: The whole point of the show.
- Heel–Face Turn: As Kitty is dying, Eleanor regrets the fact that she didn't treated her kindly and wants to be the kind sister that Kitty is.
- Hideous Hangover Cure: Mary suggests one for Alison in "About Last Night". It nearly makes her throw up.
- His Name Is...: Played for laughs in "I Love Lucy" and "He Came!" as Pat and the Captain himself almost reveals his real name. However on both occasions they are interrupted before the reveal.
- Hollywood Prehistory: Averted as Robin's memories in "Not Again" are set in a more historically accurate version of this trope.
- "Home Alone" Antics: Or at least that's what the ghosts think they're doing.
- House-Hunting Montage: A brief one is shown in "Getting Out" after Alison and Mike decides to sell off Button House to a hotel chain. The major issue is that Alison can see ghosts, so the few houses we do see are mainly rejected because she would have to live with the ghosts who live there. The issue is resolved when a mass grave of plague victims is discovered under Button House, leading to the hotel chain withdrawing their offer.
- Hypocritical Humour:
- Lady Button calls Alison an "ill-bred hen" for shrieking, then sees her husband's portrait and shrieks.
- Julian boasts about getting a luxurious house using parliamentary expenses note , then immediately asserts that builders are all thieves. He later becomes frustrated when he can't catch them out.
- In the episode "Speak as ye Choose" Julien tells Mary that times have changed and men "listen to women" now. He then spends the episode barely listening to Mary's story and interrupting Fanny whenever she tries to speak.
- I Need a Freaking Drink: Keith, the man who accidentally killed Pat when he was a boy, opens up a bottle of beer in order to cope with being at Button House when he's coincidentally invited to a wedding being held there.
- I Take Offense to That Last One: Inverted in "Moonah Ston". Barclay knows about Lady Button's death but he gets all the details wrong, like which side of the house she died in and what color dress she was wearing. The ghost of Lady Button constantly corrects him—up until his last point about her being a twenty-something beauty, which is something she doesn't bother to correct.
- Ignoring by Singing: Alison tries this with the Captain. It backfires when he realizes two can play at that game.
- Incorrect Animal Noise: The swans that appear briefly in "Happy Death Day" make goose noises.
- Inheritance Backlash: Alison inherits a massive stately home; unfortunately it's not only haunted but needs so much work done to make it inhabitable, let alone possible for it to become a hotel, that she and Mike lose money in the process.
- Insistent Terminology: Mary keeps referring to the ghosts leaving as "getting sucked off." Alison keeps correcting here to "moved/moving on."
- Instant Turn-Off:
- In "Redding Weddy," after surreptitiously reading a few passages from Lady Chatterley's Lover, Fanny spends most of the episode aroused by Mike doing the most mundane of chores and is ready to confess to Alison her affection... until she witnesses him gobbling nachos.
- In "I Love Lucy," the ghosts discover that Fanny has been having a secret affair with Humphrey's headless body. However, after Humphrey reattaches himself, she immediately loses any passion for Humphrey's body and breaks off their relationship. Also, Thomas immediately loses all interest in Lucy when he finds out she's reading a collection of Lord Byron's poetry.
- Intangibility: Unsurprisingly, ghosts can pass through solid objects (except that they can stand up, sit down, or lie on the floor or the furniture). However, passing through living people and creatures is very uncomfortable/painful for them. They're also not intangible to each other. The mechanics of the ghosts' intangibility is lampshaded in a flashback to Julian's initial experience as a ghost in which he discovers he can sit down on the same chair that he can walk through or stick his hand in.Thomas: Yes, it doesn't make any sense, does it?
- Internal Reveal: Alison learns that Julian pushed her out of the window when she walks in on the ghosts who are having a conversation. Thomas lets this fact slip as he was unaware that Alison was behind him.
- Interrupted Intimacy: Kitty, for Alison and Mike—seeing Kitty standing in the corner of the bedroom is an instant turnoff for Allison.
- Invisible to Normals: The ghosts are invisible to humans by default. Alison only gains the ability to see them because she was clinically dead herself for a brief time until revived by paramedics.
- Irony: The ghosts, Mike and Alison, dancing to Achy Breaky Heart becomes one when earlier on, it was revealed that The Captain died of a heart attack.
- Is It Something You Eat?: In "Redding Weddy", Pat attempts to explain to Robin that man has walked on the moon:Pat: Think about it, Robin. Man has always looked up at the moon, and thought...
Robin: "Can you eat it?"
Pat: No, "Can you walk on it?" - It Seemed Like a Good Idea at the Time: In the episode "Bumps in the Night", two burglars break into the house on a night where Alison went to a party and Mike (who cannot see or hear the ghosts) is alone. Eventually, the ghosts manage to find a way to communicate with Mike by turning on the tap and fogging up the mirror. When Mike asks how many burglars are in the house, Julian (the only ghost who has the power to physically interact with objects) initially writes "2", but then he writes "0" next. Because of this, Mike believes that there are twenty burglars in the house and decides to run away. When the other ghosts ask Julian why he did this, he explains that he wanted to write "2 of them". When the ghosts comment that he only needed to write the number "2", he replies:"Well, you know, hindsight is a wonderful thing, isn't it?"
- It's All About Me: Thomas is extremely needy and has a habit of making everything about him.
- It's Been Done: Thomas struggles to write a poem expressing his tragic love for Alison, but when he finally recites it to her, she points out that it's actually "I Should Be So Lucky" by Kylie Minogue, which was playing on the radio while the workmen were fixing up the house earlier.
- Jacob Marley Apparel: The ghosts are stuck wearing what they died in, complete with clothing damage inflicted by the accidents that killed them. This has led to some frustrating details for Julian and Thomas in particular, as Julian is stuck going around without any trousers after he died during an unspecified sex scandal and Thomas can't get rid of the forged letter that led to his death even after he learns the true circumstances of his demise, the letter reappearing in his pocket any time he tries to leave it behind.
- Jumping on a Grenade: The Captain, caught up in the moment, jumps onto a bomb he buried in the garden (when he was alive) before it explodes. He admits afterwards that it was a futile gesture.
- Karma Houdini:
- Fanny's husband got away with her murder, as everyone believed his claim that she fell out the window by accident.
- Thomas's cousin, Francis Button, got away with stealing the woman Thomas loved (who he eventually married in order to get her inheritance) and indirectly murdering Thomas.
- Mike's sisters face absolutely no comeuppance for their treatment of him during the Christmas special (mocking and humiliating him until he snaps and then filming the results to make a Voice Clip Song).
- Eleanor never faced retribution for frequently abusing her sister Kitty.
- Killed Off for Real: Mary moves on in the episode "Gone Gone", essentially dying for real.
- Kissing Cousins: Played for Laughs. After hearing Thomas's backstory, Alison realises that she and Thomas are related. Thomas assures her that they're distantly related. note
- Knight's Armor Hideout: In Bump in the Night, Mike hides in a decorative suit of armour when he finds himself alone in the house with an unknown (to him) number of burglars. Then he tries to intimidate them by pretending to be a ghost. Unfortunately, he falls flat on his back and can't get up.
- Know-Nothing Know-It-All: A paranormal investigator claims to be able to sense ghosts due to her long experience with them — while remaining oblivious to the two sharing the same room with her.
- Land Poor: While Alison inherits a stately home, she and Mike don't have the income to maintain it, let alone allow them to turn it into a hotel. In the fifth season Mike has the good idea of selling some of the land that comes with the house — but even then they're restricted in who they can actually sell it to, since the property is located in the green belt (a planning policy for preventing urban sprawl)
and thus can't easily be built upon. - Lightmare Fuel: It's a horror comedy. Some of the attempts to haunt Alison count as does Pat's death scene which, while funny, is genuinely unsettling.
- Limited Wardrobe: The ghosts appear perpetually dressed (and coiffed) as they were when they died, including Julian who is forever without trousers. They can remove an article of clothing, but a moment later it reappears.
- Used for comedy in the series 4 Christmas episode, when Kitty removes her "slipper" while playing Cinderella, and it keeps on reappearing back on her foot.
- In the series 5 episode, "Carpe Diem," Fanny strips down and lets her hair down to go skinny dipping. By the time she reaches the water, she's fully dressed again.
- The living people, though, have normal wardrobe changes.
- Locked in a Freezer: In series 5 episode "Pineapple Day," Mike and Barclay get locked in Button House's walk-in safe, which gives them a chance to get to know each other better.
- Locked Out of the Loop: When Kitty is about to talk about her sister in "Something to Share?" the other ghosts distract her to prevent her from realising that her sister was actually horrible towards her. Once Kitty is out of the room, they explain to Alison the reason for this trope.
- Long-Lost Relative: Subverted. A woman named Lucy appears in the episode "A Lot To Take In" claiming to be Alison's long-lost sister from a previous relation that her father had. However, it is revealed in the last episode of the season that she was only pretending so she can take Alison's money.
- Long Speech Tea Time: The ghosts whenever Thomas launches into his poetry.
- Loose Floorboard Hiding Spot: In "Getting Out", Alison and Mike have decided to sell Button House, and the ghosts are trying to raise money to stop them from doing so. Fanny's solution is a priceless gem that she had hidden under a floorboard in the house. Too bad that her husband had found it a long time ago and pawned it.
- Manipulative Bastard:
- Francis, as he managed to end his cousin Thomas and Isabelle's relationship, tricks him into fighting a duel, lies about the pace count to make sure Thomas dies and finally offers comfort to a grieving Isabelle which leads to him getting her inheritance.
- Eleanor, as she tries to stop her sister Kitty from going to an upcoming ball. First by cutting up her ball gown and telling her that moths ate it. Next, she deliberately gives Kitty food poisoning by feeding her warm oysters. When that doesn't work, she makes Kitty break a bust of their mother while playing a game then blames her for the incident so their father bans Kitty from attending the ball.
- Lucy, as she tricks Alison into thinking that they are sisters to gain her trust and access to her savings. Fortunately, the ghosts manage to expose Lucy as a fraud.
- The Middle Ages: The opening of About Last Night takes place during an outbreak of The Black Death.
- Militaristic Myopia: The Captain uses military terminology to describe everyday activities, even long after his death and return as a housebound ghost.
- Mistaken for Pregnant: In "Home", upon learning of the symptoms that Alison is getting from her pregnancy (such as an aversion to certain foods, being highly emotional, etc), Kitty applies it to herself and concludes that she's pregnant. It isn't until near the end of the episode that Alison has to point out that she isn't actually pregnant, especially since Kitty, being her naive self, didn't realize that she needed to have sex with a man to fall pregnant, something which she hadn't done.
- Money Dumb: Mike has shades of this in series 1. He takes out a big loan without consulting his wife first (which is usually a big no-no with married couples), only skimmed over the terms and conditions which leads to them being stuck in the house, and didn't correctly calculate how much money they would need in order to fix up the house, as they blow through the loan money very quickly.
- Montages: "Speak as ye Choose" has one of Mary and Annie insulting people in Button House and its grounds over the years, including Kitty and Eleanor's father as well as Thomas on the day he died.
- Morning Routine: "The Grey Lady" shows how Alison's morning routine revolves around helping everyone in the house: She confirms the bathroom is ghost-free for Mike, sets a stopwatch for The Captain's daily run, turns on the record player for Thomas, fills in the crossword answers for Robin, opens the laptop so Julian can play Pong, puts in a VCR tape so Pat can watch football, then turns the page on Mary's alphabet book, Kitty and Fanny's romance novel, and Humphrey's historical biography.
- Moving-Away Ending: The final episode of the series features Alison deciding to depart from Button Manor for the sake of the baby, with the hotel sold off. However, the closing moments show that the hotel managed to become successful, and that Alison still visits the ghosts from time to time.
- Mundane Made Awesome: Julian's "extraordinary skill" is the ability to push cups. When he's tasked with pushing a vase off the table to scare Alison, the frantic cutting between Julian's struggle, the ghosts cheering him on and the dead silence of what Alison can see make it brilliant. The fact that she fails to notice makes it even better.
- Murder the Hypotenuse: How Thomas died. As we learn in season 2, while it wasn't directly murder, his death was planned and ensured by his cousin, Francis Button, so he could marry Thomas' beloved and inherit the house.
- No Honor Among Thieves: On the day The Captain died, he gets caught by other officers for wearing stolen badges. He dies in shame and without being honoured a hero. It took 78 years to admit the truth about himself to the other ghosts.
- Noodle Incident: Whenever Julian talks about his sexual history, a lot of it are these.
- Nothing Is the Same Anymore: By the end of Season 4, Mary has been 'sucked off'/moved on and Alison and Mike are having serious doubts about whether they'll ever be able to accomplish their dream of starting up a hotel (given how stressful running the Gatehouse was) and are at a loss for what to do next.
- Oh, Crap!:
- In "About Last Night", Alison is horrified when she finally remembers that she flirted with Thomas while she was drunk the night before.
- In "Bump in the Night", Mike is terrified when the ghosts accidentally make him believe that there are twenty burglars in the house.
- Once a Season: The circumstances of the ghosts' deaths are revealed twice per season; Fanny and Pat in season one, the Plague Ghosts and Thomas in season two, Headless Humphrey and Julian in season three, Mary and Robin in season four, and Kitty and the Captain in season five.
- Once More, with Clarity:
- In the episode "The Thomas Thorne Affair" we see flashbacks as Thomas, Robin, Mary and Kitty all tell their slightly different versions of the story of Thomas' death, but it isn't until Humphrey's flashback that we get the revelation that Thomas' cousin betrayed him and arranged his death, a fact that not even Thomas was aware of.
- "Perfect Day" shows the flashback to Pat's death from "Happy Death Day", this time showing the other ghosts (except Julian, who hadn't died yet) present, after it turns out that one of the wedding guests is the one who accidentally killed Pat.
- "Pineapple Day" shows Kitty holding a pineapple on the day she died, and accidentally pricking her hand on it. We see the same scene again after Robin mentions seeing a spider with an orange stripe on its back, where it's shown that Kitty hadn't pricked her hand so much as been bitten by the deadly spider which had been brought to England with the pineapple.
- "En Francais" shows the other side of Humphrey's marriage; while in the present he moans that he wasn't able to connect with his wife Sophie, this episode reveals that he left her alone for vast swathes of time with only her maid to talk to...until the latter died. Robin, who learned French from listening to Sophie and keenly wanted to be her friend, only to see her escape from the house forever at the end of "The Bone Plot", isn't too impressed with Humphrey being jealous of Robin's 'relationship' with his wife, pointing out that even if Humphrey did try to talk to Sophie, he never listened.
- Outdated Name: In "Gone Gone", Alison and Mike have agreed to host a joint birthday party at Button House for two people called Ethel and Biddy. However, it turns out that Mike misheard the phone call and believed they were turning 86, when really they were two little girls turning 8 and 6. This causes a few problems with some of the preparations that had been made for the party in the assumption that the guests would be elderly, but Mike manages to save the children from boredom with some improvisation.
- Pantomime: The focus of the 2022 Christmas special, when the ghosts decide to put one on for Alison.
- Percussive Maintenance: Mike gives up on trying to figure out the boiler and just whacks it with a hammer. The basement ghosts are not impressed.
- Perpetual Poverty: Mike and Alison spend most to all of the series barely getting by.
- Phoning the Phantom: During the party in "About Last Night", Alison tries to tell Kitty that Alison can't respond to anything Kitty says by talking into her phone, but Kitty doesn't realize that Alison was talking to her.
- Pin-Pulling Teeth: In "The Thomas Thorne Affair", Kitty is narrating what happened during Thomas' duel. In the flashback, Thomas suddenly pulls a grenade and does this (as well as his single shot dueling pistol firing multiple times without reloading). The scene then cuts back to the house to the reveal that the Captain has hijacked the narration and is explaining what he would have done in that situation.
- Plagiarism in Fiction: One episode ends with Thomas trying to woo Alison with one of his poems, only for her to point out that he is actually reciting lyrics to a Kylie Minogue song he had heard earlier in the episode.
- Platonic Life-Partners: Fanny and the Captain have shades of this dynamic. They get along with each other better than they get along with the others, they have the same sense of humor and the Captain states in series 3 that he knows Fanny "better than anyone".
- Plot-Triggering Death: The series begins with the death of Lady Heather Button. Even though it's about people who have died in the same house and become ghosts, she doesn't (in fact, so far she's the only person who's been shown to immediately Ascend to a Higher Plane of Existence), but it results in the Unexpected Inheritance that's central to the show.
- Plumber's Crack: Lady Button finds herself surrounded by these when the builders are in.
- Ponzi Scheme: Julian suggests one as a way to get money for Alison in Getting Out.
- Put Off Their Food: Mary comments that Alison's Rice Krispies sound like tiny people calling out for help as they drown in the milk. When Alison comes back into the room Mary remarks that, "they have stopped calling out, they are dead!" Suddenly Alison doesn't look like she wants to eat it anymore.Mike: Cornflakes were actually invented to stop people from touching themselves, apparently.Julian: [waggles his eyebrows] Never did like cornflakes.
- "Rashomon"-Style: The episode "The Thomas Thorne Affair", as Thomas, Robin, Mary, Kitty and Humphrey each tell Alison their slightly different versions of the story of Thomas' death.
- Real Life Writes the Plot: The plague victims are not in the third series, because their scenes could not be accommodated with COVID-19 protocols in place. Though as Series 3 has a more serious tone with exploration of Kitty's tragic backstory, confirmation that Alison is an orphan, and a series arc about a con artist posing as Alison's half-sister to steal her life savings, it comes across as a Shoo Out the Clowns moment.
- Red Herring: Robin admits that he saw Eleanor picking herbs from her garden. He mentions that she grew deadly nightshade and saw her giving Kitty a herbal tea. It leads the ghosts to assume that Eleanor poisoned the herbal tea to kill Kitty. However this is not the case as Kitty doesn't remember taking tea the day she died and Robin said that Eleanor made tea later on in the day. It turned out that Eleanor made the tea due to Kitty falling ill due to the spider bite.
- Regency England:
- The period drama being filmed at Button House in "Free Pass" is set in this era.
- The flashbacks in "The Thomas Thorne Affair" are set in this period.
- Remember the New Guy?: Inverted. Mary casually mentions another ghost called Annie while telling a story. When Alison asks who she is, the other ghosts are surprised that they've never mentioned her before, before explaining that Annie was "sucked off" before the series started (presumably sometime before Pat died, since he wasn't there to witness it). They also mention that there have been many other ghosts who used to haunt the house and have since moved on.
- Repressed Memories: it's revealed in "Something to Share?" that Kitty was repressing her memories of her sister so that she remembers her as a kind person, when in fact she was shown to be cruel and manipulative.
- Reset Button: In the first season, every attempt Alison and Mike make in trying to get money to fix up Button House — or failing that, to hand it off to someone else — is doomed to end in failure.
- Ret-Canon: The American remake revealed that Robin's counterpart Thorfinn's ability to manipulate electricity is because he died after being struck by lightning. While the circumstances were different, this was revealed to be Robin's backstory as well in the series 4 episode "Not Again".
- Right Behind Me: Alison's "God, I hate estate agents!" before remembering one is standing right behind her. He doesn't mind.
- Ripped from the Headlines: Series 3 focuses around Alison discovering that she has a half-sister, only for it to be revealed that the whole thing was a scam set up by the woman in order to steal Alison's savings. This was written/aired during a time when money scams in the UK were on the rise.
- Running Gag:
- Alison and Mike have a continuous problem with a pigeon invading Button Hall. This gets taken up to eleven in Getting Out, when the pigeon is killed by a dog and comes back as a ghost.
- People manhandling Headless Humphrey's head without thinking, and sheepishly apologising for it.
- Barclay keeps misnaming Alison with Annabel. He even lists her contact with Annabel on his phone.
- The Scream: Fanny does this when she finds out that her husband pawned the jewel that could've helped Alison out of her money troubles.
- Severed Head Sports: Happens a lot with Humphrey. Thomas drop-kicks his head in a fit of excitement, then realizes and apologises. Later Humphrey joins in with Mike and his friend's shoe-throwing game by allowing Robin to throw his head onto the roof before realizing he can't get down. At one point, he even agrees to his head being used as a volleyball, and to letting Thomas practice soccer moves with him (though he does appear to dislike this last instance specifically).
- Sham Supernatural: When the ghosts go on strike in "The Grey Lady", Alison and Mike resort to faking the fact their house is haunted by mimicking Robin and Julian's powers. They do this by flicking a basement switch and using a magnet to move a cup. The trope is almost subverted when Robin and Julian intervene with Alison and Mike's tricks which results in a light bulb being blown and a cup flying off the table. It is finally played straight when Alison dresses up as Fanny and Robin exposes her.
- Ship Tease: Between Mary and Robin in "About Last Night" culminating in an Almost Kiss, although we aren't shown what happens next.
- Shout-Out:
- When Alison and Mike first arrive, Pat exclaims "it's Kim Wilde!" due to the song Kids in America playing on their car's radio. Robin calls Alison Kim Wilde repeatedly after this.
- One of Fanny's criticisms of Alison is that she uses rouge. In her words, "Ladies pinch. Whores use rouge."
- When Alison is talking to the ghosts, Mike thinks he should call someone. Alison's response? "Who you gonna call?"
- Alison refers to Robin as "budget Tarzan". After reaching the limit of her panic and patience with the situation, as well as his habit of popping up in expected locations and shouting "Boo!" at her, she also yells: "Captain Cave-Prick!" at him at one point.
- The name of the period drama being filmed in the house: The Life of Byron.
- When Mike is doing DIY, he does an impression of RoboCop stomping around with his drill/gun.
- The Moonah Stone chant sounds very similar to the opening chant of Blue Swede's cover of Hooked on a Feeling.
- In "Moonah Ston", Mike says that Alison, in her red dress, looks like Downton Abbey.
- "Redding Weddy" names drops films such as Top Gun, The Notebook, 9½ Weeks and Love Actually as the ghosts argue what to watch on film night. They eventually settle for 2001: A Space Odyssey. As Also sprach Zarathustra plays from the film, The Captain imagines Lieutenant Havers leaving Button House with the implication that he never saw him again.
- The episode title "The Thomas Thorne Affair", to The Thomas Crown Affair (1999).
- In the episode "A Lot to Take In," Humphrey tries to get the Captain to be a better sales rep than Michael, who is new to the job. Humphrey keeps making changes to his family situation, such as calling himself "Mr. Cheese," and saying they just had a new son, whom they would be calling "Cheddar." Exasperated, the Captain storms off, saying that it is "getting quite silly," much like The Colonel on Monty Python's Flying Circus.
- When Fanny states how she was supposed to go on RMS Titanic on its maiden voyage but couldn't due to a fraudster, she mentions the motion picture about the ship.
- The season 3 episode 4 title shares its name with a 1950s sitcom.
- On Kitty's 263rd birthday, Alison plays her favourite film The Wizard Of OZ.
- While reporting a homeless man to the council, Mike mentions The Muppet Christmas Carol. Alison states that there are non-muppet adaptations of the story. Mike replies that it's not as good as the Muppet version.
- In "Speak as ye Choose", Fanny reminds The Captain, after spotting him without his jacket on, that they are watching Captain America: The First Avenger at 7 o'clock note .
- The Captain quotes the Cole Porter song My Heart Belongs to Daddy in "The Hardest Word".
- The name Maddocks (the ghost who lives next door to Button House) sounds very similar to the protagonist of Yonderland Debbie Maddox.
- Mike mentions Jurassic Park when discussing with Alison and their lawyer about what they can sell their land for.
- After the revelation that Kitty died due to a venomous spider bite, she and Julian mention Spider-Man.
- "En Francais" makes many references to British game shows like Blankety Blank, Bullseye, Family Fortunes, Less Points (Pointless) and Mastermind as Pat is stuck on what to do instead of Food Club.
- As Robin is watching an astrology programme on TV in "Carpe Diem", a series of animated mathematical equations surround him in a similar manner as Math Lady.

- Julian quotes the title of the ABBA song Money, Money, Money in "Last Resort". Both Pat and The Captain recognise it as a ABBA song.
- Series five episode "Fools" references Jurassic Park twice. When Alison tricks the Captain into thinking there's a plane in the woods, only for it to be a model, he remarks: "Clever girl," like Muldoon when the raptors attack. When she tricks Julian into clicking a computer link to see "every picture of Sam Fox ever taken", he instead gets a clip of her wagging her finger like Dennis Nedry did in his message after disabling the computer system.
- Also in "Fools", Humphrey's head uses Han Solo's line: "I thought these things smelled bad on the outside!" from The Empire Strikes Back after he's hidden inside a stuffed badger.
- Skeptic No Longer: In episode two, after (understandably) treating Alison's I See Dead People powers as mere side-effect hallucinations resulting from her massive head trauma, both Alison and Mike very quickly accept the presence of ghosts once given a concrete reason to do so:
- Alison's occurs after her hospital visit when the first doctor who attends to her turns out to be a ghost as well, as she realizes that she can see different dead people in different places rather than always seeing the same people, as would be the case if it was just a product of her mind.
- Mike's occurs after first seeing a spectral presence (Julian) type out a search on his laptop, followed by Alison talking to the plague villagers in the basement to get their help in fixing the boiler.
- Smash Cut:
- In the first episode. The ghosts learn that Alison and Mike plan to turn the house into a hotel, thereby overrunning the place with strangers.Robin: What is hotel?
Pat: Well, Robin, a hotel is-
[smash cut]
Robin: Kill them. - In "The Woodworm Men", when Thomas said that he was left uninspired after his trip to Venice, Alison asks him whether he got something out of it. Then it smash cuts to a flashback of Thomas having diarrhoea during the trip.
- In the first episode. The ghosts learn that Alison and Mike plan to turn the house into a hotel, thereby overrunning the place with strangers.
- Somewhere, an Entomologist Is Crying: In "Speak as ye Choose" the Captain states that mayflies only live for a day. Whilst they only live about a day in adult form, they may have spent over a year as a larva before that.
- In the same episode, he refers to the ants he and Kitty see as males when they would in fact be females. This is also an Insect Gender-Bender.
- Somewhere, a Mammalogist Is Crying: When Robin tells the basement ghosts about the bear he's afraid of, one of them asks him what kind of bear it is: "Brown bear? Grizzly bear? Kodiak bear?" The grizzly and Kodiak are both subspecies of the brown bear. He's essentially saying: "Brown bear? Brown bear? Brown bear?"
- Spiders Are Scary: It is revealed in "Pineapple Day" that Kitty died from being bit by a spider which had taken a ride on a pineapple being presented at the Button House.
- Spooky Photographs: In "The Grey Lady," when Alison is having professional photos of Button House taken, Fanny sticks her head out through the window and demands that she move the photographer off of the grass. The photographer captured her in one of these spooky photographs and posts it online, which drives the plot of the episode with several ghost hunters converging on Button House to look for the Grey Lady.
- Spoonerism: Mike has trouble getting the house (and saying) "Redding Weddy" in the titular episode. This particular spoonerism pops up again in Part of the Family when Mike is recording an advertisement for Button House and he keeps flubbing his lines.
- Spotting the Thread:
- The Captain points out that a photograph could not have been taken in Cornwall because it has a World War 2 fortification in the background that he knows is in a different location. The ghosts take a closer look at the photograph and discover more problems with it. This proves that Lucy is lying about being Alison's half-sister.
- The Captain is seen stealing someone-else's badges in order to gatecrash the Button House VE Day Celebration. Later on, the officers at the party notices that The Captain is wearing the badges incorrectly. One of them even stated that he never left the country.
- Status Quo Is God: No matter what Alison and Mike do to make money and leave the mansion, they ultimately end up failing (usually because of the ghosts' shenanigans) and having to stay in the house.
- Supernatural-Proof Father: Happily averted; even though Mike can't see or hear the ghosts, he very soon comes to believe Alison and takes it mostly in stride. It does help that he saw a invisible hand using the laptop to look up "Vicky Pedia", and Alison coached him on fixing the boiler with the help of the Plague Ghosts.
- Surprisingly Realistic Outcome: "Fools" reveals that after the Gatehouse burned down at the end of Series 4, Alison and Mike put in a claim for it — but Mike is alarmed when an inspector from the insurance company turns up unannounced to investigate the claim, since a whole building being destroyed just from being struck by lightning is inevitably suspicious. And then, after hearing the full story (as Mike saw it)...the inspector approves the claim, since she's very experienced in dealing with fraudsters and, as she points out, "No genuine criminal would ever come up with a story as patently ridiculous as that one. Stuff that absurd only ever happens in real life.".
- The Talk: Various characters try and all fail to finish explaining how babies are made to Kitty. Keep in mind that Kitty was an adult woman when she died.
- Technologically Blind Elders:
- Although the house has been occupied up until the early twenty-first century, the last owner was a long-lived recluse with no time for technology, so most of the ghosts have never seen television or the internet until Alison and Mike show up.
- Similarly, the ghosts' grasp of the technology of their own time is limited. When someone mentions that pictures can be faked using Photoshop, Pat says by taking a picture to a photoshop, they can manipulate the negative to fake a picture. Julian informs him that Photoshop is software that can do that in a computer.
- Ten Paces and Turn: In "The Thomas Thorne Affair" Thomas is shot in the back because his cousin Francis had lied about the pace count so that his opponent could easily shoot him.
- Together in Death:
- Something Thomas is hoping for. Alison being alive is an obstacle but if she committed suicide, they could be together. Alison is not impressed.
- Pat suggests this in "Happy Death Day" by asking Alison to murder his widow, but soon realizes what an immoral idea it is.
- Unexpected Inheritance: Alison inherits Button House from a relative she never knew existed. The closest way people can find to describe the extremely tenuous relation is 'step great-aunt/great-niece'note .
- Visual Pun: Julian is an MP who died in the middle of having sex; as he no longer wears pants, he's literally "caught with his trousers down" for all eternity.
- Winged Soul Flies Off at Death: Happens to Heather Button and Sophie's nurse after they died. Their spirits hang around long enough to see and talk to the ghosts who are trapped on earth (Robin in the case of Sophie's nurse) before they move on.
- Wham Line:
- "You should be wearing a hard hat." Towards the end of the first episode, as reconstruction work begins Julian wanders up behind Alison to watch in curiosity. Alison turns and says this to him, unaware that he is a ghost and revealing that she can now see the dead.
- A hell of one in "Gorilla War", after Alison gets overwhelmed by all the ghosts, goes to a hospital... and receives a rather unexpected diagnosis. The attending doctor states that her Near-Death Experience has left her with the ability to see the dead, and when Alison reacts in astonishment asks if she can see him. When she reacts with the obvious, he drops the bombshell: "Exactly. I'm dead."
- In "Pineapple Day", the ghosts are trying to work out how Kitty could have died on the titular day, and Robin initially doesn't seem like much help because he was preoccupied by staring at a spider around the time she lost consciousness and only has what he saw her sister doing to go by. Eventually, when asked more about it, he says it had an orange stripe on its back, causing the others to realise this was no ordinary spider and might have played a part in Kitty's death.
- Wham Shot:
- After the above line in "Gorilla War", the doctor stands up and takes a step back, phasing through the chair he was sitting in, while the actual doctor that Alison was spposed to be seeing comes in.
- In the Cold Open of "Gone Gone", the ghosts are worried that Robin might have moved on after not being seen for days, until they spot him out of the window. They are relieved, but then a light appears from above in the room they're in, and Mary is "sucked off" by it.
- What Did I Do Last Night?: The plot of "About Last Night" is basically this, in which a hungover Alison and Mike try to figure out what happened during the party the night before while they attempt to clean the house before the wedding planner gets there.
- Writing Around Trademarks: They avoid mentioning Google by name by having Julian mispronounce it as "Goggle" whilst whatever search engine actually appears on Mike's laptop screen is clearly not Google. On the other hand, YouTube does get namedropped.
- Yet Another Christmas Carol:
- Played with in the 2020 Christmas special. At first, Julian dislikes Christmas but when Mike's niece stays in his room for the holiday, he is forced to remember the fact that in life, he choose to spend Christmas away from his family and regrets it. In the end, he learns that family is more important than anything else and to enjoy the holiday.
- Kitty shares the same characteristics as Nephew Fred from the novel as they both show kindness and affection for their relative despite the fact that they are cruel to them. It took being confronted with a death for the mean relative to regret being unkind to them. While confronted with the death, they state that they want to make amends for their cruelty.
- You Can See Me?: Stray ghosts that Alison runs into are often surprised to be seen, with two in particular eagerly greeting her.
- Age Lift:
- Due to most roles not being played by The Six Idiots, the remakes are free to make the ghosts more distant from each other in age, though it should be pointed that some characters in the British series (Robin, Kitty, Thomas) are canonically younger than the actors portraying them.
- The living couple is sometimes changed to younger and unmarried (the French version being notorious for making it both older and unmarried).
- The creepy little girl is changed to a teenager or young adult in the US, France, and Germany, allowing her to be a bigger character without having to worry about the actress growing up.
- Adaptational Context Change:
- While the third episode consistently introduces the prospect of Ascending to a Higher Plane of Existence through a Bait-and-Switch where it turns out the apparent heavenly light is actually from a mundane source, the French and Greek versions make it more obvious that no ascension will happen. In the French version, Alison looks nervous and tries to tell Daniel something as he believes he is moving on as Five-Second Foreshadowing for the light being a builder's light, while in the Greek version, the builder’s light is shown on screen before it shines on Paraskevas, leading him to falsely believe he is moving on before he finds out the light's mundane origins. This also has the effect of casting into doubt whether moving on is even possible for a ghost in the French and Greek versions.
- The episode where the neighbors self-invite to the house and try to extort the living couple is extremely similar across versions. However, in the UK and Greece the husband cancels the debt after being implicitly threatened with reporting his illegal offshore account; in the US, after being threatened with being reported to the HOA; in Australia, to punish his wife (who is the plotter unlike in other versions) after she's exposed for killing his favorite dog years ago; and in France, it is the wife who cancels the debt (despite being plotted by the husband) after being threatened with exposing her infidelity.
- Adaptational Dumbass: None of Robin's counterparts is as intelligent as him. Germany plays him more innocent, while France and Greece lead straight into dumb caveman stereotypes. The US changes him to a bloodthirsty Viking, who isn't particularly bright despite having his Hidden Depths.
- Adaptational Intelligence: Commonly happens to Kitty and Mary, when not Adapted Out.
- None of Kitty's counterparts are as naive and immature as her. For example, while oblivious in other areas, her partial French, US, and Australian counterparts draw comedy from being very sex experienced, whereas Kitty didn't understand how babies were made for centuries.
- Mary's counterparts in Germany, Greece, and Australia are all more naturally savvy as well as questioners of authority with a love for sarcasm, despite remaining uneducated and superstitious. In France and the US, Mary is combined with Kitty to become a single crazy energetic character, but both results imply that she has more intelligence than she lets out (the US version is not even a peasant, but an educated, pragmatic late 20th century woman who happened to be a New-Age Retro Hippie on drugs when she died).
- The US introduces two Deadpan Snarker original ghosts to replace Kitty and Thomas: jazz singer Alberta and Lenape storyteller Sasappis.
- Adaptational Nice Guy:
- Except for the closest remake, Greece, the incident that results in the woman's injury is changed to an accident (or reluctant push in Australia), and regretted immediately by the ghost responsible.
- The pantless ghost loses the Sleazy Politician angle in the US, Germany, and Australia.
- Adaptational Sapience: In the UK series, the ghosts are sometimes trapped rehearsing activities (like Fanny recreating her death) and have great difficulty accepting new information and changing their ways, implying that they are more like prints left behind by the persons they were when alive than full people. This doesn't tend to be the case in the remakes, where the ghost is just like the living person but unable to interact with the physical world.
- Adaptational Job Change:
- Rather unsurprisingly for the living couples, as Alison and Mike don't seem to have any long standing job and just scrape by with what they can at the moment. In the US, Sam is a journalist and Jay is a chef; in Australia, Kate is a lawyer and Sean has an office job from home.
- The pantless ghost is not a politician in Germany, Australia, and the US, and work in some way with money instead (insurance, mining, and stock trading).
- Adaptational Wealth: Though they always welcome the surprise inheritance and are less wealthy than the neighbors, no remake couple is trapped in Perpetual Poverty like Alison and Mike, nor are the house's repairs and upkeep such a drain to them. Many couples being younger often means that they have no savings now but their expectation to gain money in the future is better. If the remake does the episode where the couple tries to sell the house and move out, their motivation is different, such as wanting to live a normal life without renovations or ghosts (Germany) or not wanting to worry about the ghosts while raising a baby (France).
- Adaptation Relationship Overhaul: In the UK, US and Greek versions, the living couple are married. In the German, French and Australian versions, the living couple are boyfriend and girlfriend instead (though the German and Australian versions make a potential engagement a plot point).
- Adapted Out:
- Humphrey is the most common victim, with only Greece retaining a headless knight character. The US had a much younger headless ghost in the pilot, but he was subjected to Chuck Cunningham Syndrome before being brought back and Demoted to Extra. Germany and Australia only have single brief appearances by headless ghosts outside of the house, bordering on Mythology Gag.
- Thomas is adapted straight in all European versions, but removed in the US and Australia. This is likely because European audiences are familiar with Romanticism and its role in the shaping of their modern national literatures, while American Literature and Australian Literature emerged later and were more linked to the novel format than to poetry. In both cases, his infatuation with the living woman is given to the pantless ghost (briefly), and his one-sided rivalry with a historical figure to the military ghost. Likewise, both versions have a different ghost ask the living to write a book for them (the military ghost in the US and the lady ghost in Australia).
- Two that were left out because of
Unfortunate Implications were Robin in Australia (due to Indigenous Australian taboos about depicting the dead) and the basement ghosts in Germany.
- The Artifact: The basement ghosts, already an Artifact from when the UK series was supposed to introduce new ghosts played by The Six Idiots in every episode, further become this in the remakes, where they aren't played by the same actors as the upstairs ghosts but will still have limited appearances under the claim that they like it better downstairs. Germany doesn't even have basement ghosts, but still retains an ample basement where it feels they should be.
- Ascended Extra:
- The attic ghost in the US, France, and Germany, due to aging up the character. The US version loses her singing, but it is given to one of the main ghosts and has more plot relevance as a result.
- Both the US and France have one original basement ghost come upstairs and interact more with the main characters than their peers.
- Composite Character and Decomposite Character: No ghost is adapted straight in all remakes, with different aspects being traded between them.
- Cultural Translation: A given when doing a Foreign Remake with a Setting Update in other country. The premise, plots, and characters are changed to reflect the receiving country's history, society, and media culture.
- Even when the ghost is very close to the original there are nuances like the German counterpart of Thomas being a generation older and a critic of Goethe instead of Lord Byron, or the Greek counterpart retaining the disdain for Byron, but dying almost 80 years later, in 1901, reflecting how literary Romanticism and Western duel culture arrived and were phased out later in Greece.
- In Germany and Australia, the 80's scoutmaster ghost was replaced with a Hippie Teacher and an aerobics instructor respectively because of scout organizations being rarer and less popular.
- The house changes to something more culturally relevant like a countryside estate in the US and Australia, a castle in Germany, a chateau for France, and a mansion in a upscale neighborhood of Athens (rather than in the country) in Greece.
- If an adaptation does the Shout-Out where one of the ghosts calls the name of the artist whose song is playing on the radio when the living couple arrive, the artist in question is changed depending on the country. The UK version has Kim Wilde, the French version has Peter and Sloane and the Greek version has Anna Vissi.
- The Creepy Child ghost sings something different in each version. The UK and Germany use an Ironic Nursery Rhyme ("Ring a Ring o' Roses" and "May beetle, fly!", respectively), France uses creepy humming and Greece uses "Hello, poor people", a folk ballad.
- Darker and Edgier:
- Though Played for Laughs, the US and Australian remakes confirm the existence of Hell and that ghosts can be sent there suddenly even centuries after their deaths, which adds a new layer to the already Existential Horror of being a ghost stuck in a limited place and unable to interact with the physical world.
- The British show omits any mention of racism in history or the modern day. This is not the case in the US, French, and Australian remakes.
- Although she remains a Non-Malicious Monster, the attic girl in France and Germany is creepier and scares the living woman, not just the other ghosts. She also has a hinted darker backstory. Whereas Jemima in the UK is assumed to have died of plague, Germany's Lotti drowned, and France's Isabelle actually lived in the attic before she died, possibly as a (forced?) recluse.
- Dies Differently in Adaptation:
- In most versions, the last owner of the house dies of old age while lying in bed. In the German version, the ghosts attribute Mrs von Donnerhall’s death to either her alcoholism or her smoking (concluding that it was probably both) and she dies enjoying a cigarette in her armchair, while in the Australian version, Alfred gets crushed to death when stacks of boxes of things he was hoarding fall on top of him.
- The UK, German and Greek versions have the lady of the house ghost die from being pushed out the window by her cheating husband. The other versions change this death: in the US version, Hetty committed suicide by strangling herself to death with a telephone wire; in the Australian version, Miranda is implied to have died from Spanish flu and in the French version, Marie-Catherine's death is unknown as of the first series.
- Foreign Remake: Five exist as of present, set in the United States (Upstate New York), France (Paris), Germany (Cologne), Greece (Athens), and Australia (unspecified, shot in Perth but plot points to somewhere in southern Australia).
- Gorgeous Period Dress: Due to their Jacob Marley Apparel, ghosts who died before the 1980s are seen wearing this. This trope usually features more prominently in flashbacks regarding their life and death.
- Hotter and Sexier: Generally, the ghosts and the couple are played by younger and more conventionally attractive actors, and romantic relationships between the ghosts are featured, or implied, in the US, Germany, and Australia.
- Improbable Infant Survival: Ghost children are generally not shown, with Jemima either being given an Age Lift or Adapted Out. The exception is Greece's almost Shot-for-Shot Remake, but she still comes out as Out of Focus even there. The next youngest ghost in the franchise is 12-year-old Winky from the US.
- Lighter and Softer:
- Almost all adaptations downplay the horror element, being set in a less gloomy building and removing outright creepy moments like Kitty appearing to Alison under the bedsheets or the shot of the ghosts exploiting their immunity to walk on the snow without sinking or feeling the cold.
- The humor is less cynic, allowing the couple some breaks on their economic worries, playing Fanny and Pat's deaths more seriously (when not changing them), and making the ghosts nicer and more willing to listen and change for the better.
- Australia and the US confirm that there is a Heaven and Hell early on, so the ghosts (and Alison and Mike's counterparts by extension) are not presented with the idea that someone can just be stuck randomly as a ghost for eternity, no matter what they do in life or death. The US has a particularly idealistic approach, with ghosts being "sucked off" or receiving ghosts powers more often and a clear implication that there is a higher intelligence watching over the ghosts.
- Only Germany gives Mary's counterpart her backstory of having been burned at the stake after a witch trial, and she has not been implied (yet) to harbor trauma from the incident. In France, the character was neither accused of witchcraft nor burned at the stake (though she nonchalantly mentions that her brother was), and in Greece she was not accused of witchcraft but was burned by the Ottomans for her resistance during the Greek War of Independence, which makes her proud of her death instead.
- Named by the Adaptation: The Captain in the UK version was only ever addressed by his title. All proceeding versions give their military ghost a name.
- Race Lift:
- All remakes except Greece keep the living couple interracial, but the husband changes to Indian in the US and Arab in France. In Australia, the husband is white and the wife is Indigenous.
- The handyman is commonly changed to an ethnic minority: African-American in the US, Afro-French in France, Muslim in Greece, and Indigenous in Australia.
- Both the US and Germany make one of the main ghosts Jewish (the pantless ghost in the former and the arrow ghost in the latter).
- Kitty’s counterpart in the Greek version Theophania is white.
- Recurring Element: There are certain aspects of the original UK show that remain consistent across most or all adaptations.
- The plot of the first two episodes plays out more or less the same across all adaptations.
- The ghost who has been dead the longest is an Electromagnetic Ghost (all except Australia).
- The most recently deceased ghost has the ability to touch and manipulate objects with great effort.
- The Upper-Class Twit neighbours who invite themselves over to discuss a legal dispute (all except Germany).
- The death story of one of the ghosts being revealed in a flashback in the third episode (all except Australia).
- The third episode introducing the concept of Ascending to a Higher Plane of Existence through a Bait-and-Switch where a ghost thinks this is happening to them (all except Australia).
- The Scout-Out ghost being married to a woman named Carol(e) (UK, US and France) and their grandchild being named after them (all except Australia).
- The Haunted House having a fountain near the entrance (all except Germany and Australia) and some kind of natural water feature within the grounds.
- The living woman's first interaction with the ghosts being with the most recently deceased ghost, and she mistaking him for a member of the reforming crew.
- The most recently deceased ghost being responsible in some way for the living woman's Near-Death Experience (all except Germany and France).
- During the hospital visit in the second episode, the dead doctor is an older man and the living doctor is a younger woman.
- Related Differently in the Adaptation: In the UK, German, French and Greek versions, the familial connection between the living woman and the last owner of the house was extremely distant, with no real term to accurately describe the tenuous relationship. The US and Australian versions have the living woman be the great-niece of the last owner, a much closer connection.
- Setting Update: All the international versions move the setting to their home country.
- Unacceptable Targets:
- Unsurprisingly, the plague ghosts weren't adapted as indigenous in America or Australia, despite the huge toll that European diseases had on the Natives of both regions being closer in time to the European plague ghosts. In Germany they were Adapted Out altogether, presumably because the idea of a group of ghosts existing separate and at a lower level from the others, just because of their origin, was already problematic.
- Furthermore, Australia does not include any Indigenous ghosts at all, due to First Nations taboos about the depiction of deceased people, which led to the exclusion of a Robin-like character. Their absence is acknowledged in-universe.
- When the military ghost is from WW2 as in France and Greece, the character is played more seriously, though it is hard to determine if this is because of taboos about the depiction of WW2 veterans or just because it would be unlikely for such person to have never seen any action in the war, Dad's Army style, due to both countries having been invaded and fully occupied by the Germans.
- In Australia and the US, the soldier ghost is from the late 18th to early 19th century, making his spoof of the military and politics — as he takes over this aspect from the pantless ghost in both cases — not as pungent as if he was from a later time. Post-1900 soldiers are mostly absent, but when they are referenced (Sgt. Duffy in the US and Miranda's fiancé and his brothers in Australia) they are not satirized for their service, or lack thereof.
- In Germany, the military ghost is a Roman legionary, therefore not a German and much older than any incarnation of German militarism, which allows him to play the sympathetic comedic authoritarian without
Unfortunate Implications. A creepy, silent, and completely non-comedic Nazi ghost in uniform appears briefly in one episode at a different house, which Emma leaves as soon as she lays eyes on him. This also contrasts with the presence of wacky Nazi soldier ghosts in France and the UK. - The pantless ghost being a hypocrite, corrupt, conservative, holier-than-thou family values politician that was secretly a sex pest in private is only really carried in France, and even he is not as big on the "fake moral guardian" part (perhaps due to it not being as big a part in French politics during the 1980s and the 1990s). In Greece, he's a sex pest but is a champagne socialist, so he's unlikely to have pushed for traditional family values in his career. In the US, Germany, and Australia, this aspect of the character is completely absent, even though some would argue that these countries have no shortage of such characters in Real Life.
- Uniqueness Decay: In the original UK series, ghosts having abilities related to paranormal occurrences was implied to not be very common, with less than half of all ghosts seen during that show having any kind of ability. The US series not only coined the term "ghost power" for these abilities, but made them much more commonplace, to the point where it is implied that all ghosts have a ghost power. Plus, in addition to the abilities that were carried over from the UK version, the US version includes abilities that can have a greater impact on the living world — such having some temporary tangible effect on the living when walked through — or abilities that can circumvent one of the fundamental limitations of being a ghost, if temporarily — such as being visible to the living under certain circumstances or being able to cross ghost boundaries (though still needing to return to the place where they died every so often). The Australian version similarly implies that all ghosts have a ghost power.
