Music / The Black Parade

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The Black Parade is the third studio album by Alternative Rock band My Chemical Romance, released on October 23, 2006 by Reprise Records. A Rock Opera/Concept Album, it tells the story of a terminally ill cancer patient (known simply as "The Patient") and the final thoughts and visions that go through his head as he lies dying in a hospital.

When death arrives for the Patient, it appears to him as a parade, recalling the fondest memory he has of his past (outlined in the lyrics of the page quote). This was based on an idea that singer Gerard Way had at the time of the album's production that death came to a person in the form of their fondest memory, and a parade was chosen as it could be used for both funerals and celebrations. The concept was also extended into the album's visuals through the creation of the alter-ego band The Black Parade, which the band performed as when playing the album live.

With a grandiose epic sound influenced by Emo, Progressive Rock, Pop Punk, Post-Hardcore, and Glam Rock, The Black Parade gained the attention of a larger audience than the band's earlier releases and was featured in several lists of the best albums of 2006 as well as the 2000s. It went on to become the band's highest-selling album.

The Black Parade has a number of B-sides that didn't make it to the album's final cut. Several of these B-sides (plus two live tracks) were first featured as extra tracks to the album's various singles before being compiled in the EP The Black Parade: The B-Sides in 2009. A deluxe edition released for the album's 10th anniversary in 2016 features a second disc individually titled Living with Ghosts, which consists of a combination of more B-sides and early demos of the songs in the album's regular tracklist.

The band has gone on two world tours in support of the album. The first, the Black Parade World Tour, ran from 2007 to 2008. The second, the Long Live the Black Parade tour, originally ran from July to September 2025 before receiving an extension from January to November 2026 in celebration of the album's 20th anniversary. In both tours, the band plays The Black Parade in its entirety followed by multiple songs from their other albums.

This is MCR's only studio album to feature Bob Bryar as drummer. Bryar left the band in 2010 and died in 2024.

Preceded by Three Cheers for Sweet Revenge. Followed by Danger Days: The True Lives of the Fabulous Killjoys.

Tracklist:

1. "The End." (1:52)
2. "Dead!" (3:15)
3. "This Is How I Disappear" (3:59)
4. "The Sharpest Lives" (3:20)
5. "Welcome to the Black Parade" (5:11)
6. "I Don't Love You" (3:58)
7. "House of Wolves" (3:04)
8. "Cancer" (2:22)
9. "Mama" (4:39)
10. "Sleep" (4:43)
11. "Teenagers" (2:41)
12. "Disenchanted" (4:55)
13. "Famous Last Words" (4:59)
14. "Blood" (2:53)

B-sides from The Black Parade: The B-Sides

• "My Way Home Is Through You" (2:58)
• "Kill All Your Friends" (4:28)
• "Heaven Help Us" (2:55)

B-sides from Living with Ghosts

• "Party at the End of the World" (2:47)
• "Not That Kind of Girl" (3:02)
• "Emily" (3:11)
• "All the Angels" (3:13)

Musicians:

• Gerard Way - Lead vocals
• Ray Toro - Lead guitar, backing vocals
• Frank Iero - Rhythm guitar, backing vocals
• Mikey Way - Bass
• Bob Bryar - Drums

Additional Musicians

• Jamie Muhoberac - Keyboards
• Liza Minnelli - Additional vocals on "Mama"
• Rob Cavallo - Piano
• David Campbell - String and horn arrangements

House of Tropes:

• Album Closure: The last official track is called "Famous Last Words", referencing the Dying Speech trope. And then there's the Hidden Track, a baroque radical departure from the rest of the album's sound.
• Alternate Album Cover: The album's regular editions have two variants of the cover: the universally standardized version featuring black text and illustrations on a greyish-white background, and the less common variant with white text and illustrations on a black background.
• Ambiguous Ending: There's two endings to the album due to the music video and studio version of "Famous Last Words": The album version of the song (that ends with a subtle orchestra outro) implies the Patient goes off to Heaven while the music video version (with the usual rock ending) is him going to Hell.
• Apocalypse Maiden: Mother War, a character who appears in both the album art and the "Welcome to the Black Parade" music video and represents the self-destruction of humanity.
• Auto-Tune: Subtly used in "Cancer".
• Break-Up Song: "I Don't Love You"
• Careful with That Axe: "Just SLEEEEEEEEEEEEEEEP!"
• Chiaroscuro: Pretty much the entire aesthetic of this record. Taken up to eleven in the music video for "Famous Last Words".
• Concept Album: See the description above, but the context is the same: a man known as "the Patient" is dying from cancer in a hospital, and when death comes for him, it takes the form of his fondest memory: a parade.
• Crapsack World: The afterlife, as portrayed here, isn't very pretty. Neither is the world the Patient has left behind.
• Cue Card... Pause: Created by a line break in "The Sharpest Lives":
  So why don't you blow me . . .
  A kiss before she goes?
• Dark and Troubled Past: Several songs imply that the Patient was a soldier, and is still haunted by it.
• Darker and Edgier: While My Chemical Romance had already written plenty of dark songs in other albums (particularly Three Cheers for Sweet Revenge),The Black Parade is arguably their darkest album, with themes of terminal illness, death, war, and heavy angst sprinkled with nightmarish aesthetics.
• Deadly Euphemism: To "join the Black Parade".
• Dem Bones: The little fellow on the album cover, and some skeletal musicians who are a part of the parade.
• Does This Remind You of Anything?: The "Welcome to the Black Parade" music video's set looks very eerily like Ground Zero.
• Dying Dream: Most of the album's songs focus on the dreams and memories that the Patient reminisces during his last days of life.
• The End: The title of the opening track.
• Epic Rocking: "Welcome to the Black Parade", which stretches to 5:11 and switches styles about three times.
• Good-Times Montage: "Disenchanted" plays like a musical one, with the lyrics at several points having the feel of memories revisited, remembering the better times in his life as he comes to terms with the bad parts.
• Gothic Punk: Plays as some kind of emo, Burton-esque 1970s rock opera.
  • The Patient fits Gothic tropes by being a flawed hero who recognizes his horrible faults on death's door and is thus unable to make peace with his former lover and his mother. In "Disenchanted", he ultimately makes peace with himself and dies in a penitent state, in the grand tradition of the tragic hero.
• Hidden Track: "Blood" begins after a minute and a half of silence.
• Iris Out: The music video for "Welcome to the Black Parade" has a rather persistent one, which keeps on trying to end the video.
• Kick Them While They Are Down: "No one ever had much nice to say / I think they never liked you anyway"—not a pleasant line to hear when you've just kicked the bucket.
• Large Ham: This album isn't so much "over the top" as it is "not on the planet any more"—and deliciously so.
  • Gerard Way's performances, both vocally and in the videos. Not even a minute and a half into the album, he seems to plunge into some sort of emo-boy seizure with "When I grow up, I want to be NOTHING AT ALL!"
• Last Note Nightmare: "Sleep" ends with a rapid succession of long, tortured, raspy screams that only increase in volume and anguish as the guitars screech, and boy does it add to the creepiness of it all.
• Lyrical Cold Open: "Teenagers" and "Famous Last Words".
• Lyrical Dissonance:
  • "Dead!", whose main chorus line is "Have you heard the news that you're dead?" set to incredibly upbeat, almost jaunty music.
  • "Mama" is a bouncy, baroque piece with a simple tune about how War Is Hell, with the singer repeatedly saying that everyone he knows is about to die.
  • Inverted at the end of "Famous Last Words", which goes out on a surprisingly hopeful note.
  • The lyrically gruesome "Blood" is a fun little vaudeville-esque track that's almost impossible not to sing along to (with Gerard hamming it up as usual).
• Made of Explodium: Apparently every instrument and amp in the "I Don't Love You" music video.
• Mesodiplosis: In "House of Wolves", it's split as sentences instead of just comma-separation: "You better" Anaphora and "the [noun] 'cause they're never gonna [other noun]" Mesodiplosis:
  "You better run like the devil, 'cause they're never gonna leave you alone
  You better hide up in the alley, 'cause they're never gonna find you a home"
• Mood Whiplash: Very prominent in the album aside from its first and last few tracks. The frustrated "The Sharpest Lives" is followed by the anthemic "Welcome to the Black Parade", then the ballad-like "I Don't Love You", then the intense and thrashy "House of Wolves", then the soft and somber "Cancer", then the heavy and frankly bizarre "Mama", then the slower-paced but still disorderly "Sleep", then the humorous-sounding yet angry "Teenagers", and lastly the acoustic-like and joyful "Disenchanted".
• New Sound Album: Although MCR's Post-Hardcore roots are still present in some songs ("This Is How I Disappear", "The Sharpest Lives", "House of Wolves"), the album as a whole has a more pronounced theatrical feel than the first two albums (most notably on "Welcome to the Black Parade" and "Mama"), with its imagery giving it the feel of a Tim Burton musical.
• No Name Given: The Patient is never given an actual name.
• Post-Apocalyptic Gas Mask: Mother War, who appears in the album art and the music video for Welcome to the Black Parade, is depicted as woman wearing a Victorian-esque dress and a gas mask.
• Power Ballad: "I Don't Love You", "Cancer", "Sleep", and "Disenchanted". The former two probably helped solidify My Chemical Romance as the face of emo.
• Power Pop: The genre of "Dead!", as an homage to Cheap Trick, Electric Light Orchestra, and The Cars.
• Production Throwback: "House of Wolves" is a nostalgic return to the sound of Three Cheers for Sweet Revenge.
• Progressive Rock: A big influence on the album, along with Glam Rock.
• Rock Opera: The album tells the story of an unnamed cancer patient and the dreams and memories that come to his mind during his last days of life in a hospital.
• Shout-Out:
  • "The End." = "In the Flesh?"/"Five Years".
  • A band dons a new persona, dresses like a marching band, makes an album that is both largely different from their earlier works and a twist on the genres the album is labeled as... This review of the album didn't call it the "Sgt. Pepper of screamo" for nothing.
• Siamese Twin Songs: "The End." smash cuts right into "Dead!".
• Tall Poppy Syndrome: MCR was criticized for attempting to rise above their station with this album, as it was apparently too good.
• Teen Hater: "Teenagers" features a chorus about how "all teenagers scare the livin' shit out of" adults, and is themed around negative stereotypes of teenagers at the album's time, representing the Patient's negative experiences from his high school years and how he was judged by adults during his teens.
• Teens Are Monsters: "Teenagers" plays this sarcastically (while the chorus makes it clear that adults are the real monsters).
  They could care less, as long as someone'll bleed
• Title Track: "Welcome to the Black Parade".
• War Is Hell: "Mama", a darkly hyper-operatic track that deals with the horrors of war.
  Well mother, what the war did to my legs and to my tongue
  You should've raised a baby girl, I should've been a better son
  If you could coddle the infection, they can amputate at once
  You should've been, I could have been a better son
• Your Days Are Numbered:
  • "Dead!" states that the Patient has "maybe just two weeks to live".
  • "Mama" has the line "raise your glass high, for tomorrow we die".
• You Won't Feel a Thing!: "Disenchanted":
  It was a lie when they smiled and said you won't feel a thing