A self-applied case of Weirdness Censor by a character, particularly one considered or who considers themselves rational or skeptical. When a sufferer of Scully Syndrome attempts to offer a "rational" explanation for a supernatural situation, they will usually end up offering an explanation that is itself so tortuous, convoluted, and/or improbable that it also ceases to be rational. This explanation may draw upon things that are seemingly more plausible and 'realistic' than the supernatural explanation, but the way it puts these things together is unlikely or full of holes. The Epileptic Trees invoked by the characters — who, ironically, are usually trying to debunk someone else's Epileptic Trees — are so ludicrous that the viewers want to bash the character's head against the wall, all while pointing out that accepting the supernatural explanation would, in fact, be simpler. The character also has a tendency to ignore any evidence of the supernatural that they might be presented with, no matter how conclusive, in favour of presenting more 'rational' explanations that are just as (if not more) lacking in supporting evidence.
As a hypothetical example, take the climax of the original Ghostbusters film, which involves an ancient evil god from another dimension, which has taken on the form of a fifty-foot advertising mascot made entirely out of marshmallow, striding through the streets of Manhattan. In this form, it attacks the roof of a Manhattan apartment building in full view of the public in an attempt to open a portal to another dimension and destroy the world, before itself being vaporized in a massive fiery explosion that covers an entire city block in liquid marshmallow. That is all, admittedly, a fairly difficult set of events to believe in, and if Agent Scully were investigating it, she might explain this as all being just a big hoax. The titular Ghostbusters merely staged the marshmallow man and used a combination of a fancy light show and hallucinogenic substances to fool the credulous people below into believing they were witnessing a supernatural event. Which actually makes sense on the surface...
But don't pat yourself on the back just yet, Scully. If you think about it for more than five seconds, there's a lot that the seemingly "rational" explanation doesn't actually explain at all, or which itself requires increasingly convoluted and improbable further explanations which only poke even more holes in the logic. For instance, how and where does one even get enough marshmallow to make a fifty-foot marshmallow man and leave its remains scattered over the streets of New York City? How much would that cost, and why is there no record of such a massive purchase? How and where does one make said marshmallow man, and hide it away from everyone until the absolute right moment? How do you get it to move and act convincingly? How do you get it to move at all, for that matter? How do the Ghostbusters set up their "light show" at the building without anyone noticing? The monster steps on a church at one point — how do you stage that? In fact, the opening of the portal creates earthquakes, lightning storms and unseasonal instantaneous storm clouds that block out the sun — how could the Ghostbusters create earthquakes, control the weather and turn day into night? How does one spread enough hallucinogens to dose an entire city without anyone noticing, and then manage to ensure that everyone has the same hallucination at the same time — which is also the time you need them to hallucinate? And for that matter, how do you control what kind of hallucinations someone has; wouldn't a massive crowd all be hallucinating wildly different things even if given the same drug? When did the Ghostbusters wire the apartment building to blow, including the apartments of several residents? And ultimately, even if you could do all of this, it would all take a lot of effort, and you'd probably need a lot of people to help you do it, all of whom will have to have some kind of motivation to keep quiet — such as a lot of money. The Ghostbusters are just four guys running a ramshackle pest control business — how did they manage to do this all by themselves without involving anyone else?
In short, however incredible it may seem, isn't the explanation that this is a god taking on the form of a marshmallow man actually the simpler, more rational, more supported-with-evidence explanation at this point?
As alluded to above, a marking feature of Agent Scully. Compare Invisible to Normals, Arbitrary Skepticism, and Flat-Earth Atheist. Not to be confused with the real Weinstein Kliman Scully syndrome.
It is important to note that, the most common interpretation of Occam's Razor aside, the simplest explanation isn't always the correct one.note Sufferers of Scully Syndrome aren't always wrong. Many frauds and con jobs have relied on people being willing to believe a simple explanation without stopping to consider that someone might actually engage in some highly improbable and unbelievable course of action if they think they'll benefit from doing so. Scully Syndrome is not a problem because skepticism of the supernatural and unlikely or a belief in the rational are bad in and of themselves. It is a problem because it allows someone to use rationalism as an excuse to not consider any possibilities that challenge or disprove their current beliefs or worldview, even when those alternative possibilities are actually valid and supported with evidence. That Agent Scully doesn't automatically and unquestioningly believe aliens did it is fine, but it's when Agent Scully starts constructing equally implausible "rational" narratives rather than accepting the evidence that aliens, against all odds, actually did do it that it starts to become an issue.
In other words, while Agent Mulder might risk becoming too credulous and easily fooled thanks to his open-mindedness, thanks to this trope, Agent Scully risks becoming too closed-minded and inflexible.
See also Arkham's Razor, where the strangest answer to a problem is the correct one. Contrast this trope with Refuge in Audacity, where someone does go to extreme lengths to pull off something unlikely, banking on the fact that no one will believe they were willing to do so. Also contrast The Cloudcuckoolander Was Right, where a perceivably insane or weird individual gets to tell others the unrealistic or unlikely truth, which eventually came to their presence.
Examples:
- Death Note: Downplayed by L, who had the good grace to head off this sort of thing (omnipresent worldwide CIA assassins were suggested) pretty early on. Whenever alternate suggestions are brought up, he explains his reasoning for believing that is not the case. Still, he is only fully believed (and backed) by the world's leaders when he proves his theory that Kira is a serial killer somehow able to cause heart attacks from miles away.
- Negima! Magister Negi Magi: People seem to have a lot of respect for the capabilities of CGInote . Similarly, Chisame goes to great lengths to not accept the existence of magic 'til everything she's seen effectively forces her to. It is explained that humans have some sort of strong natural tendency to not believe in magic, and high-magic places have spells cast on them to boost this effect. In the Bad Future, it ended up taking a global-scale Reverse Polarity to break this skepticism.
- Chisame is interesting because she seems to have no Weirdness Censor (and actually complains whenever someone else comes up with an absurd explanation for magic) — she just really does not want magic to be real.
- Pokémon the Series: Black & White: Happens to Cilan during the course of the museum episode. He keeps suggesting ridiculous things to explain the mysterious circumstances, even though it becomes increasingly clear that there is a ghost as Iris suggested. Subverted when it's revealed that they're both wrong — it was a Ghost Pokémon.
- Pokémon the Series: XY: In "Seeking Shelter from the Storm!", Clemont keeps trying to explain the mysterious happenings with science, although his nervous mannerisms and tone of voice make it clear that even he doesn't buy it. It turns out to be Espurr, a Psychic Pokémon. Why Pokémon aren't the obvious solution is anyone's guess.
- Dr. Thirteen exemplifies this trope perfectly
- In The Books of Magic, the Hellblazer himself, Jonathan Constantine, has actually mentioned that due to his skepticism, magic really doesn't work for Dr. Thirteen. His disbelief in magic is strong enough that it causes magic around him to fail even when it should work, thus justifying his skepticism further. Ironically enough, his own daughter, Traci Thirteen, is a powerful mage in her own right.
- Another explanation comes from Grant Morrison's Seven Soldiers Zatanna mini-series. There Dr. Thirteen joins Zatanna and a few other DC universe occultists for a seance/spiritual voyage. He seems to at least in some way experience what his companions experience, but he explains everything through quantum physics, not spiritualism or the occult.
- Justice Society of America: Mr. Terrific is an adamant atheist despite encountering many god-like beings and witnessing the use of magic many times; due to this, he was unable to communicate with Gog, the last of the gods of the old world.
- Boldores and Boomsticks: When Gary and Tracey arrive to help Professor Cypress in his investigations into the strange monsters that attacked him (aka the Grimm), Gary makes it no secret that he thiks the whole thing is utter nonsense. When asked by Tracey why, if he's such a skeptic, he's even there, Gary explains that he believes that what Cypress ran into was a pack of Zoroark that used their illusion powers to chase him off, and he wants to try and catch one. Tracey is quick to point out that Gary's theory, that a bunch of Pokémon native to Unova somehow made it to the middle of Johto without anyone noticing, makes no sense, only for Gary to counter that it's no less outlandish than Cypress' claims of monster from obscure myths making a comeback. Gary's skepticism first begins to waver when, at the site where Cypress encountered the Ultra Wormhole and Grimm, the professor finds slate fragments and tree leaves; as he notes, the ruins they're in are made of slate and in the middle of a pine forest. While Gary brings up the idea of someone leaving them there, he admits he's stumped on the why. And of course, his skepticism completely dries up when he sees the Grimm for himself.
- Coming Home
: Discussed when Kate Todd appears in the office years after her death as though nothing had happened. After Abby has run tests on her records to confirm that the woman in interrogation has Kate's fingerprints, blood type, and likely DNA and retinal scans, she concedes that it wouldn't be impossible for someone to have infiltrated her records and doctored them to match this "impostor", but if anyone had managed to infiltrate NCIS that completely, they would never bother providing fake evidence of an agent none of the team would just accept as real. The matter is resolved when it turns out that Kate Todd was replaced by a clone of herself by Loki at the same time as he abducted Colonel Jack O'Neill; the clone was killed in Kate's place and Loki was captured before he could return the original, who was only released recently when Loki escaped the mass suicide of the Asgard and decided to tie up loose ends before his own death.
- End of the Future
(a Back to the Future/Neon Genesis Evangelion/Ghostbusters (1984) crossover, taking place between the first and second Ghostbusters films): Subverted — Dr. Emmett Brown is (by his own admission) skeptical about the supernatural, but he ran the numbers on the cost and manpower needs of the alleged "con job" and "special effects" the New Yorkers insist the Ghostbusters did in the Shandor Building and figured out that it's an impossibility. He also accepts that everything regarding AT Fields and Instrumentality is within the Ghostbusters' field of expertise and not his own and enlists their help. A latter chapter has Rollie Tyler say that he ran similar numbers on a slow night and got the same conclusion.
- Ernesto de la Cruz vs. The Court of Public Opinion features this concept being discussed when Miguel tries to find proof in the living world that Ernesto murdered Hector. One piece of evidence he has found is a letter Ernesto wrote to Imelda the month after Hector's death where he claimed that he had no idea where Hector was, even though Miguel has also been able to find evidence that Ernesto attended Hector's funeral (with a death certificate where Ernesto claimed that Hector had no family). The journalist Miguel contacted to tell his story notes that while it wouldn't be impossible for Miguel to have forged this letter, it's a lot of effort to go to when all Miguel wants is to rehabilitate the memory of his great-great grandfather rather than to destroy Ernesto de la Cruz's reputation, and his family all agree that Miguel isn't skilled enough to create a forgery on that scale anyway (although some argue that the goal is to make the Rivera family notorious, in which case it wouldn't matter if the letters are proven to be fake). The journalist also notes that the death certificate and burial report can't be faked as they're kept miles away in a secure location that Miguel could never have accessed before he ordered photocopies for his research, so while calling Ernesto a murderer isn't something the journalist can jump to straight away, the evidence available so far at least confirms that Ernesto was a liar and traitor who concealed the full details of Hector's fate from his family. The Museum of Ernesto de la Cruz attempts to claim that the handwriting differences between the Songbook where "Ernesto" wrote his songs and his later handwriting can be justified as Ernesto's handwriting changing between 1921 (when the Songbook was written) and the earliest verified sample of Ernesto’s handwriting in 1926, but scans of the book can still be analyzed to provide sample analysis even if the book is too fragile to be handled directly. Analysis of the letters eventually confirms their authenticity, particularly when two letters are determined to have been written on pages torn out of Ernesto's songbook.
- Starfleet as a whole does this in the Star Trek: Lower Decks fic "The Fifth Woman
", when the Cerritos returns from a trip to another reality to find themselves in a universe where D'Vana Tendi and her whole family don't exist (Tendi was on shore leave for this particular mission so isn't on board). Starfleet as a whole initially considers the possibility that somehow the memories of the Cerritos crew have been altered to believe that D'Vana Tendi existed- much like the Satarran attack on the Enterprise-D ("Conundrum") - as they cannot identify any significant changes in Federation history and there is no way to verify any changes in Orion history, even as T'Lynn in particular points out that there is no reason for someone to invent D'Vana Tendi and every reason to believe the idea of history being altered.
- The Turn (Animorphs / Mighty Ducks): When the Animorphs first properly hear about the Mighty Ducks, they speculate that this trope is basically how the Ducks have been operating in relative public for so long without the team really hearing about other aliens on Earth. Since the Ducks’ main public activity is playing hockey and most of their vigilante activities are more discreet, people assume that the Mighty Ducks being alien ducks is a publicity gimmick and they’re really only humans in costumes.
- With This Ring: Kid Flash, as in canon, at first tries to dismiss the existence of magic, insisting that the observed phenomena are just advanced technology mixed with trickery. Paul calls him on it, pointing out that several members of the Justice League use magic, and that just because it's not well understood, doesn't mean it doesn't exist or can't be understood.
Paul: There's an explanation for everything. Doesn't mean it's going to be simple, or obvious, or that it can be understood in terms of things you already know.
- Scooby-Doo! and KISS: Rock and Roll Mystery: Velma continues to insist that everything supposedly supernatural, including the cosmic realm they went in, was a result of a mass hallucination caused by the Crimson Witch's chemicals. Shaggy and Scooby, however, see evidence that it's not the case, but decide not to correct everyone else.
- Scooby-Doo! and the Curse of the 13th Ghost: The film ends with Velma falling into this, trying to convince the others that the whole mystery was yet another "Scooby-Doo" Hoax and the events of The 13 Ghosts of Scooby-Doo were just some sort of oxygen-deprivation induced hallucination. In that case, it's less that Velma is trying to find a rational explanation and more her desperately not wanting to admit ghosts and magic are real.
- Scooby-Doo on Zombie Island: Fred (and to a lesser extent, Velma) falls into this, convinced that the events on Moonscar Island are just another "Scooby-Doo" Hoax; all the ghosts are just holograms, all the zombies are guys in costumes, and the whole thing is a scheme to find the lost treasure of the Pirate Captain Morgan Moonscar (though he and Velma toss out ideas of a smuggling ring or the property having oil). It comes to a head when a zombie is incapacitated, and Fred tries to take it's 'mask' off... only to rip the whole head off. He then briefly doubles down and insists it's an animatronic, before spending the rest of the movie acknowledging that yes, the monsters are real.
Daphne: You're not a skeptic Fred! You're in denial!
- Cloverfield: Hud suggests several possible origins for the monster. Rob observes that it doesn't really matter right now.
- Ghostbusters:
- The outright extreme example that occurs in between Ghostbusters (1984) and Ghostbusters II (and is an important piece of the Happy Ending Override) is explained above. The fact that the events of the first film temporarily calmed down the supernatural in New York City so the Ghostbusters couldn't find work also didn't help matters.
- In Ghostbusters: Frozen Empire, Walter Peck is revealed to have become the Mayor of New York at some point earlier, and he still has a vendetta against the Ghostbusters even after almost 40 years. The fact that 40 years ago not only did the Stay-Puft Marshmallow Man stomped his way through Central Park West, but just five years later the Statue of Liberty stomped its way to the Museum of Natural History like a Humongous Mecha, smashed a chunk of its rooftop, fell over and probably spent some time being an inconvenience to traffic before presumably either stomping its way back to Liberty Island or was somehow carried back (an operation most certainly not inconspicuous) where the Ghostbusters got a medal for their efforts does not deters him from calling it all a swindle performed with smoke and mirrors, the Ghostbusters charlatans, and him swearing that he will put them out of business. And at the epilogue of the film he apparently still believes this, even if there is no logical way to explain New York all of a sudden succumbing to an Ice Age-level blizzard in the middle of Summer other than "ghosts did it".
- Invoked in Ghostbusters (2016): The Mayor of New York decides to keep the climactic battle (which affected Times Square and everybody there who was not a Ghostbuster, including a deployment by the National Guard) under wraps by telling the press that it was a terrorist attack with hallucinogens. The existence of ghosts in New York City and the Ghostbusters and their job saving the day become an Open Secret amongst the city's population because of the massive Skepticism Failure.
- Journey Back to Christmas: Discussed — main character Hannah is a nurse from the 1940s who has been sent over seventy years into the future, with various parties speculating that she's just pretending to be from the past to get free accommodation. While trying to determine if she's telling the truth or just delusional, investigating parties note that Hannah could have acquired her clothes from a local shop specialising in antique clothing at a reasonable cost, but the local sheriff — and one of the first people to meet Hannah — tests a bottle of perfume in her purse, which the lab determines is a particularly rare perfume that people stopped making in the 1950s, and yet the bottle Hannah had on her is still usable. It's acknowledged that it wouldn't be impossible for Hannah to have found a bottle that had been kept by a collector and was still in good condition, but it would have cost a considerable amount to buy such a bottle to cover a relatively minor detail for a story that people were unlikely to believe. Coupled with the fact that the only thing Hannah is doing is basically helping people have a more "traditional" Christmas, including going carol-singing and finding lost decorations for a Christmas party in the local park, it's soon easy to dismiss any accusations that Hannah has some agenda.
- Killer Klowns from Outer Space: Officer Mooney sees that there is something strange going on and there are reports of a bunch of clowns running around town causing mayhem and he immediately assumes that this is all a prank orchestrated by the Terenzi Brothers and supported by the entire town, and aiming to make Mooney decide to quit being a copnote . For the sake of comparison, his superior officer Dave also believes it is a prank at the beginning and he still is reasonable enough to look into the Klowns when his ex-girlfriend begs him to and radios Mooney to tell him to ask for backup when he sees irrefutable proof the Klowns are real and dangerous (Mooney just assumes that Dave is into the scam too and tells him to fuck off).
- A Nightmare on Elm Street (1984): The police are quick to assume Tina was knifed to death by her boyfriend and nothing out of the ordinary happened — in spite of the fact that she was obviously raked across the ceiling at some point and the blood is there to prove it. The fact that no one offers a "rational" explanation for Glen's insane Overdrawn at the Blood Bank death in the third act shows no one knows what to believe anymore.
- In Red Lights, Dr. Tom Buckley keeps insisting quite strongly that all of the paranormal things that are affecting him since he began an investigation whether or not Simon Silver is a true psychic have a logical explanation, even when said paranormal things include windows exploding, birds dying, and lights going out that just could not be controlled. It takes Buckley hitting his Rage Breaking Point when confronting Silver at the film's climax and being at the epicenter of a miniature earthquake that Silver himself questions how the heck Buckley could make happen because he sure as heck can't for Buckley to accept the truth: that he has psychic powers. He is completely correct about Silver being a fake psychic — the fact that Silver has pretended to be blind for decades has helped him a lot with his scam.
- Played for Horror in Savageland: a horde of zombies come out of the Arizona/Northern Mexico desert and slaughter a small Arizona town. The government cover-up and the Pompous Political Pundits both insist the truly absurd theory that the Sole Survivor of the massacre, a Misunderstood Loner with a Heart of Gold immigrant named Francisco Salazar, somehow became such an extremely efficient Spree Killer that he was able to overpower and slaughter fifty-seven people with only melee weapons (and even managed to scare a dozen of them into jumping off the town’s water tower to spare themselves a worse fate) - a theory that leads to a Kangaroo Court and Salazar being executed. The only other theory the Mockumentary posits - that it was a hate crime perpetrated by an unknown group of people - still severely misses the point but is no less eerie. There is an implication that some people know the truth, but it is such an Outside-Context Problem that it’s best to keep mum and get ready to fight it when it inevitably comes to try to eat them.
- Signs: Graham and Merrill stubbornly cling to the belief that the Crop Circles on their farm are an elaborate prank courtesy of Lionel Pritchard and the Wolfington Brothers, even as this possibility becomes less and less plausible.
- The Dresden Files: The series hams up the "humanity is just too stupid and frightened to accept magic" message. In parallel, it points out that our capabilities have been growing rapidly, so while hordes of angry muggles were always the equivalent of the nuclear option ... now we come with the literal variant, too.
- The most balanced account of it all is Murphy's, from her POV short story. She's Harry's best friend and always has his back in a fight, but it's hard to not be terrified of the sheer difference in power. Imagine you were a puppy covering a bear's back. Even if the bear is on your side... it's still a bear. Now imagine it's the strength of a bear wrapped in the vulnerability of a puppy. Wouldn't you be frightened of it?
- In one instance, following a rain of toads, Billy says that the news will probably blame it on a freak whirlwind. Harry replies, "You'd think 'It's magic' would be easier to accept than that."
- Similarly, a magic storm and pitched battle in Chicago will fade into memory as Halloween shenanigans and hallucinations from bad food.
- People who do find out about the supernatural and start looking too hard at it can rapidly get into serious trouble in the Dresdenverse. Examples include Harry's former girlfriend and his second apprentice.
- At one point he even says that most people's subconscious has a kind of built-in Weirdness Censor because if they were to acknowledge some of the strange things they saw as magical or supernatural, it might well drive them insane. Their minds automatically search for a mundane explanation, without their necessarily even being aware of it.
- The series has the three swords, each with a nail of the Cross worked in; Faith, Hope, and Love, wielded by Knights of the Cross, who take their marching orders directly from archangels and tend to have minor Deus ex Machinas happen when convenient. The Knight with the most presence in the series is a devout Catholic. The second is an agnostic, who insists that Michael the Archangel, who personally gave him the Sword, could be some sort of extraterrestrial being rather than an actual representative of the Almighty. As long as he can come up with any alternative explanations, he's not committing one way or another.note
- The Hound of the Baskervilles: Discussed — at several points, Dr. Watson hears a horrible baying noise over the mires which can only be a massive dog, and which the superstitious locals attribute to the titular Hound, a fearsome and murderous Hell Hound supposedly haunting a nearby wealthy family. Watson scoffs at the supernatural explanation but admits that he's currently hard-pressed to offer a more rational explanation because there are several gaping holes in any explanation that he can think of which seemingly can't be answered away. Of course, this is a Sherlock Holmes story, so those logical and rational explanations actually are there; it just takes Sherlock Holmes himself to uncover them, put them together, and fill in the gaps.
- Inferno (Larry Niven and Jerry Pournelle): Allen Carpentier's attempts to interpret his experiences as a product of super-advanced technology may be more unreasonable than accepting the reality that Hell exists and he's in it.
- Jingo: Parodied when religious nut Constable Visit-the-Infidel-with-Explanatory-Pamphlets is talking about deity-invoked rains of objects to the skeptical Constable Shoe. He runs down a list, and Shoe's rebuttals get weirder and weirder until eventually Visit mentions a "Sudden and miraculous rain of rain." Shoe replies in exactly the same sort of wording he used before: "Probably solar energy caused water to evaporate from the surface of a body of water, which then condensed into clouds that wind carried across the country, where cold air currents caused the droplets to recondense and fall as liquid water." In other words, the precise scientific explanation for rain. (On the other hand, science doesn't necessarily work on the Disc, so maybe this is just as crazy an explanation as all the others.) In the same exchange, was a "miraculous rain of elephants." When pressed, Visit concedes, "Well, it was just one elephant, but it made quite a splash."
- Left Behind: No one except the main characters ever thinks of the mass disappearances as being caused by the Rapture, even though premillennialism is a well-known theological concept. Some possible explanations are rational enough, but everyone believes the Antichrist's bizarre "nuclear warheads-electromagnetism-Negative Space Wedgie" theory. (Main characters, on the other hand, act as if they've read the book jacket.)
- The Long Dark Tea-Time of the Soul: There's a lengthy bit about this, justifying Dirk's conviction that the impossible is more likely than the improbable. He cites the example of a girl who is apparently constantly reciting stock market prices exactly one day behind schedule, able to keep up with the figures as prices rise and fall but always twenty-four hours out of sync. The doctors treating her observe that, as scientists, they are focused on the idea that she is somehow receiving this information through more mundane means and simply creating the illusion that she's coming up with the data out of thin air, but Dirk counters that since the idea she's presenting the data from nothing is impossible it's actually more likely to be true. In Dirk's words, the girl pulling the numbers out of nothing is simply impossible, but the idea that she's masterminded a complex and elaborate hoax of no obvious benefit to herself is highly improbable; the impossible solution just suggests that something is going on that nobody else knows about, but the improbable one runs contrary to aspects of human nature that people do know about.
- Magic: A Fantastic Comedy (by G. K. Chesterton): Morris Carleon suffers from very nearly as nasty a strain. In his case, when he proves unable to explain how a conjuror pulled off one of his tricks, he collapses into gibbering madness within minutes.
- The Man Who Knew Too Much (by G. K. Chesterton): Discussed in The Hole In The Wall, where it forms the key to the story's plot.
- As Fisher puts it, if you go into a town that has an inn by the name of St. George and the Dragon, and tell everyone that it's a corruption of King George and the Dragoon, a lot of people will believe you without asking for evidence just because it sounds mundane.
- Similarly, when someone decided to say that Prior's Park (the estate where the mystery takes place) was not a priory, but the dwelling of a Mr. Prior, nobody ever asked whether anyone had heard of Mr. Prior or whether there were any records of him. In actual fact, the place was a priory before being annexed by the ancestors of the current owner and converted into a private estate.
- Finally, and most importantly, the district is spelt Holinwall on the maps, and the educated mock the peasantry for pronouncing it Holiwell. But it is spelt wrong and pronounced right. There was a holy well, and the Body of the Week was dumped down that well by one of the only people willing to go to the trouble of finding out the truth.
- The Master and Margarita: The devil in human form visits Moscow and wreaks havoc there. After he leaves, the Soviet authorities are left with the problem of how to explain all the supernatural goings-on. They settle upon "mass hypnosis". Apparently the mysterious foreign visitor is a skillful hypnotist who can, for example, convince an entire theatre that money bills are raining from the ceiling. What, then, about that one guy who was transported in an instant from Moscow to Sochi on the Black Sea? Why, he never was in Sochi; he was only hypnotized to believe he was. But what about all those people in Sochi who saw him there and talked to him? Why, they were hypnotized as well; apparently the visiting stranger can perform such prodigious feats as hypnotize people from more than a thousand kilometers away!
- Modern Magic Made Simple: Souishirou. Despite his big sister being a mage, and the fact that people around him get involved in all sorts of magical troubles, he remains firmly skeptical. Even when he sees magic performed right in front of his own eyes, he insists that it is just a trick. Magic has absolutely no effect on him, because his sister unknowingly made him invulnerable to it when he was a child.
- Pale: Sharon Griggs, who's turned this into her own personal superpower and addiction, because of the Magical Underpinnings of Reality kept innocent people like Sharon from discovering magic those same underpinnings can kill magical creatures if they aren't careful around innocents. Around Sharon they can start evaporating when she gets close, worse this also applies to magical bindings that keep dangerous Others and runaway magic contained so she's doubly dangerous.
- The Poet and the Lunatics (by G. K. Chesterton): In one story, the Villain of the Week suffers from a horrifyingly virulent strain of this and grows increasingly obsessed with reversing and breaking superstitions, until he slits a man's throat in sheer terror when the man threatens to act even once in accord with superstition.
- The Trees of Pride (by G. K. Chesterton): While Squire Vane's strain of the Syndrome is not as virulent, the consequences are even nastier. There happened to be a myth that certain oddly-colored trees on the Squire's lands, called the peacock trees, gave forth poisonous fumes and caused fevers if you came near them. A local doctor soon realized that a certain disease rampant in that neighborhood struck everyone who came near the trees, and only those who came near the trees. In short, the peacock trees were poisonous. But the Squire was adamant in his refusal to accept that the legends might have any grain of truth, no matter how many hundreds and thousands of deaths the doctor could point to as evidence.
- Warrior Cats: Mothwing, who tries to explain medicine cats' future-predicting dreams as just smart cats working out predictions unconsciously, though this still leaves a lot of questions — like why these dreams have such high accuracy and how leaders end up getting nine lives from communicating with StarClan.
- Weaveworld: Ordinary humans rationalize magic out of existence, and this trope is used as an obvious outward sign of the super-charged Weirdness Censor at play in the story.
- Cal loved his adventure in the Fugue, but still comes down with a case of this when he goes back to his normal life and forgets the call, parroting the tortured explanations he sees in the media for the strange goings-on that he actually forgot he had been involved in.
- Inspector Hobart offers multiple darkly comic examples, such as his interpretation of the destruction left by the protagonists' encounter with the a powerful wizard called the Rake. Hobart hopes to pit himself against Bomb-Throwing Anarchists, so he either ignores or willfully misinterprets any evidence that contradicts the notion that anarchists are responsible.
- Buffy the Vampire Slayer: The muggles can come up with various wacky explanations for supernatural events, at some points simply blocking out the memories entirely (in one episode, when everyone in town lost their voices, the news blamed it on laryngitis).
- Buffy herself lampshades it in "The Pack", when she tells Giles (i.e. the guy who convinced her to believe in all sorts of demonic/supernatural weirdness) "I cannot believe that you, of all people, are trying to Scully me."
- Castle: One of the show's Running Gags is having Castle come up with flatly silly theories to explain unusual crime scenes, often involving things like ninjas or the CIA.
- The Goodies: In a parody of Arthur C Clarke's mysterious world, the titular presenter is shown as desperately refusing to believe in any paranormal phenomenon whatsoever, event when it is happening in front of him. For example, he choses to believe that the sightings of the Loch Ness monster are just of a rhinoceros upside in the water balancing a tortoise on a baguette
- Jonathan Creek: Discussed and inverted — Jonathan, who makes a living designing magic tricks, points out that his whole profession revolves around people accepting that something occurred by "magic" rather than believing that someone actually would undertake a convoluted, unlikely and complicated series of events just to make something look like it occurred by magic. Furthermore, that no matter how much people claim to want to know how it happened they're inevitability disappointed when it's revealed to them just how mundane the events were.
- Lost: Jack Shepherd adamantly refuses to believe in the supernatural because his daddy issues compel him to fix every problem in the world through sheer willpower, and surrendering control to the supernatural gets in the way of that. Even when he physically witnesses the Island move, he still doesn't believe it. However, when he realizes the supernatural is the only way to fix the problem of rescuing the people left behind on the Island, he abandons his skepticism and turns into a zealot for the supernatural...who's every bit as stubborn about his own convictions.
- Medium: Allison's husband Joe will greet 90% of his wife's prophecies with skepticism, despite the fact that they will always prove to be meaningful if not completely true. This is justified because Allison's visions appear as metaphors (mostly in her dreams) that she rarely correctly interprets the first time around. Allison also has a tendency to believe that her visions give her the moral obligation to take illegal action. For instance, there was one time that she kidnapped a baby from his mother in order to save the baby from a death she foresaw in a vision..
- Star Trek: Enterprise: T'Pol continued repeating that "The Vulcan Science Directorate has determined time-travel to be impossible" long after any vaguely logical person should have at least started thinking of it as a real possibility. She actually used this as a mantra to defeat interrogation by someone who asked what she knew about specific time travelers she'd had contact with. After that, she time-traveled.
- Supernatural: The main characters, although aware of the supernatural, argue frequently about whether the case of the week is up their alley. It almost always is, save for a few episodes: 1.15, "The Benders"
, when the monster was revealed to be a family who kidnap, hunt, and cannibalize their human prey; and 4.11, "Family Remains"
, where it was a psychotic brother and sister, born from the rape of a girl by her own father, living in the walls.
- The Twilight Zone (1959): A particularly dramatic (if not Played for Horror) example in the episode "Death Ship". Captain Ross would rather prefer to believe the (equally absurd but that he assumes are more "logical") explanations that his crew is being subjected to time travel or being assaulted by aliens with psychic powers than accept the fact that they are all Dead All Along and the wrecked ship they have encountered holding their bodies is their actual final resting place. For further tragedy/horror, Ross' Detrimental Determination to believe the only thing that fits all the facts is not happening has caused the whole crew to be stuck forever in a loop.
- The X-Files: The Trope Namer is Dana Scully, who was particularly adamant in her denial of the supernatural. As their encounters with fairly obvious supernatural cases grew this got quite ridiculous. As cracked.com put it: "After personally witnessing aliens, a cannibal mutant, psychic children, vengeful ghosts, mind-controlling insects, the ghost of an alien, pyrokinesis, the ghost of her father, shape-shifters, body-switching, reverse-aging, faith-healing, a telepathic frozen human head, a radioactive leech-man, subliminal mind control, vampires, Native American sorcery, precognition, astrology, gargoyles, telekinesis, Chinese sorcery, a sea monster, a golem, past life regression, Frankenstein's Monster, a demon-possessed doll, a giant intelligent shape-shifting beetle monster, time travel, demonic possession, psychic weather control, the Grim reaper, time loops, zombies, doppelgangers, a giant human bat, voodoo, alternate dimensions, transmogrification, a kid that can command insects, another golem, a genie and an ancient piece of pottery inscribed with the words of Jesus that can raise the dead, Scully continues to mock Mulder for believing in the paranormal." In Dana Scully and the series' defense, this trope did get downplayed as the series went on and she got used to the supernatural being the usual suspect.
- Subverted in the episode "War of the Coprophages" which has, for the first half of the show, Scully sitting back at home cooking up one naturalistic explanation after another for the peculiar deaths and the cockroach infestation... and being right on all counts.
- Inverted when Agent John Doggett is introduced later in the series. At this point, with her history, Scully is more apt to jump to outlandish theories, with Doggett continually Scullying HER.
- Also inverted when the phenomena were religious in nature. Then she'd turn into the believer, and Mulder the skeptic, to the same degree of certainty in either case.
- Scully is given the opportunity to defend herself on several occasions, however:
Mulder: Why is it still so hard for you to believe, even when all the evidence suggests extraordinary phenomena?
Scully: Because sometimes looking for extreme possibilities makes you blind to the probable explanation right in front of you.
- Fortean Times delights in calling out skeptics and rationalists for this sort of thinking, arguing that it is no sort of explanation for anomalous phenomena when the "explanation" is more labored, tortuous, and convoluted than a simple acceptance that something strange has happened, which is inexplicable by accepted science. Of course, skeptics and rationalists in turn often point out that something not yet having a credible explanation is not the same as something being completely without an explanation. Also how in many cases, explanations presented by believers involve either flawed recollections of events or deliberate attempts at fraud.
- Calvin and Hobbes: One-half of the title duo is subject to Scullying by everyone except the other half (nobody but Calvin and Hobbes see Hobbes for what he is. However it's left ambiguous as to what his nature is).
- Deadlands: The Hindrance "Doubting Thomas" is exactly this. The character does not believe in the supernatural, and even after being dragged kicking and screaming into admitting that supernatural things exist (i.e. even after encountering something that can't be explained rationally and that probably tried to kill them), they still insist to try to explain everything "rationally" first. This in the setting where the supernatural is pretty much commonplace, including player characters.
- Mage: The Awakening: Human beings are literally forced to do this sort of thing to themselves, as their minds are mystically warped to deny the presence of magic due to the Lie. Should a human's mind not be able to take the strain of denial, the human will either go insane or Awaken and become a mage themself.
- Old World of Darkness: The entire universe uses this to explain why humanity as a whole does not believe in magic or supernatural creatures. As a player in the Mage universe, you need to shape the magic to be "realistic" to a bystander i.e. The guy wasn't blasted by a wizard with a lightning bolt, he was killed by a power surge through the TV he was standing next to. To stretch reality too far as a Mage brings about Paradox which will force you to pay for violating reality around normal people. Werewolves invoke a form of mass hysteria where onlookers believe they are seeing a junkie or some such throwing people around like ragdolls. Vampires require the Masquerade to be maintained to prevent humanity from realizing there is a threat in their midst and stamping out vampirekind en masse. These mechanics are supposed to make playing characters reign in their more destructive nature until they can really let loose in private or secluded areas. Then the fun times begin with the yelling and the screaming and the wanton bloodshed.
- Warhammer: The Empire has this response to the Skaven; they can accept magic in most forms but not the existence of a race of ratmen, explaining them away as beast men or madness. This view is kept even though they have been at war with them. Enforced by the authorities, who do know that there is a massive civilization of Ratmen beneath them but feel this being general knowledge would be too alarming. So those who have seen the Skaven have simply seen mutants or Beastmen who happened to look a bit ratlike, not a completely separate race, despite the fact that no other Beastmen look like that and mutants aren't that uniform in appearance.
- Chzo Mythos: Nearly every character in the series apart from the main characters.
- Path of Exile: Niles is a Flat-Earth Atheist who despite being a Templar for years, firmly believes the gods are a myth. If the entirety of Act 2 has anything to show, that's not true. He wasn't there to see it first-hand, which conveniently let him maintain his insane conspiracy theories of what the divine phenomenons actually are. He thinks the Templars faked a cannibal god rampaging and consuming an entire nation's populace. Even when his attempts to prove the gods don't exist backfired, he thinks his methods aren't working as intended. This is on top of the fact he's a mind reader, and he thinks the witnesses have something More than Mind Control going on in them. As for what he thinks you were doing when you were directly slaying the gods? Probably breathing in too much crypt gas.
- Persona 3: Invoked by Yukari while solving the mystery behind the hospitalization of three girls at the school. Somewhat justified in that Yukari was looking into ridiculous things to prove that it wasn't ghosts, which was Junpei's (joking) suggestion. Why the cast didn't just assume it was the work of the Shadows to begin with is still ridiculous, however.
- Gore Screaming Show: Whenever Kyouji is exposed to the Reality Warping shenanigans of the title character he tries to dismiss it as hallucinations or some kind of hypnosis even as it becomes clearer and clearer that there is no way for that to be true. Of course, this is mostly just a coping mechanism to try and deal with the horror and plain absurdity of such an eldritch being.
- Umineko: When They Cry: The game has a very... special version of this trope: all murders are shown using unreliable narration where the characters are murdered using magic, and the protagonist has to come up with (often bizarre) explanations for the mysterious murders in order to deny witches (as magic does not actually exist unless people accept it exists). It is IMPLIED there is a much simpler solution... but Battler is Incompetent.
- Homestuck: Parodied when John texts his suspicion that there's monsters in his house.
TG: dude monsters arent real
TG: thats stupid kids stuff for stupid babies
EB: maybe. yeah you're right.
TG: what are you an idiot
TG: of course there are monsters in your house
TG: youre in some weird evil monster dimension come on - Schlock Mercenary: One arc has the Toughs on a tropical resort and losing one of their own to a giant shark. Except there are no sharks on that world (it was grown in a secret gene-lab by a Mad Scientist), so the local police keep finding new and inventive reasons for the Toughs to be behind the attacks. At the end of the arc, the Toughs' attorney is suing the cops for "impersonating a police force".
- Sluggy Freelance: Besides of its blatant parody of the original character and her opposite counterpart, the series has Kent, who after being attacked by vampires and among other things seeing one turn to dust before his eyes spoke of having been attacked by "Vampire LARPers"; Dr. Lorna, whose reaction to seeing her coworker turn into a demon was "You must be on drugs, because drugs cause hallucinations and I must be hallucinating"; and the "Nifty News 50" broadcast, which explained a brief epidemic of zombies (well, deadels) as mass hysteria caused by Marilyn Manson (somehow).
- Stand Still, Stay Silent: In the comic's world, Flat-Earth Atheist is the default mindset in Sweden and Denmark and the head of the expedition's Mission Control is Swedish. The story reaches a point where the Finnish mage staying at headquarters has to help the expedition crew long-distance in the middle of the night, which results in a Power-Strain Blackout and huge burn marks on the floor of the room in which he was casting. The following chapter reveals the mission control head to have come to the conclusion that the mage got hit by lightning while inside the house, on a night giving no indication of being stormy.
- The Unspeakable Vault (of Doom): A major Running Gag is that the human characters, when faced with the lampooned Lovecraftian star of the series, give an even more ludicrous explanation for what they saw or heard than the obvious alien-gods-of-madness explanation.
- The Walrus or Fairy Debate
asks the question, "Would you be more surprised if a walrus or a fairy knocked on your door?" Approximately 75% of responders to these polls chose the walrus. Some blogs taking the walrus side explain that a walrus would stretch belief because it would require a great deal of explanation (i.e. where did it come from, how did it get so far inland), while a fairy's only explanation is that fairies are real.
prokopetz: A fairy knocking on my door means I've made one bad assumption about how the world works; a walrus knocking on my door – in Saskatchewan, in February – means I'm wrong about a great many things.
- In the Ed, Edd n Eddy episode "Sorry, Wrong Ed", Double D grabs hold of the Jerkass Ball and acts like an obnoxious Flat-Earth Atheist over Eddy's curse even as he's maimed by one impossible misfortune after another, insisting that it's all coincidence.
- Family Guy: In the episode "Petergeist", Lois tells Brian there are no such things as ghosts, after seeing supernatural occurrences. When she sees chairs and the refrigerator upside down on the kitchen table, she concludes that she must have accidentally stacked all those things upside down and then just forgot about it.
- The tables are turned later thanks to Flanderization, where Brian is still an atheist after meeting Jesus and seeing him perform miracles.
- King of the Hill: In one episode, Peggy is involved in a magic trick in which she seemingly disappears from a flaming piñata and reappears at her table. Hank, who does not believe in magic, attempts to come up with increasingly ludicrous ways in which she escaped, while Peggy insists it was just magic. Subverted in The Stinger, which reveals the perfectly rational way the trick was performed, but was never considered by Hank.
