Creator / Robert Bloch

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Robert Albert Bloch (April 5, 1917 – September 23, 1994) was a prolific American writer of horror and crime fiction (with some forays into science fiction), writing hundreds of short stories and more than 20 novels. He also adapted several of his works into teleplays for such shows as Star Trek: The Original Series (most famously the Jack the Ripper episode "Wolf in the Fold"), Alfred Hitchcock Presents, and Boris Karloff's Thriller (he also wrote for I Spy), as well as screenplays, many for Amicus Productions. By far his most well-known work is Psycho (which he did not personally adapt for Alfred Hitchcock's famous screen version).^note The film was quite faithful to the plot of Bloch's novel, although it gave more screen time to the Janet Leigh character and less to Norman's conversations with Mother, which form a big chunk of the book.

Bloch was a big fan of the Silent Age star Lon Chaney, and it shows (especially in the novel The Star Stalker). He also wrote a number of stories set during The Golden Age of Hollywood and the Fall of the Studio System, which often explored how disrespectfully the older stars were treated by the new blood (parcticularly in the latter era).

Bloch was also one of the youngest members of the so-called "Lovecraft Circle," and H. P. Lovecraft himself encouraged him to take up writing.

Works by Robert Bloch with their own trope pages include:

• Asylum
• The Cthulhu Mythos
• The Deadly Bees
• The House That Dripped Blood
• The Night Walker
• Psycho
• The Skull
• Strait-Jacket
• Strange Eons
• Torture Garden
• "Yours Truly, Jack the Ripper"
• "A Toy for Juliette"
• "Enoch"
• "Notebook Found In A Deserted House"
• "The Yougoslaves"

Tropes exhibited in the work of Robert Bloch:

• Afterlife Express: "That Hell-Bound Train."
• All Just a Dream: "The Strange Flight Of Richard Clayton": Several times Clayton lands on Mars, only to die and realize that the ship hadn't landed yet. Clayton didn't even leave Earth; the rocket's engines failed in a way that made it too dangerous to approach for a week and the constant shaking was driving Clayton insane.
• All Psychology Is Freudian: Jung is mentioned, but Bloch wrote more about Freudian psychology, probably for the wordplay potential (see below).
• Asshole Victim / Karmic Death: He wrote his share.
• Author Filibuster: In short works it came off more as a Take That!, but Bloch was very uncomfortable with some of the post-WWII youth subcultures, particularly the Beats and the hippies (the 1960 novel The Dead Beat being a particularly egregious example).
  • Author Tract: Bloch gets downright cranky about hippies in late '60s stories like "God is Not Mocked."
  • There are some savage swipes at late '70s Hollywood in his novel Psycho 2, with nearly everyone there either a whore or a degenerate. He also takes a few shots at the slasher genre, which he despised.
• Ax-Crazy: Oh yeah. Bloch's stories feature several violent madmen pathologically driven to kill.
• Beauty Equals Goodness: Believed by the mentally disabled young protagonist of "The Sorcerer's Apprentice." He's so, so wrong. She's a Manipulative Bitch who talks him into killing her husband — but she receives a totally deserved end.
• Dead Guy Puppet: "The Final Performance" uses this as a twist ending.
• Dead Man's Chest: The short story "Frozen Fear" has a man kill his wife, dismember her, and store the parts in a freezer (he plans to dispose of them the following winter by burning them). Supernatural karmic revenge ensues. Notably adapted as a segment of the 1972 British horror anthology Asylum.
• Deal with the Devil: In "That Hell-Bound Train."
  • "Picture."
• Death by Irony / Hoist by His Own Petard / Karmic Death
• Death Takes a Holiday: "The Pin."
• Dem Bones: "Skeleton in the Closet" features the protagonist's uncle as this trope and eventually the protagonist and his accomplice in murder.
  • "Pumpkin" features a Hollywood Satanist Evil Sorcerer who comes back as this trope.
• Disposable Vagrant: "The Knife" in "Hobo" frequently targets the homeless.
• Divorce Requires Death: A plot point in quite a few stories, since American divorce laws were much stricter when many of the stories were written (such as "Frozen Fear").
• Dolled-Up Installment: The Cabinet of Caligari originally wasn't supposed to be anything to do with The Cabinet of Dr. Caligari but Executive Meddling insisted.
• Eldritch Abomination: Occasionally he wrote one that wasn't part of his Cthulhu Mythos stories.
• Freudian Slip: Inordinately fond of these just for the purpose of wordplay and punning.
• Ghost Pirate: "Terror in Cut-Throat Cove" but the real danger is an Eldritch Abomination.
• Gollum Made Me Do It: See also Split-Personality Takeover below.
• Groin Attack:
  • This lovely image from "The Night Before Christmas:"
    Santiago: "The young man was stripped and tied to a tree. His genitals were smeared with wild honey. You've heard of the fire ants, amigo? They swarmed in this area — and they will devour anything which bears the scent of honey."
  • "The Model," which also has Only You Can Repopulate My Race and Vagina Dentata. Aiee!
• Hate Sink: Race Harmon in "Untouchable" really takes the cake: a temperamental, entitled, bigoted rapist of a movie star who nonetheless lusts over darker women and young girls, and who's so disgustingly crude that he calls the local viceroy a racial slur to his face and threatens to get "a little poontang" from the man's wife one way or another. He then forces himself on a woman in the palace that he assumes is her, and intends to gloat about it to the Nizam, only to contract her late-stage cholera — and, given the story takes place in rural India and was written in 1962, there's no chance of survival.
• Historical Domain Character:
  • The Marquis de Sade in "The Skull of the Marquis de Sade."
  • Ambrose Bierce in "I Like Blondes."
  • Nearly everyone in "The Night of the Ripper."
• Hollywood Satanism: The standard explanation for any Evil Sorcerer. A literal Hollywood Satanist shows up in the story "Return to the Sabbath" — later made into an episode of Alfred Hitchcock Presents with Christopher Lee.
• Horror Hippies: He wrote a few, but the most notable one is more of an Ur-Example: "Sweet Sixteen", published in 1958, gives a preternatural origin to the postwar motorcycle gangs. Many of them were conceived during World War II... but not by human fathers.
• Insane Equals Violent: "The Screaming People," among others.
• It's the Journey That Counts: In "That Hell-Bound Train," protagonist Martin makes a Deal with the Devil that the Devil can have his soul if he, Martin, has the power to stop time when he reaches the moment of perfect happiness. Because Martin is always convinced that he could be happier, he never uses that power during his lifetime. After his death, he acknowledges this trope and uses his power to stop time aboard the hell-bound train so he can enjoy an endless journey with "all the jolly crew" of the damned.
• Literal Genie: The devil in "Picture".
• Lovely Assistant: Isobel in "The Sorcerer's Apprentice". She manipulates the mentally challenged Hugo into killing her husband.
• Our Vampires Are Different:
  • "Tooth and Consequences."
  • "The Bat is My Brother."
• Pig Latin: Mixed with Hiding Behind the Language Barrier in "The Sorceror's Apprentice". When Victor decides to let Hugo tag along with their magic act as a roadie/gofer, Isobel is strongly against the idea, saying "Ixnay" and "Utsnay." Hugo, who is mentally challenged, doesn't catch on.
• Pungeon Master: Fredric Brown once told him that he was the best (or worst) punster he had ever known.
  • Artistic License – Linguistics: "The Head Man" has a plot point hinge on the homonym "sow" (the verb) and "sew" — but the story's set in Nazi Germany, and no such homonym exists in German...
• Pyromaniac: The short story "Servant of the Flames" and the novel "Firebug" feature several.
• Robotic Reveal: The twist of "Iron Mask" is that the man in the iron mask is actually a Nazi operated robot!
  • Oh, it's even better than that. The robot was built by Roger Bacon in the 13th century, absorbed Bacon's anti-France views (the French had imprisoned Bacon for heresy, or so the story says) and is working with the Nazis to destroy France once and for all. I'm not making this up, you know.
• Sand Necktie: In "The Hound of Pedro", a bunch of Indians who try to rebel against their cruel Spanish overlord get this done to them — and then their heads are used for bowling pins. Ends with Karmic Death with a really odd twist.
• See-Thru Specs: "The Cheaters" features glasses that let you read people's minds.
• Self-Adaptation:
  • He wrote the infamous Alfred Hitchcock Presents episode "The Sorcerer's Apprentice" based on his short story of the same name published in the January 1949 edition of Weird Tales.
  • Bloch wrote The Alfred Hitchcock Hour episode, "A Home Away From Home" based on his short story of the same name first published in Alfred Hitchcock's Mystery Magazine. He also adapted it as the Framing Device in Asylum.
  • He wrote the Star Trek: The Original Series episode "Catspaw" was loosely based on Bloch's earlier unrelated short story "Broomstick Ride".
  • Bloch wrote the scripts for Asylum (1972 Horror), The House That Dripped Blood and Torture Garden anthologies with the segments being based on his short stories.
  • He wrote and directed "The Mannikin" segment of Three Dangerous Ladies, based on his short story of the same name.
• Self-Insert Fic: "The Closer of the Way" is about Bloch himself being committed to an institution, being thought to be insane based on the stories that he writes.
• Severed Head Sports: "The Hound of Pedro" has people bowling with the decapitated heads of some native Americans.
• Split Personality: Most prominent in Psycho, but it pops up in some of his other stories.
• Split-Personality Takeover: We see a classic example in Psycho, but Bloch had an unusual variant in a couple of stories. In these the bad personality was treated as if it were an Enemy Without (though it never manifests physically) and at the end of the story the two personalities decide to team up.
• Talking to Themself: See above.
• "They're Not Real" Reveal: In "The House of the Hatchet", a bickering married couple stays at the titular haunted house, which the owner claims is inhabited by the Vengeful Ghost of a hatchet-wielding murderer. At the end, the hatchet-wielding ghost shows up, much to the owner's bafflement. He explains to the husband he made up the legend to attract tourists. The husband replies that there's a real ghost now. He butchered his wife with a hatchet upstairs in the hopes it would be blamed on the legend.
• Totally Radical: Attempts to send up Beat and hippie slang always came out this way. His tries at Future Slang (usually in a Hold Your Hippogriffs form) were usually not much better.
• Tuckerization: Bloch wrote an affectionate Take That! story about H. P. Lovecraft, and his short story "ETFF" (about an alien going to a science fiction convention) reads like a Who's Who of popular sf authors (and fans) of the 1970's.
• Urban Fantasy: "The Bat is My Brother" and others.
• Word Association Test: Like with Freudian Slips, Bloch used these for wordplay — but seldom as literal psychological tests; they were more likely to show up as a running chain of words and phrases in a character's thoughts.