His name is sometimes rendered by others (including some of his publishers) as "e.e. cummings", in imitation of his style, but he himself preferred to use upper case letters for his initials and last name. Also, it is a great deal more convenient for the wiki's purposes.
Bibliography
Poetry collections:- Tulips and Chimneys (1923)
- & (1925)
- XLI Poems (1925)
- is 5 (1926)
- ViVa (1931)
- No Thanks (1935)
- Collected Poems (1938)
- 50 Poems (1940)
- 1 x 1 (1944)
- XAIPE: Seventy-One Poems (1950)
- Poems, 1923-1954 (1954)
- 95 Poems (1958)
- 73 Poems (1963, published posthumously)
- Etcetera: The Unpublished Poems (1983, published posthumously)
Plays:
- HIM (1927) - an absurdist|surrealist romance in three acts, first performed in 1928
- Anthropos, or The Future of Art (1930) - a philosophical fantasy in one act, currently unknown to have been ever performed
- Tom (1935) - a ballet treatment of Uncle Tom's Cabin, first performed in 2015
- Santa Claus: A Morality (1946) - a morality play in one act, first performed in 1960
Other books:
- The Enormous Room (1922) - an autobiographical novel of Cummings's arrest and imprisonment during World War I
- CIOPW (1931) - a collection of artwork
- EIMI (1933) - a travelogue of a visit to the Soviet Union
- i - six nonlectures (1953) - a collection of Cummings's guest lectures at Harvard University
- Fairy Tales (1965, published posthumously) - a short story collection
Pages on this wiki with page quotes by E. E. Cummings include:
His works provide examples of:
- Affair Hair: A poem in which the wife initially suspects that her husband is having an affair... then he reveals that they have a new cat... then he reveals it's of the wrong colour.
- all lowercase letters: a trademark of his, but not universal to all his work. As mentioned above, some editions of his work write his name in this style too.
- Bookends: The last stanza of "anyone lived in a pretty how town" echoes lines from the first two.spring summer autumn winter
he sang his didn’t he danced his did.
Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain
[…]
Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain - Civilized Animal: Played with in "when serpents bargain for the right to squirm", positing a world where any animal species (and even inanimate pieces of nature like plants and the sun) can argue and demand fair treatment as man does.
- I Meant to Do That: One of his poems describes a cat taking a tumble, then walking away nonchalantly as though nothing happened. Any cat owner can confirm that they do this all the time.
- I Want My Beloved to Be Happy: As seen in "It May Not Always Be So, And I Say
." - Mind Screw: "anyone lived in a pretty how town," for example, will only barely begin to make sense once you take "anyone" as a proper name, rather than a deliberately vague noun... or is that even how you're supposed to read it? And just how do you sow your isn'ts and reap your sames, anyway?
- Ocean Awe: In "maggie and milly and molly and may," the ocean is not explicitly a new or amazing experience, but it is deeply spiritual, and healing.for whatever we lose (like a you or a me),
it's always ourselves we find in the sea - Precision F-Strike: The title character of "i sing of Olaf glad and big."
- Signature Style: Unconventional punctuation.
- Spell My Name with a Blank: His autobiographical novel The Enormous Room features a character referred to as "B____" or "B." (whose real-world equivalent was Cummings' friend and colleague William Slater Brown).
- Take That!: The title No Thanks leads into the book's sarcastic dedication to the fourteen publishers who rejected it. (The final page is a sincere dedication to Cummings's mother, who financially aided him in self-publishing the book.)
- Unconventional Formatting: Writing out poems one line at a time, or even two or three letters at a time... yep, unconventional all right.
- Wanton Cruelty to the Common Comma: Under-usage. His commas were known to wither and suffocate when too few were forced to bear the load of too many phrases. Indeed, in the annals of comma neglect, only James Joyce is more dreaded.