Debut: January 17, 1929

Voiced by: William Costello (1933-1935), Floyd Buckley (1935)^note The radio voice of Popeye circa 1936, and providing Popeye's voice in one theatrical cartoon, "Be Kind to Aminals", Jack Mercer (1935-1983), Jackson Beck (1946)^note voiced in "House Tricks?" and "Peep in the Deep", Harry Foster Welch (1945-1947)^note Voiced for 7 shorts; "For Better or Nurse", "Service with a Guile", "Klondike Casanova", "Rodeo Romeo", "The Fistic Mystic", "The Island Fling" and "Abusement Park", and he partially voices Popeye near the end of "Rocket to Mars", which is otherwise Jack Mercer, Mae Questel (1945, for "Shape Ahoy" only), Maurice LaMarche (1987), Billy West (2004), Dave Coulier (Robot Chicken), Tom Kenny (2014)^note cancelled movie

Portrayed by: Robin Williams (live-action film)

The titular one-eyed sailor. One of the eight wonders of the Newspaper Comics and Western Animation world, and one of the most popular cartoon stars of The Golden Age of Animation. Initially appearing in 1929 as a one-shot character in the middle of an arc in Thimble Theater, the comic E.C. Segar was making at the time, Popeye quickly gained the status of Ensemble Dark Horse among the comics readers, and stayed in the comic long after his debut adventure was over, until he finally overtook the whole comic, with it being renamed Popeye and tossing out Ham Gravy as the main character and Olive Oyl's original love interest.

Part of what made Popeye such an instant hit with audiences was that, despite his odd appearance and gruff conduct, he was one of the few moral forces in the world of Thimble Theatre — Popeye also got along great with children, even going as far as to tearing apart a guys hot dog vendor once just because he wouldn't give a broke kid a hot dog on credit (that, and insulting Popeye to his face). In other words, he was a very likable, sympathetic character despite having none of the obvious qualities of one at first sight. He is also a very noble (but ignorant) being and is very loyal to his girl Olive Oyl and will give anyone the benefit of the doubt, even his rival Bluto.

Speaking of original, Popeye is occasionally (but dubiously) considered to be an early precursor to the comic book superhero—over a decade before Superman graced the comic pages, Popeye was blessed with inhuman strength and astounding durability and endurance, taking at least 15 bullets in his first adventure before finally being brought down—but much of this can be chalked up to exaggeration rather than literal superpowers.

While Popeye was already a major force in the comics only four years after his introduction, the sailor with a sock got his big break when animation pioneers Max and Dave Fleischer, known for their Betty Boop cartoons, brought him to the big screen alongside Betty Boop in a six minute short subject in 1933. These Fleischer cartoons took the series to new levels not even touched by the original comics — while Popeye was already very strong in the comics, the Fleischers made Popeye strong enough to stop a train dead in its tracks and move entire landmasses. Even excluding his Super-Strength, he also had Reality Warping abilities — he could punch objects which would either morph them into something different or split them into multiple smaller objects — one short even had Popeye blow out the sun like a candle just so he could get some private time with Olive. And he could do all of this without eating any spinach — in fact, the spinach can very rarely popped up in the original comics-this was made prominent in the Fleischer cartoons.

While some animation fans have criticized the series for its "formulaic Popeye Vs. Bluto structure", in reality this was done out of necessity: the original comics had stories that went on from weeks to even MONTHS at a time, which would have been impossible to compress into six minute low budget cartoon shorts. On that note, the series didn't even rely on the Bluto and Popeye fighting as much as one would think. There were plenty of shorts the Fleischers made that experimented with other settings and stories outside of their rivalry, and even the ones that did feature the status quo pulled many, many different, creative variations of the formula — from battling on logs floating down a river to competing for the title of "King of the Mardi Gras", these shorts are still as fresh and original feeling today as apple pie. And obviously, the Fleischers' love of surreal sight gags and Deranged Animation was carried over from their Betty Boop shorts, with such sights as the visual metaphors that appear in Popeye's muscles upon consuming spinach and the aforementioned reality warping powers of Popeye, none of which ever appeared in the original comics. Another odd fact was that prior to the war years, Popeye was hardly ever on ships — most of his adventures were set on dry land, only sporadically going off to sea.

Needless to say, Popeye's theatrical cartoons were an instant smash success on release, quickly toppling Mickey Mouse as the then-king of cartoons. While the series was gradually toned down as time went by (even in the comics, Popeye was forced to be toned down due to him having a large kid fanbase) this character and friends still pop up in some form or another to this day, with a recent TV special celebrating his 75th anniversary, as well as a film in development. Here's hoping for the best with this sailor's future!

• 13 Is Unlucky: Popeye is a firm believer in the idea that the Number 13 is unlucky.
  • In a 1930's storyline, Popeye had to go to the hospital and was quite upset to find out that the doctors were unable to remove 13 bullets from him, demanding that they either remove one more bullet or put another bullet back into his body. When Castor points out that Popeye had been riddled with 12 bullets previously meaning he actually has 25 bullets in his body, Popeye is very happy.
  • A storyline in Bobby London's run had him, Castor, and Wimpy open a business together. Popeye was not pleased when he found out that their office was on the 13th floor of a building.
• Abled in the Adaptation: His permanent squint in one eye is because he lost that eye, hence his name. But some cartoons give him two working eyes, making his and the series's name an Artifact Title.
• The Ace: Downplayed. When he's his normal self, Popeye is pretty brash and reckless, as well as being scatterbrained at times. That said, he is reasonably skilled in a multitude of things and is a good man. Likewise, when stumbling into a lot of situations he's clearly out of his depth on, Popeye's eating spinach instantly turn the tables to absurd degrees.
• Adaptational Costume Change:
  • The Famous era and 60's shorts would see Popeye swap his sailor suit for a navy uniform.
  • Popeye and Son would give him a red Hawaiian shirt.
• Adaptational Friendship: Several cartoons portray him and Bluto as being friends, until something (usually Olive) causes them to begin fighting.
• Adaptational Job Change: The cartoons tended to give him a variety of jobs, like being a plumber or pet store owner. Popeye would still usually be dressed as a sailor despite these job changes.
• Bald Head of Toughness: Popeye is a bald, one-eyed, Made of Iron, Badass Normal typically, but he gains absurd levels of Super-Strength when he eats spinach, at which point he becomes a nigh-unstoppable One-Man Army.
• Beware the Nice Ones: While he has a pretty long fuse, you do not want to make him mad. What's the main example? Mess with Olive or Swee'pea and you'll soon regret it.
• Breakout Character: Popeye came out of nowhere as a oneshot character for an already long established newspaper comic, and wound up becoming so popular that he not only took over the strip as the main character (sidelining its original lead, Ham Gravy, who eventually vanished altogether) but became one of the most iconic comic and cartoon characters of all time. At his peak in the '30s, he was even more popular than Mickey Mouse, and he continued to remain that way in several countries.
• Bruiser with a Soft Center: Popeye is disproportionately muscled and is a gruff and gritty sailor which easily hides his virtues and his soft side and how considerate of others especially kids he actually is. In the live action movie Popeye's song featured the line, "An' I gotta lot o' muskle and I only got one eye, an' I never hurts nobody an' I'll never tell a lie." Which is more or less true, as long as you mentally insert "that didn't deserve it" after "nobody".
• Bully Hunter: Picking on someone smaller or weaker is an easy way to piss him off, especially children or animals, and he is usually more than willing to return the violence ten-fold, or give spinach to the one being picked on so they can fight back.
• Butt-Monkey: While he always wins in the end he also suffers a lot of of slapstick injures often caused by Bluto.
• Catchphrase: He has several.
  "I yam wot I yam, and that's ALL wot I yam."
  "Well, blow me down."
  "That's all I can stands, cuz I can't stands no more!"
  "I yam disgustipated."
  "I'll saves ya, Olive!"
  "Oh my garsh!"
• Characterization Marches On:
  • Popeye was a lot more aggressive and sometimes nasty in the earlier Segar comics and Fleischer cartoons. He eventually mellowed out into a much more jovial fellow around the mid to late '30s.
  • In the Fleischer era, Popeye would frequently mutter under his breath. This dropped in the Famous era, where Jack Mercer would shift back and forth between Popeye's voice tones when Popeye spoke.
  • Popeye was a bit a Motor Mouth in the Fleischer shorts. During the end of the Fleischer era and all of the Famous era, he spoke a whole lot less.
• Contrived Coincidence: If he doesn't have his spinach on him in the cartoons by the climax if needed, he will find some and eat that.
• Crazy Jealous Guy: Under Bobby London, Popeye was shown to have quite the dislike of Ham Gravy, Olive Oyl's ex. However, the two were eventually able to bury the hatchet.
• Crouching Moron, Hidden Badass: He's a bit of a goofball and is easily knocked around, but give him a can of spinach and watch him (sometimes literally) become a One-Man Army.
• Deadpan Snarker: It got even funnier when Jack Mercer took over as the voice and made lots of funny quips and mumbles, all improvised during recording.
• Depending on the Artist: Which of Popeye's eyes is missing? Or is he even missing one at all? And does he have teeth or have they all fallen out? Inconsistency abounds, especially in the late theatrical shorts and the rapidly produced, low-budget TV shorts produced by Al Brodax.
• The Dreaded: Played for Laughs in "BBQ For Two", in which Wimpy and Swee'pea notice an overstimulated Popeye scarf down some spinach to deal with Bluto when he has overstayed his welcome, and, instantly realizing how much they themselves have also been contributing to the sailor's current mood and knowing all too well what he's capable of when he's angry, wisely decide to get the hell outta dodge posthaste.
• Early-Installment Weirdness: Popeye's appearance in Thimble Theater evolved with Segar's artstyle. And compared to later artists and works, whenever Segar drew him hatless, he had more strands of hair than his usual nearly bald appearance.
• Empowered Badass Normal: Even without Spinach, Popeye is ridiculously strong and capable. With spinach he's effectively unstoppable.
• Enhanced Punch: The "Twisker Sock", which requires twisting his arm so that it unwinds upon contact. In the comics, he considered it to be risky, so didn’t use it unless he really needed to, but he seemed to be more than willing to use it in the cartoons.
• Everyone Has Standards: Popeye may be the "roffest" of the rough but he has a variety of lines he won't cross unless his life depends on it and even then he won't be happy if he has to.
  • Popeye practices Wouldn't Hit a Girl to zealous extremes. It doesn't matter if they're trying to clobber him good, he will not fight back. He's not above nonviolent reprisals though, such as when Olive pushes him too far. He did once spank Olive but that was because she wouldn't let up about how much of a jerk Pappy was being. He was also willing to forgo his usual stance on hitting woman in the video game because he felt that the Sea Hag had gone too far this time. as well as in "Popeye's Voyage: The Quest for Pappy" after she threatened his family.
  • Popeye is friendly with kids in general and will do what he can to help any he meets. He's had to discipline Swee'Pea and his nephews and took no joy at all in it. For the former he actually had nightmares out of guilt and with the latter he actually broke down crying at having to do it.
  • Popeye is a believer in animal protection and a surefire way to set him off is to abuse them. He hates undue cruelty to animals and will protest anyone trying to engage in it. One of the cartoons had him loudly decrying bullfights as inhumane and when he got thrown into one he only fought enough to protect himself. He will chuck this rule against animals that are attacking him of their own volition rather than being coerced.
  • Popeye may be rough and tumble, take immense pride in his strength and toughness, and even enjoy the skirmishes he finds himself in to a degree but make no mistake, he is not a fight happy yahoo itching for his next scrape all the time. He only turns his immense might on people that actually deserve his thrashings.
  • One cartoon has Bluto faking severe injuries to convince Popeye to give up his spinach. Popeye was horrified by the supposed damage he had done. It's one thing to lay out troublemakers as punishment, but going that far over it was too much for the sailor.
  • In Bridge Ahoy Popeye is about to sock Bluto for being a jerk but stops himself because they were on Bluto's boat and Popeye can't bring himself to hit a captain on his own ship.
  • Popeye shows respect for police officers and is always on his best behavior with them. In Cops Is Always Right Popeye accidentally knocks out a cop and promptly sticks himself in a jail cell for it.
    Popeye: I always obey the law.
• Eye Scream: The comics explain this is what happened to Popeye's right eye. He allowed himself to get beat up over a matter he felt accountable for, and lost his right eye in the process. This may have transitioned into the Fleischer cartoons, but was eventually abandoned by the Famous Studios shorts.
• Famous Ancestor: "Greek Mirthology" claimed that Popeye is a descendant of Hercules.
• Fiery Redhead: In the Segar comics, Popeye's visible hair, or rather the top of Popeye's head, was eventually colored with a patch of red, fitting his tendency to brawl. This contrasts the cartoons and later artists which/who just drew the hair lines in black ink without more detail. But the red hair carried over into some older toys with a visible lock of hair from under his cap.
• Friend to All Children: He's nice to kids in general, and whenever he needs to discipline Swee'Pea or his nephews, he even sobs and cries openly, showing how much he hates to be severe with them. As mentioned earlier, he once beat up a greedy hot dog vendor for refusing to give one to a dirt poor kid (although insulting Popeye to his face sure didn't help). He even broke the laws of time and space to help a child who bought his comics after a bully picked on him.
• Funetik Aksent: His violence may have been toned down over the years, but his accent remains as strong as it ever was.
• Gag Nose: His nose is very large and bulbous.
• Godzilla Threshold: While normally he's afraid of the Sea Hag, in the climax of "Popeye's Voyage: The Quest for Pappy", he eats his spinach and beats her up after she threatened his family and Bluto.
• Good Is Not Soft: Popeye is overall a kind, generous and forgiving soul, never picking a fight with people who can't defend themselves and always willing to give even his worst enemies a second chance... but don't for a minute think that he's soft, or that he'll hesitate to kick seven kinds of crap out of you if you push him too far.
• Grounded Seadog: The title character may be a sailor man, but on both the original comic strip and in animated cartoons, he spends as much time on dry land as out at sea, if not more so. This is especially true once the Love Triangle of Popeye, Olive and Bluto became the main focus.
• Guile Hero: Popeye generally prefers to do thing the direct and honest way, but he can show a surprisingly cunning and devious side when Bluto cheats against him with him responding in kind, or when he and Bluto are in competition in the same business.
• Handicapped Badass: One-eyed badass sailor, at least with the comics and Fleischer shorts.
• Happily Married: In Popeye and Son, he does eventually marry Olive Oyl.
• I Am What I Am: Popeye's basic philosophy: "I yam what I yam, and dat's all what I yam."
• Iconic Sequel Character: Thimble Theater ran for almost a full decade prior to Popeye's introduction in 1929, with Ham Gravy, Olive Oyl and (increasingly, by the late 1920s) the latter's brother Castor Oyl as the strip's leads (save for a period circa 1926-28 in which the strip focalized Castor's then-wife Cylinda and misanthropic father-in-law I. Caniford Lotts at Ham and Olive's expense). Upon his introduction, Popeye was only intended as a oneshot appearance, but the sailor's personality immediately caught on with readers, sealing his eventual promotion to a lead character by the following year.
• Invincible Hero: Once he takes his spinach, he becomes this. Nothing can hurt him, he is immune to magic and mind control, and he can warp reality. Furthermore, it's been shown on occasions that even if his body is completely erased, his ghost can summon spinach and eat it to come back to life.
• Know When to Fold 'Em: Popeye never fights without a damn good reason, and chooses his battles very, very carefully. In Popeye and Son, doubly so. When his son, Popeye Junior, sought his aid to recover the Mermaid statue that was rightfully his under maritime salvage law, from the Bluto family, Popeye let the Bluto family keep said statue, as he immediately recognized it belonged to The Sea Hag and knew she'd be along to claim it soon enough. Popeye, when asked angrily about this, went on to explain just how dangerous The Sea Hag is, and that it's better if the Bluto family feels her wrath.
• Leitmotif: Two. "Popeye the Sailor Man" is the main one, and a version of it plays every time he eats spinach, but he's also associated with "The Sailor's Hornpipe".
• Lightning Bruiser: Without the spinach, he's still quite capable of battle. With it, there isn't much you can do to stop him.
• Loophole Abuse:
  • In Popeye and Son, when Bluto blockaded every possible chapel, church, or house of worship and even went so far as to steal the wedding ring Popeye intended to use for his wedding to Olive Oyl, Popeye remembered that ship captains can legally marry people, and married Olive Oyl on a garbage scow the two were rescued by when Bluto pushed them off the road into a river while making his getaway, after stealing Popeye's wedding ring. Popeye even took a random discarded bolt nut to use as a make-shift ring. Since that day, it's been gold-plated (or replaced with a gold facsimile) and fitted with a diamond which Olive is all too proud to show off.
  • He's pretty good at standing by his stance to never fight a woman, but that doesn't mean he won't let a spinach-fueled Olive Oyl fight in his place.
• Made of Iron: Popeye is nigh-unkillable, with or without eating his spinach. The Bobby London Popeye comics take this up to eleven in the "Popeye's Apocalypse" story arc, where Popeye survives when all of existence is wiped out by the Big Guy. His only explanation for this is "I eats me spinach."
• Marriage of Convenience: In one incarnation, Bluto hits upon what he thinks is the perfect scheme to utterly break Popeye, once and for all. Bluto colludes with a female high-ranking government bureaucrat to send Child Protective Services to strip custody of Swee'pea away from Popeye in return for said official gaining the Oyl estate, unless both Olive Oyl and Popeye can prove they're legally married by sunset. (With Bluto expecting Olive Oyl to be married to himself.) Bluto even went so far as to steal the wedding ring Popeye intended to use during the wedding ceremony. Fortunately, Popeye found another way.
• Meaningful Name: Considering what happened to his eye via explanation in Eye Scream, one can infer where he got his name from. Just simply read his name slowly and tell us what it sounds like.
• Motor Mouth: He's always muttering something under his breath. He talks way beyond the animation. This was because his voice, actor and comedian Jack Mercer, was allowed to improvise lines after the animation had been drawn. This became a staple of the character.
• Nice Guy: While a lot more violent and in-your-face than most, and initially much more of a Jerk with a Heart of Gold, Popeye eventually Took a Level in Kindness and became the most decent and upstanding guy in the franchise, with a strict moral code and a soft spot for children, animals and people in need. Part of this was so he'd be a better role model for the kids who adored him. A Popeye's Cartoon Club strip roughly coinciding with the COVID-19 pandemic even has him visit the Sea Hag to double-check on her well-being, despite their usual status as enemies.
• Nobody Calls Me "Chicken"!: He doesn't take well to being called a coward or a sissy. Usually resulting in him either proving the individual wrong, or just plain socking them.
• One-Man Army: Especially after he eats his spinach.
• Only One Name: Even Popeye, for the longest time, didn't know what his last name was. One storyline during the Sagendorf years revolved around him trying to get Poopdeck Pappy to tell. When he finally does, it's so horrible, Popeye becomes ashamed and goes into hiding. Wimpy has to go and talk him out of his funk.
• Only Sane Man: Despite his goofiness, Popeye is normally a lot more reasonable than the other adults in his vicinity, as well as being the only one to have a clear set of morals.
• Out-of-Character Moment: Popeye usually beats his enemies up, however, there has been some instances where he kills them. Most of them were animals, but at one point he shot his friend, Shorty, after he unintentionally ruined Popeye's birthday and his relationship with Olive.
• Papa Wolf: He's very protective of Swee'pea, although Swee'pea has occasionally proven that he doesn't need that much protection.
• Phasmophobic Bruiser: In the original comic, Popeye has a deep fear of ghosts. In one strip a man gives him a ship for free, only telling him afterwards that it's free because it's haunted, causing Popeye to remark, "He gived me his ship for nothin' and still I got cheated - I yam disgustipated."
• Pint-Sized Powerhouse: He's very short (a common insult for adversaries, especially Bluto, to throw at him is "runt"), but it doesn't hinder him by any means when it comes to fighting.
• The Pirates Who Don't Do Anything: Popeye has seen his fair share of high sea adventures in the comics, but in the cartoons (at least up until the World War II era shorts, where he rejoins the Navy), he was hardly ever on ships, or even anywhere near water in general.
• Power-Up Food: Canned spinach gives him Super-Strength. He's even got his own brand of spinach.
• Pre-Asskicking One-Liner: Often punctuated a particularly powerful punch with a hot-blooded "OH, YEAH?!" in his older cartoons.
• Rage Breaking Point: Should Popeye be pushed to his breaking point, he will lose his cool and declare "That's all I can stands, I can't stands no more!"
• Reality Warper: Big time. He could punch objects which would either morph them into something different or split them into multiple smaller objects.
• Signature Laugh: A staccato "ahgahgahgahgahgahgah". In the comics, it's written as "arf arf".
• Smoking Is Cool: Is almost always seen with his corn cob pipe. In "The All-New Popeye Hour", though, he says he just blows toots from it, not smoke, when doing a segment on why smoking isn't healthy for you.
• Strong Family Resemblance: Popeye's paternal ancestors are all practically clones of him. Even his maternal ancestors, like his mother or grandmother, basically look like Popeye in a dress. Lampshaded in one Popeye's Cartoon Club strip (May 30, 2020), where Popeye admits to Olive how confused he is to see that her relatives aren't all practically identical when they attend an Oyl family reunion.
• Super-Strength: Even without his spinach, he is usually depicted as superhumanly strong. With it, Popeye becomes a walking, talking tank capable of destroying whole armies in seconds!
• Symbol Swearing: In the original Segar strip, Popeye frequently swore like... well, like a sailor. But his swearing was always displayed in symbols.
• Took the Wife's Name: Depending on the incarnation, either Popeye has no family name of his own, or the Oyl estate has to be in the hands of an Oyl for Olive to keep it. As such, when he marries Olive, he legally becomes Popeye Oyl.
• Trademark Favorite Food: Spinach, of course, but this was mainly a product of the animated cartoons—while he did eat spinach in the original comics, it was far more sporadically than he did in the animated cartoons.
• The Unfettered: In the earlier cartoons, there wasn't much that could scare or intimidate him, much less get in the way of his goals; in "I Yam What I Yam", an entire army of Indians was shooting a barrage of arrows his way, and the arrows at best just annoyed him more than they harmed him.
• Verbal Tic: He tends to comically mutter under his breath which was an an unscripted ad-lib by his voice actor Jack Mercer.
• "Well Done, Son" Guy:
  • Despite his father's attitude, Popeye loves his pappy dearly, and vice versa. So insulting him is not a good idea.
  • In the initial search for Poopdeck Pappy story arc in the comics, insulting Poopdeck Pappy, who Popeye desperately wanted to find, will really rile up Popeye. He even tells Olive to shut it and spanks her because she won't stop egging him on about Pappy's terrible behaviour.
• What the Hell Is That Accent?: Popeye's voice has a very distinctive accent of unclear origin.
• Why Did It Have to Be Snakes?: Ghosts seem to be the only thing he's really afraid of. He once turned down a free ship after discovering it was haunted. That said, he will beat them up if threatened.
• With Friends Like These...: You really do have to wonder at times why Popeye puts up with all of his so-called "friends".
• Wouldn't Hit a Girl:
  • He once stopped fighting Alice the Goon after discovering she was female (a baby goon came up and exclaimed "Mama!").
  • Sometimes, unfortunately, this applies when he's facing the Sea Hag. Thankfully, in these cases, Olive helps Popeye by eating his spinach to defeat the Sea Hag. In an arc that introduced "Granny", Pappy's mother, and thus Popeye's grandmother, the Sea Hag feared "The Witch Killer". Granny ends up filling this role in the Hag's fears, and beats the Hag up for trying to marry Pappy. He also pounded the Sea Hag in the video game and in the climax of "Popeye's Voyage: The Quest for Pappy" due to the fact that she had gone too far, threatening those he loved.
  • He did spank Olive Oyl during the Search for Poopdeck Pappy comic arc, but that was because Olive wouldn't stop ranting about how nasty Pappy was to her.
• Younger Than They Look: "Goonland" has him at 40 years old.

Debut: December 19, 1919

Voiced By: Mae Questel (1933-1938, 1944-1960's), Margie Hines (1938-1943), Bonnie Poe (1933-1934), Marilyn Schreffler (1978, Popeye and Son), Tara Strong (Robot Chicken), Tabitha St. Germain (2004, The Quest for Pappy), Sandy Fox (Popeye & Bluto's Bilge-Rat Barges at Universal's Island of Adventure), Naoko Watanabe (Japanese dub), Grey DeLisle (2014)^note cancelled movie

Portrayed by: Shelley Duvall (live-action film)

• Absence Makes the Heart Go Yonder: In the original Thimble Theatre strip, Olive and Popeye's relationship originated after a lengthy two-year storyline had Castor (later accompanied by Ham Gravy) leave to seek their fortunes in the American desert. In the final strip of the arc (March 2, 1930), Ham went home after about a year in-universe and actually caught them cuddling in Olive's house, and got into a flurry of a fistfight with Popeye, with all their blows inadvertently landing on Olive who got between them. Olive them knocked them both out with vases. A few strips later, Ham permanently left town offscreen, his absence never referenced nor discussed for the next half-century.
• Adaptational Attractiveness: With a side-order of Progressively Prettier. The cartoon Olive started out as similar in design to the comic strip one, she eventually got redesigned and by the time of the Famous Studios cartoons had become rather pretty.
• Adaptational Costume Change: Popeye & Son sees her switch to wearing a pink tracksuit.
• Adaptational Dumbass: The All New Popeye Hour turned Olive into much more of a ditz. This is best shown with the "Private Olive Oyl" sketches which have Olive's bumbling tendencies on full display.
• Alliterative Name: Olive Oyl.
• Annoying Younger Sibling: To Castor; most apparent early in the comic. They spend an awful lot of time arguing and insulting one another, with Olive usually getting in the most digs. In the live-action movie, their relationship is pretty much the same, except now Olive is older and Castor is the one seen as the Annoying Younger Sibling.
• Apple of Discord: Not often, but occasionally, she'll drive a wedge between Pop-Eye and Bluto by virtue of being the pretty girl they both want to woo, leading to a Cock Fight.
• Awful Wedded Life: The 1940 cartoon "Wimmin Is a Myskery" and the 1954 cartoon "Bride and Gloom" both use a variant of this trope, in which Olive Oyl goes to bed the night before her wedding to Popeye, only to have a nightmare about her future as a wife that scares her so badly that she furiously tells Popeye the wedding is off when he shows up the next morning. Another way the trope is twisted is that Olive's problem with her dreamed future isn't how Popeye treats her. It's the fact that their marriage leads to Olive as the mother of several obnoxiously unpleasant sons — quadruplets in "Wimmin Is a Myskery" and twins in "Bride and Gloom" — who proceed to make her life an absolute hell. In "Wimmin Is a Myskery", her dream ends with the quadruplets eating spinach and using their Super-Strength to physically throw her around the house as punishment for spanking them, while in "Bride and Gloom", they tie her to a wooden stake and light a fire under her!
• Beware the Nice Ones: When angered enough, she's almost as dangerous as Popeye.
• Butt-Monkey: She's usually brought into various slapstick from most of Popeye's shenanigans, or when she's being the destressed damsel when Bluto's around, or when confrontation comes between Popeye and Bluto.
• Catchphrase: "Help! Popeye! Save me!" The Famous Studios shorts gave her "Keep away from me, you - you *insert insult here*!" and variants of it.
• Chickification: To an extent: the comics and the early Fleischer Studios shorts featured a more rough and tumble Olive who, while sometimes a damsel regardless, would get involved in the series' trademark roughhousing, especially the comics where she was often right there adventuring with Popeye (and, prior to the sailor's introduction, wielded combat abilities outclassing her male co-stars Ham Gravy and Castor Oyl). The later Fleischer Shorts and the Famous Studios shorts, which were rerun the most and become the more iconic as a result, fell more into Strictly Formula and had her entirely as the flighty but passive fair weather girlfriend she's most remembered for being, without much deviation.
• Childhood Friend Romance: Her volatile romance with fellow 1920s lead Ham Gravy is, at least within Segar's original strip, explicitly stated to be an evolution of a childhood romance; numerous early-1920s strips indicate that Olive and Ham's relationship has lasted at least fourteen years (indicating, for two individuals in their early or mid-twenties, a romantic startpoint of twelve at the latest), while a 1926 strip explicitly depicts a photo of both characters already romantically-involved as children in 1907.
• Clingy Jealous Girl: More so in the comics than in the animated shorts, if another woman takes so much as a second look at her "sailor boy", she's ready to gouge their eyes out. This trait likewise applies to her 1920s (pre-Popeye) incarnation (and towards the frequent womanizing of Ham Gravy, her previous boyfriend).
• Contortionist: In the early comics she spends a ridiculous amount of time doing acrobatic tricks, with or without Ham Gravy.
• Damsel Fight-and-Flight Response: When Olive Oyl is held captive by a gang of cowboys, she manages to hit the leader on the head... and then keeps hitting him while hysterically crying for Popeye. When Popeye finishes beating up the rest of the gang and comes for her, he has to tell Olive to calm down or she'll end up killing the boss.
• Damsel in Distress: Popeye saves Olive from Bluto/Brutus at least once per couple of episodes/strips.
• A Day in the Limelight: The "Private Olive Oyl" shorts star her and Alice the Goon, with no Popeye to speak of.
• The Ditherer: One of her defining traits is her inability to choose between Popeye or Bluto.
• Dude Magnet: Popeye and Bluto have strong attraction towards Olive and fight over her affections.
• The Flapper: Zigzagged. Olive's personality — especially in the original comics — derived a lot from flappers; she was hot-headed, fiery insisted on going out adventuring alongside the boys instead of staying at home, shamelessly enjoyed activities like dancing, and wasn't shy about combat at all. Indeed, prior to Popeye's introduction, she was the primary fighter of the Thimble Theater cast! However, she also rejects a lot of flapper cultural values; flappers favored fashionably daring clothes like high-heeled shoes and knee-high skirts^note Olive only wears these after she returns from Dice Island with Castor's fortune; her short lace dresses, long beads and rolled stockings scandalize Cole and amuse Castor, but Nana likes them; at one point Cole forbids her to go out without a decent long skirt, she complies, then throws the skirt away revealing a short dress underneath — "Le's go" had short hair, and were fond of smoking and drinking liquor. But Olive generally wears long, modest skirts with flat, sensible shoes, has long hair that she instead wears up in a bun, and is a teetotaler and anti-smoker, to the point that she was a proud supporter of Prohibition.
• Frying Pan of Doom: Uses a skillet to club Bluto into unconsciousness in one cartoon.
• Girly Bruiser: Your typical 1920s feminine woman, until you piss her off.
• Hair-Trigger Temper: In the early comics she would generally lose her cool pretty early into an argument, or from being flirted with by strangers, even taking her rage out on animals, going straight for physical retaliation.
• Happily Married: In Popeye and Son, she does eventually marry Popeye.
• Informed Attractiveness: In the comic and early cartoons, at least by today's standards. At the time of her creation, Olive's stick-thin figure was considered quite attractive. According to Bud Sagendorf, who wrote and drew the comic strip and comic books for a time, her measurements are 19-19-19^note quite proper, as Segar created the strip in 1919
• Made of Iron: If Popeye regularly needs to get his Spinach to physically recover from many of the beatdowns he takes, Olive is just as often subject to being pushed around and beaten up (albeit never to the same degree) — and proceeds to recover in very short order in many cases quicker than would be expected. If she's a Damsel in Distress, though, it's not gonna get her up and away from danger typically unless she's outright getting beaten up mid-escape attempt.
• Mama Bear: Very protective of Swee'pea, so you better not make him cry.
• Marriage of Convenience: In one incarnation, she married Popeye so she could hold on to her estate, and Popeye married her to retain custody of Swee'pea. They've been Happily Married ever since.
• May–December Romance: While Popeye's age is rendered more ambiguous in later media adaptations, Segar's original strip depicts him as being in his early forties, whereas Olive, in a 1932 strip, gives her age as twenty-four, confirming her to be, at minimum, Popeye's junior by around a decade and a half.
• Morton's Fork: In one incarnation, Popeye reveals through a flashback, explaining Olive's highly unique wedding ring, that Bluto came to her demanding her hand in marriage (so he could control her estate) or she'd lose her estate through a very antiquated inheritance law. Fortunately, she was able to marry Popeye, who had far more benevolent reasons to ask for her hand in marriage.
• No Celebrities Were Harmed: Bonnie Poe's voice for Olive Oyl was fairly nondescript. It wasn't until Mae Questal took over and started doing an imitation of actress Za Su Pitts that her iconic voice came into play.
• NO INDOOR VOICE: During Mae Questel's second tenure as Olive, Olive was very loud, almost always shouting.
• Noodle People: She's very thin.
• Power-Up Food: Olive eats the spinach on occasion as well, though its rare. In both "Never Kick a Woman" and "Hil-Billing and Cooing", Distaff Counterparts Bluto pursue Popeye and leave Olive helpless, leading to her taking a can on spinach and getting the power to take her rival out. She even got to sing the ending rhyme in the latter:
  I'll knock the dame sky-high
  Who tries to take my guy!
  (in Popeye voice) Popeye the Sailor Man! (Popeye toots twice on his pipe)
• The Prankster: In the pre-Popeye incarnation of Thimble Theatre, Olive & Ham Gravy were constantly pranking & betting against each other, but Olive's pranks were usually successful while Ham's usually blew up in his face. Olive's pranks could be a bit mean-spirited & she could be a downright troll at times.
• Punny Name: A play on "olive oil". The rest of her family falls into this as well (Cole Oyl, Nana Oyl, and Castor Oyl; Uncle Lubry Kent Oyl, who brought the Whiffle Hen from Africa). Lampshaded in the live-action film, when Popeye rhetorically asks if she'd rather name the baby, "Baby Oyl".
• Put on a Bus: Surprisingly, this happened to Olive during Segar's run, twice, although both were rather brief. She would disappear after Castor married Cylinda and moved out of the Oyl household, but would return a year later after the pair divorced. She would then disappear after Popeye was introduced, due to Segar focusing on him and Castor, but would again return a little over a year later. This time, she and Popeye became an Official Couple, which would cement her as a mainstay of the strip.
• Retail Therapy: Bobby London would give Olive the flaw of being obsessed with home-shopping networks, blowing a ton of money whenever one came on and being unable to be dragged away from it. He also showed the Sea Hag getting hooked on them as well.
• Rubber-Hose Limbs: Done as a visual effect, and a quite characteristic one, every time she waves her arms while calling Popeye for help.
• Shoe Size Angst: She is usually depicted with humongous feet whenever she is shown in the comics or cartoons.
• Slap-Slap-Kiss: In the comics, particularly. Comics Olive is often surly and snide, and she and Popeye often snipe and swipe at each other - especially on her part - but are endlessly loyal and devoted to one another.
• Super-Strength: She temporarily gains this in the few instances when she eats the spinach to defeat the Sea Hag, or any other female Big Bad, when Popeye can't do it.
• Swapped Roles: Amusingly in "Never Kick A Woman", Popeye is the one that needs saving when he tries to teach Olive some self-defense lessons and a would-be female applicant beats her up to try to leave Popeye open to their feminine charms. Cue Olive being the one to eat the Spinach, and proceed to flip her lid and utterly beat the woman down.
• The Teetotaler: Unlike flappers, Olive was pro-prohibition & went out of her way to make sure Ham Gravy stayed away from hootch.
• Temporary Bulk Change: One short, entitled "Weight for Me", had Olive overweight while Popeye was away for so long. Upon return, a concerned Popeye helps her get back in shape; while Brutus seems to like Olive's extra weight, and sabotages her weight loss.
• Took a Level in Jerkass: In the Famous era, Olive would get mad at Popeye for even the littlest misunderstandings and would dump him for a presumably stronger guy.
• Vocal Evolution: As Mae Questel reprised her role in the Famous Studios Popeye cartoons, she toned down Olive's originally nasally voice for a more pleasant tone that sounds almost Betty Boop-ish. This was probably a purposeful decision to match Olive's Progressively Prettier status in the later shorts.
• Women Prefer Strong Men: Olive never hides the fact that she is attracted to big, strong men. Popeye and Bluto have even competed in feats of strength to impress her, but it only goes so far. The reason she stays with Popeye is not just because of his strength, but he is also a nice guy.

Debut: July 24, 1933

Voiced By: Mae Questel (1936-1938, 1940s-1960s), Margie Hines (1938-1943), Marilyn Schreffler (1970s-1980s), Corinne Orr (1972), Tabitha St. Germain (2004)

Portrayed by: Wesley Ivan Hurt (live-action film)

• Badass Adorable:
  • Has some rare moments of this, like the short "Lost And Foundry" for instance, and in the comics, he's taken out grown men, including one who was supposed to be Popeye's opponent in a boxing match. But then again, with an "infink" raised by Popeye, what do you expect?
    Popeye: He eats his spinach and drinks his milk.
  • In a later Segar story arc, Sweepea unwittingly ends up on the front lines of a war, and he actually manages to pull through it in one piece. He even unwittingly throws a grenade into an enemy trench, blowing them to kingdom come!
• Changeling Fantasy: In the comic, at least, he turns out to be the Crown Prince of Demonia, who after his father was killed was sent to Popeye for protection against his Evil Uncle. This tends to be ignored by later writers, though.
• Depending on the Writer:
  • He's either adopted, Olive Oyl's child, or both her and Popeye's child. In some cartoons, he's hinted to be Olive's nephew that she sometimes takes care of, in others he's hinted to be Popeye's nephew (making him a cuter, less rascally replacement for Pupeye, Peepeye, Pipeye, and Poopeye). In the live-action film, he's adopted. In the 2004 CGI film, he's definitely Popeye and Olive's child.
  • Some cartoons, especially the '60s shorts, have him talking.
• Happily Adopted: Make no mistake, it's abundantly clear that he and Popeye love each other very much.
• Later-Installment Weirdness: While Swee'pea's characterization mostly remained the same in the very few Famous Studios-era shorts that featured him, he did receive a drastic redesign◊ that bore very little resemblance to his old one. The Al Brodax TV cartoons reverted Swee'pea back to his original design, which has stuck ever since.
• Not Allowed to Grow Up: A strange version; in his first appearances he was a fairly normal baby (or at least a normal cartoon version of a baby), but over the years learned to talk and could converse on anything just as well as any adult, but in appearance he remained a crawling baby. This was Lampshaded a few times. Later appearances sometimes reverse this development and present him as too young to talk again.
• The Omniscient: Only in the live-action movie, thanks to his role being merged with that of Eugene the Jeep. He can tell the future and seems to know exactly what's going on at all times, causing him to become a Living MacGuffin to the other characters — but as he's too young to talk, they're limited to "yes" or "no" questions.
• Only Known by Their Nickname: His real name is "Scooner Seawell Georgia Washenting Christiffer Columbia Daniel Boom" (Popeye got a little carried away when naming him), but he's usually just called "Swee'pea" — to such an extent, in fact, that several writers have forgotten that this isn't his real name.
• Straying Baby: Very frequently in the theatrical cartoons, he will usually end up wandering off and getting into trouble with Popeye desperately chasing after him.
• Super-Strong Child: Sometimes, instead of Popeye it's Sweet Pea who ingests spinach and gaining temporary bursts of super-strength; the first time it happens in "Lost and Foundry", Pea effortlessly tears apart a factory with No OSHA Compliance and busts Popeye and Olive out of danger by carrying the two adults above his head in each hand. One comic story has him grow overconfident because a regular diet of spinach has made him as strong as Popeye, and he ended up wreaking havoc to the point where Popeye had to have a talk with him about using his strength responsibly.
• Vague Age: A variant, at least in the comics. He's definitely a very young child, but just how young he is gets a little confused. He was introduced in the comic strip as a baby, but as the strip went on he learned to talk and read and had a very advanced vocabulary... but he still looked like a baby. Sometimes he was treated as being old enough to have started school, sometimes as a Brainy Baby. Bobby London's run on the strip (despite one early strip mentioning that he'd started school) established him as a baby with an extremely high intelligence; one storyline had him regress to a normal baby who couldn't talk thanks to some weird magic from the Sea Hag, and when Popeye took him to a doctor to find out what was wrong with him, the doctor couldn't find anything wrong with him and said "of course he can't talk, he's a baby!"

Debut: May 3, 1931

Voiced By: Charles Lawrence, Lou Fleischer, Jack Mercer (1960-1961), Allan Melvin, Daws Butler, Maurice LaMarche, Sanders Whiting (2004)

Portrayed by: Paul Dooley (live-action film)

The sheer incarnation of The Load. Smart, but cowardly, greedy, selfish, and overall a glutton, Wimpy is the kind of guy who would sell out his friends for a hamburger (in fact, he even sides with a villain at one point in the comics, and in the original strip at least once allies himself with the Sea Hag).

What nearly everyone seems to have forgotten, even Segar during the Thimble Theatre run, is that Wimpy's original backstory was a highly intelligent well-educated "trust fund kid" (to use a modern term) whose wealthy family disowned him for his cocky laziness and unrelenting self-indulgence. Instead of learning any sort of lesson from this, Wimpy took it as an amusing challenge to prove he could live as well as he likes by mooching, trickery, and ensuring he is underestimated as much as possible. His cowardice is based less on fear and more on being too lazy to risk having to protect himself. Segar often used him as a chance to show off his own wit and intelligence, at one time having a Wimpy near death in the desert respond by improvising a poem about life and death to an animal skull he comes across and only afterwards passing out.

While he was a very significant character in the comics, in Segar's days even coming close to eclipse Popeye himself in importance, the Fleischers merely made him an incidental character in the cartoons, who was always just there for the mere sake of comic relief — mostly because Dave Fleischer considered the character, such as he was in the comic, "too intellectual" to work in the film cartoons. In fact, he was so minor in the cartoons that he was abandoned by the Fleischers after "Onion Pacific", and it wasn't until a full decade later that he would appear again, in the short "Popeye Makes A Movie" (and even then, that appearance is through Stock Footage of 1937's Popeye the Sailor Meets Ali Baba's Forty Thieves). He was a regular in the 1960's TV series, however.

Despite rarely appearing in the classic shorts, he has become a fan favorite, and even has a brand of burger joints in the UK, Africa, and the Middle East (but originally founded in the United States) named after him called "Wimpy".

• Adaptational Dumbass: Due to his mooching tendencies being heavily downplayed, Wimpy comes off as much less intelligent in the cartoons, lacking much of the wit his comic strip counterpart displays.
• Adaptational Nice Guy: The cartoons tend to downplay his mooching tendencies and make him more of a genuine friend to Popeye.
• Big Eater: But too cheap to pay for his own food.
• Brilliant, but Lazy: Wimpy often exhibits great technical prowess and a high level of competence — it's just that he either uses this intelligence just to get more food or needs food as an incentive to do anything.
• Catchphrase: "Let's You and Him Fight!"
• The Charmer: When he wants to be, although it doesn't always work on people who know him too well.
• Con Man: He has a million schemes to get food from others. Sometimes goes to extreme lengths for petty reasons; in one Sunday strip he literally drops dead and comes back to life as part of a scheme to get a hamburger from Rough House.
• Crouching Moron, Hidden Badass: When Popeye and Bluto are fighting over him as a customer, whether at a carnival booth or in a diner war, Wimpy will find a way to take advantage of the situation by promoting the "fight of the century" between Popeye and Bluto, or getting a meal for nothing in the midst of a diner war. He even manages to find a pearl in an oyster at Roughhouse's Diner, and Geezil tells Roughhouse that he sold Wimpy a phony pearl for a dime, which just happened to be the price of a single oyster.
• Demoted to Extra: A major character in the comics, but a recurring bit player in the theatrical shorts. He was dropped from the cartoons for several years except for a minor, nonspeaking reappearance in "Popeye Makes A Movie" and a role in "Spree Lunch". He started to make more appearances once the made-for-tv cartoons came along. This was primarily due to the fact that Max Fleischer felt that intellectual characters weren't that funny, and the studio wasn't sure of what to do with him.
• Everyone Has Standards: Wimpy is a mooch, cowardly, selfish, lazy, and has stabbed Popeye in the back on several occasions, but he absolutely refuses to kill under any circumstances. He's also greatly angered at the idea of anyone poaching Goons.
• Eyes Always Shut: The only time his eyes are ever visible is when he's surprised or scared. This originally indicated his enormous pride, looking down on everyone else no matter how threadbare his clothing.
• Fat Bastard: Wimpy is fat and selfish.
• Fat Idiot: At his worst Flanderization in the cartoons, Wimpy is turned into this, a bumbler who only cares about getting a hamburger.
• Flanderization: The cartoons tend to play up his Big Eater tendencies and love of hamburgers, to the point that it's usually the only food he's ever shown eating.
• The Friend Nobody Likes: Even his best friend, Popeye, can only take so much. Popeye once got so angry with him, he paid off a cop to have Wimpy arrested!
• Gentleman Snarker: He's usually polite, but that doesn't mean he always says nice things.
• The Ghost: In "Spinach vs. Hamburgers", his burger shop is mentioned several times, but Wimpy never physically shows up.
• Iconic Sequel Character: Wimpy's earliest appearance within the Thimble Theatre comic strip dates to May 1931, over eleven years into its run; it would take over a year for Wimpy's characterization to crystallize into its most iconic form and a year further before he finally infiltrated the daily strip, thus becoming a full-time regular and franchise staple only five years before his original creator E.C. Segar's death in 1938.
• Jerk with a Heart of Gold: Completely self-centered and won't hesitate a moment to con his friends out of their food or money, but he's never malicious, and gets many Pet the Dog moments.
  • In a Segar story arc where Popeye adopts an orphaned girl, he's brought to tears after hearing her situation, and willingly parts with one of his hamburgers so she can have something to eat. The girl graciously gives it right back though, which Wimpy is more than willing to accept (much to Chef Roughhouse's chagrin).
• Last-Name Basis: Most people who know him just call him Wimpy, although a few women who've been romantically involved with him, including the Sea Hag, will call him Wellington.
• The Load: Usually, but in his case it's not so much that he isn't capable of being helpful, it's just that most of the time he doesn't bother to. When he actually bothers to use his smarts for other things than conning food out of others, he can actually be quite useful.
• Meaningful Name: He's quite the wimp, true to his name.
• Pet the Dog: He willingly parted with one of his beloved hamburgers to feed an orphan girl (although she gave it right back to him).
• Serial Moocher: This is J. Wellington Wimpy's defining character trait; a Brilliant, but Lazy glutton who constantly finds ways to mooch off of Popeye and friends, or con them out of their food. His most notorious habit is asking people for hamburgers with the promise that he'll pay them back on a Tuesday. Which Tuesday he'll pay what he owes is conveniently left unspecified.
• Sitcom Arch-Nemesis: In the Segar comics he was one to Geezil, an Ambiguously Jewish shoemaker (who only appeared in a few cartoons), though he mostly ignored him.
• The Stoic: Generally more emotionally reserved than the remaining residents of Segar's generally impulsive and hot-tempered cast, Wimpy usually keeps a cool head unless something genuinely saddens, frightens or angers him. He rarely even laughs.
• Take a Third Option: In one "Stone-Age Popeye" segment, cavewoman Olive needed help, and cavemen Popeye and Bluto competed to see who could better suit her needs. In the end, she chose "Tex Wimpy", who could also cook. Wimpy also took a deep breath and with a forceful exhale, literally "blew away" both Popeye and Bluto.
• Trademark Favorite Food: Hamburgers. For which he'll gladly pay you Tuesday. He also likes roast duck... you bring the ducks.
• Unsympathetic Comedy Protagonist: A simple description of Wimpy's main character traits does not paint a very flattering picture of him. He's sneaky, cowardly, a moocher, a con man, and sometimes even a backstabber. In practice, however, he's amusing enough that he's hard to actively dislike. He does get a few Pet the Dog moments here and there, which also helps alleviate this.
• Vagueness Equals Dishonesty: Wimpy always insists he'll pay people back next Tuesday for a hamburger today...but he always conveniently leaves it vague which Tuesday he's talking about.
• Vocal Evolution: Wimpy frequently changed actors throughout the cartoons, and he goes through a variety of different sounding voices as a result.
• Wild Card: He can be Popeye's friend, or a Punch-Clock Villain assistant to Bluto, which varies according to the episode.
• With Friends Like These...: A lot of times, he'll either try to mooch off of Popeye, or stab him in the back for the promise of food, money, or safety.

Debut: April 1, 1936

An odd dog-like, orchid eating creature that is Popeye's pet, usually referred to as "The Jeep", he has a very powerful nose and his able to teleport, turn invisible, phase through walls and even levitate/walk on air!

• Adaptational Sapience: Bobby London tended to write Eugene more humanlike, regularly having him speak via thought bubble which revealed him to be quite the Deadpan Snarker.
• Demoted to Extra: A somewhat major player in the comics during the 1930s and 1940s, but he only appeared in three of the Fleischer cartoons (two in a prominent role, and a cameo appearance in "Wotta Nitemare").
• Early-Bird Cameo: His first full appearance was on an April 1st comic strip, but his appearance was alluded to in several preceding strips, which obscured most of his appearance in the box he was shipped in.
• Living MacGuffin: In his first appearance in the comic, he becomes this — there are a lot of people who want him for his abilities.
• Mundane Utility: One strip from Bobby London had Castor using Eugene's power to invest in the stock market.
• The Omniscient: He knows everything and can predict the future, and will gladly tell you if you ask him — but since he can't talk he can only answer "yes" or "no" questions.
• Once for Yes, Twice for No: Ask him a "yes" or "no" question; if he raises his tail, the answer is "yes," if he lowers it, the answer is "no." This method of communication isn't flawless, however, as he like so many animals also often uses his tail to express emotion; at one point Popeye thought the Jeep was answering "yes" to a question — it turned out that he hadn't heard the question and was raising his tail because he had seen something interesting on the ground and was curious about it.
• Picky Eater: Only eats one thing, orchids.
• Pokémon Speak: Only speaks by saying his species name.
• The Unintelligible: Some cartoons ignore the Once for Yes, Twice for No thing and just make him this, leaving other characters to translate what he's saying.

Debut: September 12, 1932

Voiced By: William Pennell (1933-1935, 1942, 1943), Gus Wickie (1935-1938), Pinto Colvig (1939-1940), Dave Barry (1942-1944), Tedd Pierce (1942), Jackson Beck (1944-1960s), Garry Chalk (2004)

Portrayed by: Paul L. Smith (live-action film)

Popeye's rival, who was initially a minor villain in the original Segar comics, but was made into a prominent character in the Fleischer cartoons. He's the bully we all know or have known in life. His relationship with Popeye is shaky, but it seems more like a rivalry than anything, and the two have had their friendly moments together-and if we take one Minute Maid ad at face value, they can become downright affectionate towards each other sometimes. In some media, he is known as Brutus.

• Accidental Proposal: In Popeye and Son, he escapes Popeye's pursuit, after stealing Popeye's ring, intended for Olive Oyl, only to crash and fall (next to a woman who admired him) in a fashion very close to the classical marriage proposal form. He chooses to go through with the wedding anyway.
• Adaptational Badass: Though he always looks physically imposing, Bluto's actual strength varies between continuities. In some of them, he is a weakling for all his size and is forced to resort to trickery to catch up; in others, he is stronger or at least equal to Popeye in their natural state, but no match for him when he eats his spinach; and in the rare ones, he is a behemoth that poses a menace even for a spinached-up Popeye. Most adaptations typically run with the second version, though he has never stopped showing a ludicrous glass chin.
• Adaptational Friendship: Several cartoons portray him and Popeye as being friends, until something (usually Olive) causes them to begin fighting.
• Adaptational Heroism: In the 2004 CGI movie The Quest for Pappy, Bluto is a good guy and actual best friend of Popeye.
• Adaptation Name Change: Renamed Brutus in the comics and the 60's shorts due to King Features being unsure of whether or not they owned the rights to the character. Before the name Brutus was introduced in the comics and cartoons, various figures nigh-identical to Bluto but not called that name appeared in the comics and some merchandise. In some cases the Bluto figure was just called the "Mean Man". Most notably, the Sea Hag was given a Bluto-like son called Sonny Boy, who was later equated to Brutus when the comics started using the name, but then even later Brutus's mother was introduced as a different character. On rare occasions, Brutus and Bluto have been depicted as two separate characters, usually as brothers; but again, this is rare. (Randy Milholland, who writes and draws the Sunday strips, is particularly keen on this and even gives them Divergent Character Evolution - Bluto is the bully and Brutus is a generally nice guy who just gets easily led by his brother.)
  • This accounts for why merchandise in some countries such as the Philippines refer to Bluto as Brutus instead as he is far better known by that name in those regions.
• And Now You Must Marry Me: In one incarnation, he tries to force Olive to marry him, or she loses all rights to her ancestral estate.
• Arch-Enemy: To Popeye.
• Ascended Extra: In the original comic strip he only appeared in one storyline and was intended as a one-time character. It was the Fleischer cartoons that upgraded him to Popeye's main antagonist.
• Babies Ever After: In Popeye and Son, he has a son, Tank. This combines with Generation Xerox as his son really takes after him in appearance and personality as well as having the same dynamic with Popeye's son, Popeye Junior.
• Bad Boss: In Thimble Theater, Bluto's gold fever was so bad that he would steal gold fillings right out of the mouths of his men. After Popeye beat Bluto in a fight, the rest of his gang were more than happy to wash their hands of him.
• Baritone of Strength: The early cartoons had him voiced by bass singer, Gus Wickie, to signify how much of a brute he is.
• Beard of Evil: Bluto has a beard and is a huge jerk.
• Breakout Villain: Bluto was a very minor villain in the original Segar comics, only appearing for roughly 18 daily strips in a 1932 story, though memorably that story had a fight scene between him and Popeye that ran for a whole week. The animated cartoons were what made him a major player in the franchise.
• The Bully: He has no problem pushing others around, especially Popeye, for a laugh or to get his way.
• Card-Carrying Villain: Bluto is indeed aware of being evil.
• Catchphrase: When voiced by Gus Wickie, a furious "WHY, I..." whenever someone fought back against him. Sometimes followed by an equally furious "I'LL FIX HIM!" Both are best heard in Popeye the Sailor Meets Sindbad the Sailor.
• Characterization Marches On: In the Fleischer era cartoons of the 1930s and 1940s, he was more of a big, dumb, hulking brawler. In the Famous Studios cartoons after World War II into the 1950s, Bluto became smarter, more cunning and crafty, developing more intricate schemes to trick Popeye or get him out of the picture so he could try to get a kiss from Olive.
• Clint Squint: Bluto is often depicted with narrowed tough-guy eyes. In contrast, when he's Brutus, his eyes are often drawn to be open.
• Corrupt Corporate Executive: Some shorts feature Bluto and Popeye as business rivals. For example, the Famous short "A Hull of a Mess" had the two of them competing for a military contract to build warships. In the Al Brodax short "Spinach Shortage", Bluto Expy Brutus monopolized Spinach and was withholding it to raise prices. While it's anyone's guess if he did anything illegal to obtain his spinach monopoly, it's still illegal to abuse monopoly even if it was obtained fair and square.
• Decomposite Character: As "Bluto" and "Brutus" have both been different names for the same character, there have been several attempts to separate the two names into entirely separate characters. This essay covers the topic in length.
  • In the early 1960s, Bud Sagendorf attempted to distinguish Brutus from Bluto in the daily strips by portraying Brutus as the Sea Hag's son, also referred to as "Sonny Boy" by his mother. This attempt didn't pan out, and by 1965, the idea of Brutus being the Sea Hag's son was dropped. This failure was cemented in a 1970s strip, in which an entirely different character was introduced as Brutus' mother. In the compiled comics, the idea was also tried and failed.
  • In the 1990s, the daily strips ran the "Return of Bluto" story-arc, in which Bluto comes to Sweethaven and his first order of business is dealing with a mess of different lookalikes, all calling themselves "Brutus", who he says have attempted to steal his reputation.
  • Since around the 1960s, stories from TV Comic, Ocean Comics and King Features have presented Bluto and Brutus as relatives, either cousins or brothers. In the most recent interpretation of this dynamic, Bluto is the tough, headstrong, take-charge brother, while Brutus is wimpier, dimmer, more servile and more cowardly, a natural follower to his twin.
  • A 2020s comic in the Popeye series gives them an older brother named "Bruto" (his name a reference to a misspelling present in original stories made for British magazine TV Comic), who is depicted as the most average and level-headed of the three.
• Dirty Coward: Bluto is all too willing to run away from danger, even if it means somebody else is still in trouble.
• Disproportionate Retribution: In "Organ Grinder's Swing", he terrorizes Wimpy and his pet monkey by giving them a burning hot coin, throwing his furniture (including a burning hot grate) at them, and then resorting to smashing apart his grinder, all because he was annoyed by the music he's playing.
• Does Not Like Spam: He hates spinach, which explains why he usually doesn't eat it himself. In the rare occurrences when Bluto does eat the spinach, it's only because Popeye forces him to.
  • Subverted in "The Twisker Pitcher," where Bluto ate the spinach to give himself and his team an unfair advantage against Popeye's team, replacing the spinach with weeds to the unsuspecting Popeye.
  • Also subverted in Seein' Red, White, and Blue, as Bluto willingly decides to eat the spinach alongside Popeye to take down the Japanese enemies.
• Dumb Muscle: During the Fleischer Studios era cartoons of the 1930s and early 1940s, he's presented as being big and strong, but comparatively simple-minded.
• Evil Matriarch: Different versions of Bluto and Brutus have had different mothers, but they've always been pretty evil.
  • In the early 1960s, Brutus was briefly presented as the son of the Sea Hag.
  • In the 1970s, Brutus' mother is shown scolding Popeye for breaking her son's confidence with his constant defeats, only to punch her own son in the face and snap at him when he asks her to stay out of his business.
  • In one daily strip, after seeing Popeye interacting with his mother, Brutus wonders if maybe they would have been different in their mother had taught them better manners. Bluto dryly reminds his twin that their mother nursed them on vinegar, in the name of "toughening them up".
  • In one Popeye's Cartoon Club strip, Bluto tells Brutus that their mother considers him such a disappointment that she won't even haunt him, despite being a ghost.
• Even Evil Has Standards:
  • "Seein' Red, White, and Blue" has Bluto feigning an injury in order to get out of being drafted into the Navy. But when he sees Popeye getting beat up by Japanese saboteurs, then he gets mad ("Dey can't do dat to da Navy!!"). After a can of spinach between them, Popeye and Bluto mop the floor with the enemies and Bluto signs up.
  • A Sunday strip has Bluto call-out Ham Gravy on making fun of Popeye for only having one eye. It’s subverted somewhat when Bluto reveals that this part of a new kind of bullying he’s trying out called “Malicious Correctness”; being right for the wrong reasons.
• Everything Sounds Sexier in French: The short portraying Bluto as an etiquette teacher had him introducing himself as "Prof. Bluteau".
• Evil Laugh: Usually lets one out when he overpowers/incapacitates Popeye in whatever fashion, right before Popeye eats spinach to power up and fight back.
• Expy:
  • Of the villain Red Flack from the film The Big Trail.
  • There's another similar character named Brutus. The 1980s Ocean Comics miniseries stated that they're twin brothers.
• Expy Coexistence: In the comics, the original Bluto has coexisted with his substitutes like Brutus and Sonny Boy, depending on the writer.
• Eyes Always Shut: His default facial expression in most of his appearances had him with a scowl and a near perpetual squint in his eyes.
• Fat Bastard: Is sometimes depicted as being more obese than muscular, particularly when he's called Brutus.
• Genre Savvy: On rare occasions Bluto will try to take Popeye's can of spinach when he pulls it out. It rarely works, but points for the effort.
• Hair-Trigger Temper: Easily flustered, which goes hand in hand with his brute strength.
• Happily Married: Amazingly. At least in Popeye and Son. Even though it was purely accidental, he finds and marries a woman other than Olive Oyl, who not only suits him better but is far wealthier than Olive will ever be.
• He Cleans Up Nicely: Looks nice when he dresses up and shaves.
• Heel–Face Revolving Door: He is stated to be former best friends and Navy buddies with Popeye before Olive got between them, and perhaps that's the reason there are episodes and adaptations in which they have a Worthy Opponent or Friendly Enemy relationship (if not outright friendship until something gets between them again). The best example is Popeye's Voyage: The Quest for Pappy, where he's a nice guy and Popeye's first mate, and when Olive starts hitting on him (not knowing she's being mind-controlled by the Sea Hag), he turns her down.
• Henpecked Husband: In Popeye and Son, his wife utterly dominates him by force of personality. Everyone in town is quite happy with this as it does wonders to keep Bluto from directly antagonizing anyone, especially Popeye.
• Informed Flaw: He's usually described as an unintelligent brute, even by himself as in the quote above, but he often shows pretty cunning and convoluted plans.
• Jerkass: Depends on the version, but most of the time he’s womanizing, crude, and an all-around butthead.
• Jerk with a Heart of Gold: In his nicer portrayals, though on occasion his meaner versions can have shades of this. At his nicest in Popeye's Voyage: The Quest for Pappy where he is a gruff but loyal ally of Popeye.
• Karma Houdini: Averted for the most part as antagonizing Popeye almost always winds up getting him utterly humiliated one way or another, usually with Popeye downing some spinach and giving him a well-deserved knockout blow (or beating if the short calls for it). There is one notable exception that meets this trope and takes it up to eleven. Bluto never suffers any consequences in Popeye and Son for stealing Popeye's wedding ring meant for Olive Oyl. No, he actually gets rewarded instead, by marriage to a far wealthier and more suitable woman, who not only makes him happy, but bore him a son.
• Karmic Butt-Monkey: If it isn't Popeye or Olive getting the short end of the stick, there's a 90% chance that it's going to be Bluto, who very much does have it coming.
• Large Ham: Bluto enjoys hamming it up.
• Leitmotif: The Fleischer Studios cartoons used the sea shanty "Blow the Man Down" as a motif for him, always played with tubas, basses and other low toned instruments.
• Made of Iron: Though not quite to the extent of Popeye.
• Manipulative Bastard: In the 1980 live-action film, when he plans to exploit Swee'Pea's fortune predicting abilities to find Poopdeck Pappy's treasure.
• Murder the Hypotenuse: His countless, unsuccessful attempts to get Popeye out of the picture so he can woo Olive Oyl.
• Not-So-Harmless Villain: Yeah, he's goofy and not the brightest bulb on the Christmas tree, but he's as dangerous as Popeye when you provoke him—and that doesn't take much, either.
• Out of Focus: Despite being a major character, Bluto is absent from a surprisingly large number of the Fleischer Popeye cartoons, particularly late in their run on the series—out of the 109 they made, he is absent from at least 49 of them.
• Pragmatic Villainy: He will do good things if it will keep him out of trouble or help move his schemes along, especially in Popeye and Son. He chose to go through with marriage to Lizzie rather than inform her that the ring he presented was stolen and intended for Olive because she's a powerful politician who could seriously make his life difficult. In "Junior Gets a Job", he punishes Tank for trying to sabotage Junior because word getting out about him letting his employess be harrassed is not going to go well, and that's putting it mildly.
• The Rival: Mostly in the cartoons, whenever he and Popeye have the same occupation. In the comics, Popeye claims Bluto is the only person who might be able to beat him in a fight.
• Stone Wall: His durability is far greater than his strength, able to take beatings from Popeye with spinach. He once survived being hit by Popeye hard enough to destroy stars.
• Stout Strength: Round and barrel-chested, but he can hold his own in a fight against Popeye before spinach is involved. Particularly when he was first introduced, he was one of Popeye's few matches in physical strength.
• Strong as They Need to Be: Bluto can overpower Popeye without spinach, no problem, at times but he can't overpower him without tricks at other times.
• Suicidal Overconfidence: In Popeye and Son, over a decade after both he and Popeye have gotten married, and now have teen-aged sons, he thinks he can take on, in open combat, The Sea Hag who is hurling around hurricane strength winds and has Popeye scared when she came to reclaim a mermaid statue that his son Tank stole from Popeye Junior. Had not Junior taken the statue back and thrown it at The Sea Hag, the town they were in would have gotten pulverized.
• Suspiciously Similar Substitute: Brutus, during the 1960-1962 King Features TV cartoons.
• Villain Ball: On the rare moments he manages to win Olive over, he usually ruins it by getting too handsy.
• Villainous Lineage: Ralph Stein gave Bluto an equally villainous brother named "Burlo" in the daily comics, who could be distinguished by being clean-shaven in contrast to Bluto's perpetual stubble.
• Vitriolic Best Buds:
  • Occasionally, Popeye and Bluto were depicted this way. The best example is "Fightin' Pals", which starts off with the two of them exchanging "playful" punches just as Bluto is heading off to explore Africa. When months pass and Bluto doesn't return, Popeye heads to "Darkesk Afrikey" to find his old pal. Driving himself to exhaustion, he finds Bluto... surrounded by lovely native girls, living in a tropical paradise. When Bluto sees Popeye on the brink of death, he hauls out a can of spinach and revives him. The two exchange polite greetings... and proceed to start beating the living crap out of each other, laughing all the way.
  • It's not unusual for one of the shorts to start with the two of them getting along, only for Olive to enter the picture and the two to immediately start competing for her affections, with Bluto resorting to underhanded tricks that culminate in him and Popeye beating the aforementioned living crap out of each other.
• Vocal Evolution: Due to him rotating through several actors in the series, Bluto has gone through a fairly wide range of different sounding voices. His initial voice, William Pennell, gave him a very deep, raspy sounding voice. Then Gus Wickie, his second actor, ditched the raspiness for a very deep Baritone of Strength. Pinto Colvig, his third voice actor... basically gave him a very odd voice that sounds like his voiced for Grumpy. His most prominent voice actor, Jackson Beck, eschewed all of the previous voice characerizations for a smart-alecky wise-guy voice.

Debut: January 6, 1930

Voiced By: Mae Questel (1961), Marilyn Schreffler (1978), Kathy Bates (2004)

A pirate witch with a ship called the Black Barnacle and a finger in every evil scheme. She fell in love at first sight with Popeye and grew vengeful when he didn't reciprocate. She's normally assisted by her favorite vulture Bernard.

• Abhorrent Admirer: Although Popeye doesn't make a big deal out of her unattractiveness. (Nor is it that notable, in context.)
  • She is also sometimes portrayed as having an eye for Wimpy, however, he is not interested due to finding her scary.
• Adaptational Dye-Job: The Paramount cartoons and Quest for Pappy give her green skin.
• Adapted Out: From a lot of the adaptations, though not all. She wasn't worked into the Paramount cartoons until the early sixties and didn't appear in Robert Altman's live-action film.
• Amazing Technicolor Population: She had green skin in the '60s shorts.
• Antagonist in Mourning: Anytime it seems that Popeye is vanquished.
• Arch-Enemy: To Popeye.
• Depending on the Artist: Sea Hag's look can vary quite a bit depending on the series/artist. A strip by Randy Milholland would reveal that Sea Hag's constant changes in appearance are due to her trying to regain her original look after a botched potion changed her original face.
• Depending on the Writer: Just how antagonistic she is can vary. Sometimes she is The Dreaded, with everyone going out of their way to avoid her, other times she is a Friendly Enemy who regularly chats with the cast.
• The Dreaded: Popeye is practically superhuman and is all-but-invincible when he eats his spinach, but even he is afraid of the Sea Hag. Best exemplified when he persuaded his son Popeye Jr. to let Bluto and his family keep a statue he dredged up from the depths which should belong to his son by maritime salvage law - because it actually belongs to the Sea Hag, and he would rather let Bluto's family face the Sea Hag's wrath than to mess with her. Averted completely in "Quest for Pappy" where he beats her up after eating his spinach because she really really deserved it.
• Even Evil Has Loved Ones: She cares deeply for her pet vulture, Bernard, and can have her schemes stopped if he is threatened.
• Eyes Always Shut: In the strips by Segar, Sea Hag was always depicted as having her eyes shut. Whether or not she has trait varies in later depictions.
• Friendly Enemy: Particularly in the Sunday strips by Hy Eisman, Sea Hag could be downright cordial with the cast, and several strips have Olive Oyl coming to her looking for advice.
• Green and Mean: In the '60s cartoons she has green skin and is an antagonist.
• Last of Her Kind: She's the last witch on earth.
• Lean and Mean: Sea Hag is a lanky woman who is evil.
• Mage Species: She's stated to be the last witch on Earth, so apparently it's not something just anyone can learn.
• Ninja Pirate Zombie Robot: She's a pirate witch who practices voodoo and sometime runs criminal shell corporations.
• Rotten Rock & Roll: The Bobby London strips depicted Sea Hag as an enjoyer of rock and roll.
• Shapeshifting: In the 2004 CGI movie, she has the ability to change into a young beautiful siren-voiced mermaid.
• Why Did It Have to Be Snakes?: She's afraid of Jeeps. Justified since they can mess with her magic.
• Woman Scorned: She is really Not Good with Rejection.
• Worthy Opponent: Popeye considers her this and was relieved to find out she hadn't died when it looked like she had.

Debut: November 24, 1933

Portrayed by: Peter Bray (live-action film)

• Adaptation Name Change: Renamed Oxblood in the 1980 Popeye film.
• Love Is a Weakness: The only thing that can make him get unfocused during a match is if something happens to his mother, such as her getting accidentally knocked out.
• Manchild: Being a somewhat dimwitted and slightly anti-social grown man, he still depends on and does whatever his mother tells him to do.
• Momma's Boy: His biggest supporter is his own mother, whom he deeply loves and cares about. He even lets her help him in his matches by helping him cheat and mess with his opponents.
• Trophy Child: Has been literally trained to be one by his boxing instructor AKA his mother.

Debut: November 24, 1933

Portrayed by: Linda Hunt (live-action film)

• Action Mom: Being Bullo's boxing instructor, she's basically taught him everything he knows and has even gotten in the ring to assist him in matches on multiple occasions.
• Adaptational Ugliness: She's notably depicted as a wrinkly old woman with gray hair in the 1980 Popeye film, while she was slightly younger and had blonde hair the original comic strips.
• Five-Aces Cheater: Usually assists Bullo by cheating in plain sight and interfering with the matches.
• Mama Bear: Is extremely feisty and overprotective when it comes to her son.
• My Beloved Smother: She absolutely smothers Bullo with love and affection to the point where it's implied that he depends on her for almost everything. Supported by her being his boxing instructor and the one that assists him in the ring while going up against dangerous rivals, such as Popeye.
• Unnamed Parent: She's never been given a first name and is only known as "Mrs. Oxheart".

Debut: February 1, 1935

• Adaptational Dye-Job: "The Last Resort" gives Toar gray skin.
• Contemporary Caveman: Is in a modern-day setting, given that he possesses eternal youth from having drunk from the "Pool of Never Die".
• A Day in the Limelight: Bobby London's "Heavy Metal Toar" storyline and issue 10 of the IDW series both give Toar a major role.
• Demoted to Extra: Toar did enjoy quite a decent amount of prominence when he first appeared, being a fairly recurring character, but after Segar's passing, he would quickly be Put on a Bus and usually only shows up in brief cameos.
• Eyes Always Shut: Toar is rarely depicted with his eyes open.
• Heel–Face Turn: Toar was at first working for the Sea Hag, but would end up becoming a friend of Popeye.
• Third-Person Person: Toar refers to himself as "Toar" when he speaks.
• You Don't Look Like You: Toar's appearance in "The Last Resort" depicts him with gray skin, a rather large nose, and no fangs to speak of. His appearance in "The Golden Touch" is closer to his usual look but gives him buckteeth.

Debut: January 13, 1956

Voiced By: Judy Canova (1956-1957)

• Abhorrent Admirer: A disgusting-looking woman, who all of her love interests absolutely despise for her gruesome appearance, overbearing personality, and tendency to court them while they're already dating someone else. She's unappealing enough that Slippery Sam, the crook who was hiding from the law in her home, chose prison to avoid her.
• Adaptational Attractiveness: For her own spin-off short, she's drawn to look younger and with visible eyelashes. She's still not exactly prettier, just less unattractive.
• Alliterative Name: Possum Pearl.
• Brawn Hilda: She is very big and muscular, even more so than Popeye, Bluto, and most of the other male characters. The only way Olive was even able to fight her was to eat Popeye's spinach.
• Canon Foreigner: Created exclusively for the Famous Studios shorts.
• Catchphrase: "A MAN!!!", a catchphrase that's more often than not, preceded by a "Yahoo!" or "Wahoo!"
• Spin-Off: Despite appearing in only one episode of the original series, "Hill-Billing and Cooing", she later got her own eponymous spin-off cartoon.
• Vocal Dissonance: Despite being a hefty, brawny woman, Possum Pearl has a lovely voice, which she uses for her singing.

Debut: September 26, 1936

Voiced By: Jack Mercer (1938-1960's), Billy West (2004)

Portrayed by: Ray Walston (live-action film)

• Abusive Parents: Poopdeck Pappy is not really a very good father figure. He abandoned Popeye when his son was just a little boy, leaving his rearing to an adoptive father figure named Whaler Joe, and he's completely unapologetic about it, something the Popeye's Cartoon Club strips like to lean into. Even after reuniting with his now-adult son, Pappy is often shown arguing with his son, trying to mooch off of him, and getting into fights with Popeye's girlfriend.
• Adaptational Heroism:
  • His first appearance in animation in "Goonland" had it be that he was absent from Popeye's life due to being held prisoner on Goon Island.
  • The Search for Pappy establishes that he abandoned Popeye in order to protect him from the Sea Hag.
• Adaptational Nice Guy: The cartoons tend to downplay a lot more of his nastier aspects and give him a much healthier relationship with Popeye and Olive.
• Cool Old Guy: Senile he may be, but super strength and fearlessness is something that runs in Popeye's family. He aided Popeye in taking down an entire legion of Goons in "Goonland"! In the 1980 Popeye, he manages to rescue Swee'Pea from an octopus and Bluto.
• Defrosting Ice King: He was a total jerk to Popeye and Olive in his initial comic appearances, mainly because he wanted to be left alone on his island. Popeye eventually manages to win him over and bring out his more sympathetic qualities.
• Dirty Old Man: He seems to enjoy the company of much younger women.
• The Gambling Addict: He is shown to enjoy gambling quite a bit, once even joining Popeye on an adventure so he could escape debt collectors.
• Grumpy Old Man: An aggressive man in his 90s.
• The Hedonist: It doesn't take much persuasion for him to give in to his vices, and there are a lot of them.
• He-Man Woman Hater: In the Segar comics, he is downright misogynistic and hostile to Olive Oyl, and the feeling is mutual.
• Heterosexual Life-Partners: He and Pooky Jones lived on the same remote island together for decades. Even after getting off the island, the two still hang out regularly.
• It's All About Me: A Sunday strip by Randy Millholland has him reveal to Popeye something horrible that his own father told him, that being Pappy was not the center of the universe. One of the thugs that Popeye was beating on is quick to ask if Popeye is sure that he's beating up the right person.
• Jerk with a Heart of Gold: In all incarnations, he's grouchy and even downright hostile at times, but when it comes down to it, he's not such a bad guy; he ultimately has a change of heart when he starts bonding with Swee'Pea in the movie.
• Kavorka Man: He frequently manages to go on dates with women who are maybe a third of his age at the most. His lively behavior may be a possible explanation for this. Looks don't mean as much against a guy who's swinging in a woman's eyes.
• Leitmotif: Once he became a regular, he got "Popeye's Poopdeck Pappy".
• Like Father, Unlike Son: Popeye generally has a strict moral code that he follows. Poopdeck Pappy, however, is more opportunistic and at times, downright hedonistic. Popeye regularly finds himself "disgustipated" with his father's actions.
• Manchild: He's more childish than his son is.
• Papa Wolf: Despite being rude and grumpy towards Popeye, he's shown to be very protective, even taking on an army of Goons in "Goonland", and rescuing Swee'Pea from Bluto and an octopus in Popeye (1980 film).
• Parental Abandonment: He left Popeye behind very early on in the boy's life and left him in the care of Whaler Joe. Apparently, this was due to Popeye taking to long to return with the pipe he had sent him to purchase.
• Replacement Flat Character: One of the reasons for his creation was that Popeye had slowly begun to soften up as a character, and Pappy allowed Segar to bring back a brutish sailor character.
• Screw Politeness, I'm a Senior!: Poopdeck is elderly, plus he is curmudgeonly.
• "Scooby-Doo" Hoax: His initial appearance in Thimble Theatre had him and Pooky Jones attempting to spook Popeye and his crew away from their island by pretending to be ghosts. He would later try the same scheme in Issue #13 of the Gold Key comics, except his partner in crime was Castor Oyl.
• Strong Family Resemblance: He's almost identical to Popeye just older and with a white beard.
• Uncanny Family Resemblance: He looks like an unkempt version of Popeye with a scraggly white beard. He's taken advantage of this on a few occasions and shaved off the beard to mess with Olive.
• Would Hit a Girl: He slugged Olive Oyl when they first met. The two have been at odds ever since.

Debut: December 10, 1933

• Abhorrent Admirer: Alice is sometimes portrayed as being attracted to Popeye, most often in the cartoons. Popeye does not return these feelings, not due to her being ugly, but due to already being in a relationship with Olive Oyl.
• Adaptational Dye-Job: "A Goon Gone Gooney" from The All-New Popeye Hour gives her, and the rest of the Goons, light-blue skin. She is, however, portrayed with her regular skin tone in the "Private Olive Oyl" shorts from the same series.
• Bald Head of Toughness: She's a woman, she is bald and she's a Bad Butt when fighting.
• A Day in the Limelight:
  • "Frozen Feuds" from the 60's features Alice in a very prominent role.
  • Alice stars alongside Olive Oyl in the "Private Olive Oyl" shorts from The All-New Popeye Hour.
• Does Not Like Spam: She hates the taste of spinach, which caused problems when the Sea Hag forced her to eat barrels of it in order to be able to go toe-to-toe with Popeye.
• The Dreaded: "Frozen Feuds" has the cast being very frightened by her; Olive sings a song about how scary she is, and turns white all over upon seeing her. It's subverted when Popeye bumps into her, and she is revealed to be relatively harmless.
• Forced into Evil: How she and her people end up serving the Sea Hag.
• Gentle Giant: She's huge but she's sweet, kind and a loving, nurturing nanny to Swee'Pea.
• Gonk: A large goofy-looking bald humanoid with a face like a proboscis monkey, hairy forelimbs, incredibly tall, flat-chested (despite being female) with freakishly broad-shoulders & chest.
• Gonky Femme: Later appearances give her a Girliness Upgrade and put her in a dress and a flowered hat◊. She can still destroy you in a fight, though.
• The Heavy: Her job as The Sea Hag's main henchwoman.
• Inexplicably Identical Individuals: Alice and her race◊ all look exactly alike.
• Literal-Minded: A Running Gag in "Private Olive Oyl" is Sgt. Blast giving her and Olive a command, and Alice taking it literally.
• Made a Slave: By the Sea Hag in her debut.
• Mama Bear: With her child, Swee'Pea or whoever.
• Monster Is a Mommy: During her debut, it is revealed that this one large bald mook isn't a giant man... but a woman... as her child cries out "Mama" during her big brawl with◊ Popeye (thus flummoxing the sailor, who has a strict Wouldn't Hit a Girl policy).
• Mook–Face Turn: She turned on the Sea Hag when she tried to get her to kidnap Swee'pea while Popeye was away, and proceeded to watch him until Popeye returned home.
• Mooks: Was introduced as one of these.
• Punch-Clock Villain: Forced into this in her debut by the Sea Hag.
• Samus Is a Girl: Due to her appearance◊, Popeye had no idea she was even female and was alarmed mid-fight when Alice's child cries, "Mama!"
• Slave Mooks: She and her people were made into this by the Sea Hag.
• The Unintelligible: She and her people speak in weird high-pitched squeeky noises. However; Wimpy knows "Goonese" fluently and acts as her translator.
• What Happened to the Mouse?: Her child after Alice is introduced.

Debut: January 14, 1920

Portrayed by: Donovan Scott (live-action film)

• Adaptational Dumbass: In the live-action movie, Castor is far from an idiot (he does manage to trick Bluto out of beating him up), but he is notably less intelligent and sophisticated than his comic counterpart.
• Adapted Out: He's almost entirely absent from the Fleischer cartoons, really only appearing in one of them, The Spinach Overture from 1935. Likewise, he's nowhere to be seen in most other adaptations... apart from the live-action movie, where he's a fairly major character.
• Age Lift:
  • A minor one, but in the live-action movie he's Olive's younger brother.
  • Both Bud Sagendorf and Bobby London, the latter of whom began writing for the strip after the movie came out, also refer to Castor as Olive's little brother.
• Annoying Younger Sibling: The live action movie making him younger than Olive also means it turns him into this.
• Bald of Authority: Generally, the bald Castor is the one who takes charge during his and Popeye's adventures.
• Big Guy, Little Guy: Castor is the little guy to Ham Gravy's, and later Popeye's, big guy.
• Brains and Brawn: Castor acts as the brains to Popeye’s brawn.
• The Bus Came Back: He did return to prominence when Bobby London briefly took over the strip, and in the 2012 IDW comics he was also a major recurring character.
• The Cameo: He makes two minor non-speaking appearances in the cartoons, with him showing up as a member of Popeye's band in The Spinach Overture and running a shooting booth in Muskels Shmuskels.
• Characterization Marches On: Particularly relative to his sister, Castor's characterization and role underwent a number of conspicuous evolutions throughout the run of Segar's original strip, with his initial role as a sparsely-featured Cloudcuckoolander eventually transitioning into an impetuous and ambitious yet short-sighted would-be adventurer and entrepreneur who, particularly following his marriage to Cylinda Oyl in 1926, became the main protagonist of the strip. Following the end of his marriage in mid-1928, Castor reunited with his returning co-stars Ham Gravy and Olive Oyl and maintained his role as a bungling adventurer until 1930, in which Segar redeveloped him into an intellectual and analytically-minded straight man to the then newly-ascendant Popeye's brawn. Upon being Demoted to Extra the following year, Castor would sporadically return throughout the mid-late 1930s as a highly competent and authoritative detective, effectively settling into the polar opposite of his initial characterization.
• Cloudcuckoolander: Embodies this trope persistently in his earliest appearances (circa 1920 to mid-1923), in which Segar casts him as a bizarre, paradoxical comic relief sidekick to Ham Gravy and Olive. For the first three years of his existence, he or someone else would remind you that he was one of these as a forewarning. The Lizzie Lucre storyline (commencing in June 1923) transitioned him into a scoundrel-type everyman prone to wild flights of fancy (rather than outright "insanity"), although a number of Sunday strips from the mid-1920s nonetheless skew Castor closer to his earlier characterization.
• Commuting on a Bus: Unlike the complete disappearance of his 1920s co-star Ham Gravy, Segar, despite demoting Castor from the regular cast by the end of 1931, never entirely disposed of him, thus resurrecting him (albeit cast more as a hypercompetent and authoritative detective rather than the bungling would-be adventurer of the 1920s) for prominent roles within several storylines (among them the 1935 storyline introducing Popeye's caveman accomplice Toar and "A Sock for Susan's Sake", run only a year before Segar's death in 1938).
• Consummate Professional: Castor's sole appearance under Tom Sims and Bela Zaboly in 1941's Mystery Mansion Story Arc has him acting incredibly professionally as a detective, much more so than Segar's iteration. However, there are several moments throughout the story where he shows his old hotheaded personality, particularly when Popeye causes him and Olive to lose out on their reward money.
• Demoted to Extra: And how. Debuting only one month after the start of Thimble Theatre, Castor was initially a minor character (notably disappearing entirely for several months early in 1921), yet, by the end of 1923, had become arguably the main character of the comic and remained as such for six years — only to have his role drastically reduced after Popeye appeared and rose to stardom. He remained an important character in the comic for several years afterwards, keeping his role as a catalyst for longer story arcs by dragging Popeye and Olive along on his Get Rich Quick Schemes, but by 1931 he began appearing less and less, and (after several years of Commuting on a Bus) was eventually Put on a Bus when he bought a ranch and moved out west.
• Depending on the Writer: Just how effective a detective Castor is varies heavily. Sometimes he is a Great Detective, other times he is a downright Clueless Detective.
• Distinguished Gentleman's Pipe: After Castor became a detective, he was often seen smoking a pipe to signify his Great Detective status.
• Get-Rich-Quick Scheme: Especially in the comic's early (mainly pre-Popeye) years, many of the plots were driven by Castor's penchant for these.
• Hair-Trigger Temper: Castor can be very quick to anger and has a very low tolerance for Popeye’s antics.
• Happily Married: Under Randy Milholland, Castor Oyl remarried Cylinda, and the two have a happy, healthy relationship. The two also had a rather loving relationship under Segar’s pen as well, before they separated.
• Improvisational Ingenuity: Early strips would often feature Castor using rather unorthodox methods to solve his problems.
• Jerk with a Heart of Gold: While Castor can be greedy and quite rude, he is ultimately a good guy deep down who does care for his family and friends.
• Lazy Bum: Castor loves a good Get-Rich-Quick Scheme, especially if he can get someone else to do the work for him.
• Little Big Brother: He's older than Olive (his age is given as 21 in a 1925 strip), but he's only about half her height.
• Master of Disguise: When Castor returned as a detective in 1935, he demonstrated what he called his “Lightning Disguise Tricks” to Popeye. According to Castor he can fit 57 different disguises in his hat alone.
• New Job as the Plot Demands: Every time Castor encounters Ham, he has a new job.
• Non-Action Guy: While Castor will go on adventures, he tends to leave the fighting to Popeye.
• Perpetual Smiler: Bud Sagendorf tended to always draw Castor with a smile on his face.
• Private Detective: Castor is a self-proclaimed master detective, how true this claim is very much depends on the writer.
• Punny Name: Like the rest of his family, his name is a play on a type of oil.
• Same Character, But Different: When he returned in 1935 after being Put on a Bus, he Took a Level in Badass and was now a highly competent detective with a set of men at his disposal. This characterization would largely disappear whenever he showed up after that, with most writers after Segar opting to return him to his prior characterization as a hot-headed adventurer, although some would still have him be a detective.
• Serial Romeo: Castor would fall in love with many girls under Segar’s run, and the relationship would usually fall apart for one reason or another.
• Shorter Means Smarter: Far shorter in stature than Olive or Popeye, but a good deal more clever than either of them... though not quite as clever as he himself thinks.
• The Sleepless: Castor advertises his detective service as being 23 and 1/2 hours a day. It's not 24 hours because he needs time to sleep.
• Taking Advantage of Generosity: Castor will often take advantage of Popeye's good nature, most often to get free labor.
• Took a Level in Jerkass: Segar's original incarnation of Castor was a goofy, happy-go-lucky Cloud Cuckoo Lander before slowly developing into a more cynical and greedy Deadpan Snarker.
• Took a Level in Kindness: Bud Sagendorf's version of Castor is a much kinder and more selfless individual.
• Took a Level in Smartass: Castor would become snarkier over Segar's original run, especially once he was paired up with Popeye.
• Time-Passage Beard: The "Ghosk Ship" storyline by Bud Sagendorf has Castor returning home after having been missing for years at sea. He is depicted as having a very unkempt appearance, including a scraggly beard, that causes neither Olive or Nana Oyl to recognize him at first.
• Tiny Guy, Huge Girl: Castor married a flapper named Cylinda who is twice his height.
• Vitriolic Best Buds: Has this dynamic with Ham Gravy, with the two regularly coming to blows, but ultimately caring for one another at the end of the day.

Debut: November 11, 1932

Voiced by: Jack Mercer (1941)^note voiced in Olive's Boithday Presink, Jackson Beck (1961)

Portrayed by: Richard Libertini (live-action film)

• Adaptational Friendship: While it is a very shaky friendship, the live action Popeye film has him as a friend of Wimpy.
• Adaptational Nice Guy: "Wimpy the Moocher" sees Geezil be much more calm about his dislike of Wimpy, casually telling Wimpy that he hates them rather than the tirade he would've gone on in the comic strip.
• Adapted Out: For the most part. His only appearance in the theatrical cartoons were two cameos. He also appeared in a couple of the sixties cartoons, and was given a supporting role in the movie.
• Ambiguously Jewish: He looks very much like an Orthodox Jew, with his long beard and black attire.
• The Cameo: Most of his appearances in the cartoons are quick cameos.
• Dark Horse Victory: He gets an amusing cameo at the end of the short, "Clean Shaven Man", where Popeye and Bluto get into a fight at a barbershop after hearing that Olive prefers her men to be well groomed, only to find she's now going out with Geezil!
• Dirty Coward: In the IDW comics, after Geezil is exposed for hosting a rigged boxing match to try and get rid of Wimpy, he attempts to make a quick exit. Granted part of was due to the fact that he was in the sights of an enraged Popeye.
• Funetik Aksent: His odd speech pattern seems to give off the impression that he's from Eastern Europe, possibly Russia. The movie seems to confirm this.
• Hair-Trigger Temper: He's frequently flustered or angry, especially if Wimpy is nearby.
• Ruritania: He's from some unspecified country in eastern Europe, and may be Ambiguously Jewish.
• Sitcom Arch-Nemesis: He hates Wimpy with a passion, who for the most part, just ignores him. He even once went so far as to kill him and would have succeeded had he not offered to buy everyone a hamburger after the doctor pronounced Wimpy dead.

Debut: May 24, 1931

Voiced by: Jackson Beck (1960-1962)

Portrayed by: Allan F. Nichols (live-action film)

• Adaptational Jerkass: In "Wimpy the Moocher", Rough House openly hates Wimpy, and as Popeye finds out, just mentioning his name is enough to set off Rough House. In the comics, he more or less grudgingly tolerates him as long as he or someone else can pay for his food.
• Adapted Out: Completely absent from the theatrical cartoons. He did eventually show up in the Al Brodax Popeye episodes "Wimpy the Moocher" and "Robot Popeye". He also made it into the live-action film.
• Black Bead Eyes: Rough House is one of the few characters to have bead eyes in the 60's show; most characters had Black Dot Eyes.
• Cigar Chomper: Rough House can sometimes be seen smoking a cigar, like in his page image.
• Composite Character: "Wimpy the Moocher" would shift George W. Geezil's Berserk Button over Wimpy to him.
• Pet the Dog: In the Segar comics he once employed Wimpy as a human garbage can - that is, throwing all the food scraps at him while he sat hidden under the counter.
• Sitcom Arch-Nemesis: Rough House's main role in the comics is being frequently annoyed by Wimpy's constant mooching. One time he became so infuriated by Wimpy that he had a breakdown and needed to go to the hospital.
• Team Chef: During the Plunder Island storyline, he joins up on Popeye's ship as the cook. He even tries to open a burger stand, only to throw it overboard when Wimpy came by to mooch.
• Vocal Evolution: Has two very different-sounding voices between his two appearances in the 60's show. "Robot Popeye" gives him a Simpleton Voice, whereas "Wimpy the Moocher" gives a much more gruff voice, similar to Brutus. Part of this shift in vocal performance likely stems from Brutus being absent in the latter episode.

Debut: September 27, 1931

Portrayed by: Stan Wilson (live-action film)

• Bit Character: Under later writers, Oscar usually only shows up to fill minor odd-job roles.
• Butt-Monkey: In Randy Milholland's strips, Oscar is usually shown being beaten up or insulted. This is due to Milholland's dislike of the character.
• The Cameo: In the Fleischer/Famous cartoons, Oscar was a semi-recurring background character, who like in the comics worked a variety of odd jobs. He also cameos in the live-action film.
• Children Are Innocent: Popeye views Oscar as a child and thus does not hold him accountable when he betrays the group.
• Demoted to Extra: After the 1950’s Oscar would all but vanish from the strip, with him usually only showing up in very minor background roles.
• The Ditz: Oscar is rather dumb, to the point that he sometimes makes Popeye look like a genius.
• Flanderization: Oscar, while not a genius, was still decently competent in Segar’s run, with him doing things like switching sides in a conflict for his own benefit. Later writers would make Oscar much nicer at the cost of quite a few IQ points.
• Goofy Buckteeth: Oscar has three buck teeth visible at all times.
• Inexplicably Identical Individuals: In Issue 6 of IDW, Popeye asks Oscar if he has a cousin who works for King Blozo. Oscar reveals that he has lots of cousins all over the place, although none are as handsome as he is.
• Kindhearted Simpleton: Oscar isn’t all too bright, but he is also one of the nicer members of the cast.
• New Job as the Plot Demands: Oscar's frequent job changes are a running gag, emphasizing his adaptability and the humor of the Popeye universe. He's always seen in different roles, adding a "Where's Waldo?" element to his appearances. Oscar has most notably worked as General Bunzo's orderly, Swee'Pea's babysitter, a waiter, a simple shop clerk, and a royal chauffeur.
• Too Dumb to Live: A strip from Bobby London has Castor start a cooking show. When he asks Popeye for advice on what to do, the sailor says to keep Oscar away from the blender.

Debut: December 19, 1919

Portrayed by: Maclntyre Dixon (live-action film)

Olive and Castor's father. Despite being argumentative and stubborn, he deeply cares about his family and is protective of them, especially Olive.

• Adapted Out: He's entirely absent from the Fleischer cartoons and most other adaptations... apart from the live-action movie, where he's a fairly major character. He also appears in Olive and Popeye's Wedding Episode in Popeye and Son and is a driving force behind it, due to being annoyed about Popeye taking so long to marry Olive.
• Catchphrase: Frequently says "Someone owes me an apology".
• Demoted to Extra: Following Popeye's introduction, he would start appearing less and less, given that the focus would shift from Olive Oyl and Ham Gravy to primarily the one-eyed sailor.
• Good Parents: Both he and Nana are portrayed as being very loving parents.
• Huge Guy, Tiny Girl: Cole is about a head taller than Nana, his wife.
• Obnoxious In-Laws: Depending on the Writer, he is sometimes portrayed as being very disapproving of Popeye.
• Out of Focus: Cole tends to get the least focus of the main Oyl family members under later writers, with him only showing up if Nana shows up, and even then, there are plenty of times she has shown up without him.
• Punny Name: Like the rest of his family, his name is a play on a type of oil, specifically coal oil, an old name for kerosene.

Debut: December 19, 1919

Voiced by: Mae Questel (1934)

Portrayed by: Roberta Maxwell (live-action film)

• Adapted Out: She's almost entirely absent from the Fleischer cartoons, really only appearing in one of them, The Man on the Flying Trapeze from 1934. Likewise, she's nowhere to be seen in most other adaptations... apart from the live-action movie, where she's a fairly major character. She also appears in Olive and Popeye's Wedding Episode in Popeye and Son.
• Demoted to Extra: Following Popeye's introduction, she would start appearing less and less, given that the focus would shift from Olive Oyl and Ham Gravy to primarily the one-eyed sailor.
• Doting Grandparent: A Randy Milholland strip has Castor call her out on spoiling Deezil, with Nana arguing that Deezil is at least 20 gifts away from becoming spoiled.
• Food Shove Gag: In a Bobby London strip, while nagging Olive about getting married, she asks her to pass the bread. Olive proceeds to stuff it into her mouth to get her to stop talking.
• Good Parents: Both she and Cole are portrayed as being very loving parents.
• Huge Guy, Tiny Girl: Nana is about a head shorter than Cole, her husband.
• My Beloved Smother: Bobby London tended to depict her as being very controlling of Olive's life, often wondering when her daughter was going to get married.
• Obnoxious In-Laws: Depending on the Writer, she is sometimes portrayed as being very disapproving of Popeye.
• Punny Name: Like the rest of her family, her name is a play on a type of oil, specifically banana oil, an old term for nonsense.

Debut: December 19, 1919

Portrayed by: Bill Irwin (live-action film)

• Adaptational Villainy: "The Wedding of Popeye & Olive" has Ham acting as an antagonist, trying to force Olive to marry him by teaming up with Bluto. However, Bluto quickly usurps his place as the main antagonist of the story.
• Adapted Out: Outside of a brief cameo in the 1960's episode "Popeye's Testimonial Dinner", Ham has never made an appearance outside of the comics, excluding the live-action film where he makes a few cameos.
• Amicable Exes: Depending on the Writer, he and Olive are sometimes portrayed as maintaining a healthy relationship after she dumps him for Popeye.
• Big Guy, Little Guy: The big guy to Castor Oyl's little guy.
• Black Comedy Animal Cruelty: Opposite of a friend to all animals, Ham seems to kill just about every critter he came in contact with (including several of Olive's pets), almost entirely in service of a given gag's punchline. This is in stark contrast to Popeye, who usually only attacks animals in self-defense.
• The Bus Came Back: It's minor, but Bobby London had Ham move back to Sweethaven during the "Agent Olive" storyline. From there, Ham enjoyed a minor recurring role, often hanging around Castor.
• Butt-Monkey: Particularly under Randy Milholland's pen, Ham often finds himself getting the short end of the stick. However, most of the time he does have it coming.
• Chuck Cunningham Syndrome: Unlike his co-star Castor, Ham was never given a proper send-off and stops being mentioned after Popeye takes over.
• A Day in the Limelight:
  • Issues 14-16 of the Gold Key Popeye comics feature back-up stories that star Ham and chronicle his adventures as a cowboy out west.
  • "Agent Olive" from Bobby London's run gave Ham the most focus he had gotten in the strip since the Segar era, with him even managing to get back with Olive briefly.
  • "Ham and Dregs" from Randy Milholland's Sunday strips saw Ham trying to take down Popeye's rogue gallery, and getting his ass kicked by every one.
• Demoted to Extra: Alongside Olive Oyl, Ham was one of the main characters in Thimble Theater when it began in 1919. Ham would find himself having a much smaller presence in the strip after Castor Oyl was introduced, and all but disappear after Popeye came along. While he does still show up occasionally, it is never to the same prominence he once had.
• Depending on the Writer: Ham's characterization varies wildly, with just about the only consistent things about him being that he maintains feelings for Olive Oyl after she dumped him and that he does not like Popeye.
  • Bud Sagendorf attempted to reinvent Ham entirely as a cowboy nicknamed "Six-Gun Gravy".
  • Bobby London actually flipped his dynamic with Popeye; Ham is the one who wants to bury the hatchet, while Popeye is the one who wants nothing to do with him, although part of this is due to Olive having dumped Popeye beforehand.
• Epic Fail: Ham shows up at the beginning of a strip from the "Enuffs Fisticuffs" storyline lying and the ground upset about being down for the count already. Poopdeck Pappy then says that Ham only got a papercut from the sign-up sheet with Ham questioning why they need paper that sharp.
• Failure Is the Only Option: No matter how hard Ham tries, he will never be able to break up Olive Oyl and Popeye.
• The Friend Nobody Likes: Olive Oyl and Popeye are understandably not very fond of Ham due to his constant attempts to meddle in their relationships, and even Castor Oyl can barely tolerate him at times. Randy Milholland would see this extend to the rest of the cast too, with characters like Bluto and Cylinda voicing their disapproval of him.
• Gag Nose: The strip's first decade is copiously littered with gags mocking Ham's abnormally-large nose, with even his longtime girlfriend Olive frequently deriding him as a "long-nosed sap".
• Lovable Coward: He wants so badly to be brave & manly, but when it comes to a stunt or a fight, he's sure to back down or weasel his way out at the last minute. Again, by comparison, Popeye is more than willing to do these things.
• Muscles Are Meaningless: Issue 7 of the IDW Comic has Ham reveal that he underwent a bodybuilding program to become stronger, but as Popeye points out, Ham is still scrawny. Despite this, he is still able to put up a decent fight against the sailor and helps him deliver the final blow to the Monster of the Week.
• Not Worth Killing: Or beat up, in this case. A Popeye’s Comic Club has Ham threatening Popeye, claiming that he’s gotten stronger than him, only for the cardboard standee he is behind to tip over, revealing that he is as scrawny as ever. When he asks if Popeye is going to beat him up now, Popeye replies that he can’t hurt Ham any worse than life has.
• Opportunistic Bastard: Played for Laughs. During the "Return of Bluto" storyline, when Castor and Olive are talking about how Popeye is going to be getting the death penalty, Ham immediately shows up to try to court Olive.
• Satellite Love Interest: Under later writers, Ham tends to be characterized by his love for Olive.
• The Resenter: Randy Milholland writes Ham as someone who is very jealous of the success that Popeye has.
• The Slacker: Typically portrayed as a "bum" whose lethargy renders him continuously penniless, much to Olive's chagrin.
• Smoking Is Not Cool: A routine smoker himself, but heavily opposes the concept of women (including his own girlfriend Olive) smoking.
• Took a Level in Jerkass: Randy Milholland's version of Ham is a much more bitter character, and very open about his hatred of Popeye due to believing that Popeye stole his best friend and girlfriend.
• Vitriolic Best Buds: With Castor, particularly during the buddy-comedy-reminiscent Sunday storyline "The Great American Desert Saga".

Debut: June 8, 1940

Voiced By: Jack Mercer (1940-1960's)

• Bratty Half-Pint: They're very stubborn and rather obnoxious.
• Captain Ersatz: They are an obvious attempt to emulate the likes of Happy Hooligan's nephews or Donald Duck's nephews.
• Chaste Toons: Outside of their first appearance, they're Popeye's nephews.
• Chuck Cunningham Syndrome: In later appearances, only two or three of the nephews would appear, presumably due to budget cuts.
• Does Not Like Spam: Despite being related to Popeye, they despise spinach, even after finding out its benefits. They will resort to eating it however, if their Uncle Popeye is in trouble... or to take revenge on him for making them eat it in the first place.
• Early-Installment Weirdness: In their first appearance in 1940, they were only a figment of Olive's dream, were Olive and Popeye's sons, and Poopeye was called Pepeye instead.
• Nephewism: One (or rather four) of the definitive examples of the trope from the Golden Age of Animation, giving Popeye a set of younger relatives (and kids a bit older than Swee'pea) to hang out with without actually making him a father (that would come later).
  • Parodied in this strip for Popeye's Cartoon Club, which continues from the original comic strip's continuity rather than the Fleischer cartoons. Pappy sees Popeye and his four "nephews" building a clubhouse together, and Popeye admonishes Pappy for seemingly not recognizing his other four grandchildren… until Pappy points out that since Popeye is canonically an only child and unmarried, he logically can't have any nephews. Popeye can't think of a response, and the four kids immediately make a run for it. It's revealed that they were all robot spies sent out by the Sea Hag.
• Who Names Their Kid "Dude"?: It probably felt embarrassing for one of Popeye's nephews to live with the name "Poopeye".

Debut: June 19, 1944

• Adaptational Badass: In the comic strip, Bernice's only power was giving whoever rubbed her feathers luck. In the cartoons, she has a vast number of magical powers like being able to send people through time.
• Adaptational Sapience: In the comics, Bernice acts like a regular hen. In the cartoon, she is able to talk.
• Ambiguous Gender: In the 60's shorts, despite being referred to and usually being depicted as female, she had a clearly male voice, and was even referred to as a 'he' at some point.
• Good Luck Charm: Rubbing her feathers gives good luck.
• Inconsistent Coloring: While Bernice tends to commonly be portrayed as being yellow, there have been instances of her being pink or gray.
• Pokémon Speak: Can only say "whiffle"
• Talking Animal: Given the ability to speak in the 60's shorts.

Debut: May 8, 1932

Voiced By: Jack Mercer (1960)

• Adaptational Villainy: "Swee'Pea Soup" from the 60's sees him made into a full-on villain as he attempts to cook Swee'Pea into a soup.
• Mad Scientist: Despite being a somewhat sane, his attempts at improving the quality of life with his unorthodox interventions and experiments usually end up failing and causing disasters in the process.
• Tested on Humans: Mainly on John Sappo but other people, such as Popeye, have been unfortunate to have cross paths with him.

Debut: December 24, 1920

• Unwitting Test Subject: On various occasions.

Debut: May 8, 1932

Voiced By: Jack Mercer, Jackson Beck (1960)

• Nervous Wreck: King Blozo is always worried about something.
• Well-Intentioned Extremist: He is a noble, majestic monarch that has the well-being of his subjects as his main concern. His ruling methods, however, can often be dubious or ineffectual, which inevitably leaves him stressed out and causes him no end of worry, which he often engages in as a "hobby".

Debut: June 17, 1934

• Lady Looks Like a Dude: Downplayed. Her face and limbs are made to look remarkably like that of her grandson and son, but she wears feminine clothes and has long curly hair. This is due to Popeye's unusual facial shape being passed down from parent to child, while those who marry into the family morph into it afterwards.
• Lethal Chef: She is known for her disastrous cooking skills. She has somehow managed to burn water! Made worse by the fact she remains an enthusiastic cook.

Debut: July 16, 1943

Voiced By: Gilbert Mack (1943), Arnold Stang (1943-1944)

• The Bus Came Back: Makes a surprise reappearence in Eye Lie Popeye.
• The Cameo: A bust of his head appears in a Randy Milholland Popeye strip.
• Canon Foreigner: Created exclusively for the Famous Studios shorts.
• The Load: He's an airheaded, overly earnest buffoon who is often a great burden to Popeye, basically reducing the latter to a straight man role as he puts up with all the trouble Shorty unwittingly causes for him.
• Meaningful Name: A small guy named Shorty.
• Unexplained Recovery: At the end of his first appearance, the short "Happy Birthdaze", Popeye shoots him dead with the end text saying "The Bitter End". He appeared in two more shorts.

Debut: 1960

Voiced By: Mae Questel

• Adaptational Nice Guy: Her reappearance in Olive and Popeye changes her from a Bratty Half-Pint to a Cheerful Child, although she still does have a mischievous streak.
• Ascended Extra: Has a somewhat recurring role in Olive and Popeye due to Olive sometimes babysitting her.
• Bratty Half-Pint: Her appearances in the 60's shorts all involved her causing trouble for Popeye in some way.
• Canon Immigrant: She was created for the cartoon shorts, but would eventually make her way into the comic strip decades later.
• Chaste Toons: She is Olive Oyl's niece. Decades later, the comic strip would reveal her to be the daughter of Castor and Cylinda Oyl.
• Cheerful Child: She's very excitable in Olive and Popeye, not batting an eye at meeting the daughter of death and being very giddy to play with her.
• Chuck Cunningham Syndrome: Disappeared after the 60's shorts ended. But she would end up appearing in the comic strip decades later.
• Pink Girl, Blue Boy: When she was paired up with Swee'Pea in "Coach Popeye", she wore a pink dress while he wore blue baby clothes.
• Pink Means Feminine: She wears a pink dress in "Coach Popeye" (although the other two shorts had her wearing yellow) and tends to wear pink outfits in Olive and Popeye.
• Punny Name: Like the rest of her family, her name is a pun on a kind of oil, diesel oil.
• Race Lift: Due to Cylinda Oyl, her mother, being changed to black, Deezil has darker skin in Olive and Popeye and the later Sunday strips.
• Uncanny Family Resemblance: She looks like a mini Olive Oyl. Her reappearance in the strips decades later would give her a redesign.

Debut: December 12, 1980

Portrayed by: Paul Zegler (live-action film)

• Canon Foreigner: Created exclusively for the 1980 Popeye film.
• Desperately Craves Affection: From his wife.
• Fat and Skinny: He's overweight man with a skinny wife.
• Mayor Pain: Of the Incompetent Mayor Pain type, given he lets the tax collector, Bluto, and the Commodore do as the please to the town and its inhabitants when he could probably do something with his position as Mayor.
• Tiny Guy, Huge Girl: He's much shorter than his wife who basically towers over him.
• Ugly Guy, Hot Wife: His wife is much attractive than him and it's obvious she could do better.
• Vertical Power Play: He attempts this when tells his wife that it's his turn to to be the taller one in the relationship on the way to Olive and Bluto's engagement party.

Debut: December 12, 1980

Portrayed by: Pamela Burrell (live-action film)

• Canon Foreigner: Created exclusively for the 1980 Popeye film.
• Fat and Skinny: She's way skinner than her husband.
• Fur and Loathing: Of the Rich Bitch type, given that she normally wears a furry black wolf as a scarf everywhere she goes to possibly fault her wealth and status in the town as the Mayor's beloved wife.
• Living Clothes: The supposedly dead black wolf she wears as a scarf is still somewhat alive and hisses at Popeye when he gets to tries to compliment Mrs. Stonefeller.
• Statuesque Stunner: This maybe one of the reasons her short husband married her by the way he tells her it's his turn to to be the taller one in the relationship on the way to Olive and Bluto's engagement party.
• Tiny Guy, Huge Girl: She towers over her husband who is significantly shorter than her.
• Ugly Guy, Hot Wife: She's significantly more attractive than her husband and could probably do a whole lot better if she would leave him.

Debut: December 12, 1980

Portrayed by: Geoff Hoyle (live-action film)

• Canon Foreigner: Created exclusively for the 1980 Popeye film.
• Major Coward: Let's himself get picked on by bullies as an adult and even passes out when they attempt to make him and everyone else in the Rough House Cafe apologize to Popeye for them after insulting and making fun of him.

Debut: August 28th, 1986

• Adaptational Nice Guy: Olive and Popeye, as well as several Sunday strips, show her to have a much better relationship with Olive Oyl, although she is still not above ribbing Olive on occasion.
• Adaptational Sexuality: Olive and Popeye would reveal her to be bisexual and have her enter a relationship with Linden.
• Ascended Extra: Sutra appears much more frequently in Olive and Popeye due to being part of Olive’s friend circle.
• Buxom Beauty Standard: Sutra has a much more prominent chest than Olive, and is a Dude Magnet because of it. One strip has the two of them at a beach, where Olive grumbles about Sutra getting so much attention from guys despite them both wearing the same bathing suit.
• Chuck Cunningham Syndrome: After Bobby London’s firing, Sutra disappeared entirely, although this was mainly due to the strip going into reruns of pre-London strips. She would return in ''Olive and Popeye'' and became a recurring character.
• A Day in the Limelight: Sutra gets to play a big part in "Heavy Metal Toar", joining Popeye and crew on the adventure.
• Dude Magnet: She is shown to attract many men.
• Everyone Loves Blondes: She has blonde hair and is shown to have many admirers.
• Expy: Sutra plays a very similar role to a character created by Bud Sagendorf named Sweet Oyl. Both are cousins of Olive who try to split her and Popeye apart.
• The Glasses Gotta Go: A Bobby London strip shows that Sutra uses this to her advantage; if she ever wants to stop getting attention from guys, she puts on a pair of glasses.
• Hopeless Suitor: She has a crush on Popeye, who is in a relationship with Olive Oyl. She eventually gets together with a biker named Myron, and later on in Olive and Popeye, Linden.
• Killed Offscreen: Olive and Popeye revealed that her husband, Myron, died in a motorcycle stunt attempting to Jump the Shark.

Voiced By: Josh Rodine

• The Bus Came Back: Made a surprise reappearance in Olive and Popeye near the end of 2025, nearly 4 decades after his show ended.
• Does Not Like Spam: Junior hates the taste of canned spinach, but when push comes to shove, he will eat it as Power-Up Food if need be.
• Hunk: Being a young teen with a full head of hair and Popeye's physique, he does have a few female admirers.
• Nice Guy: Generally, he's gentle and kind, but he does have a bit of a temper where bullies or injustice are concerned.
• Would Hit a Girl: He's not quite as chivalrous as his father. When he threw the mermaid statue at The Sea Hag, he didn't gently toss it her way, throw it in her general direction so she'd chase after it, or anything of the sort. He squeezed open and ate a can of spinach and then hurled the statue at her face, hitting her with enough force to send her flying back through her own portal.

• The Bully: He loves to throw his weight around, or if that's not enough, his parents'. He never goes too far because that would threaten his athletic scholarship. What he hates most about Popeye Junior is that Junior will never bend the knee to him.
• Jerk Jock: He's the number one athlete in school with Popeye Junior a very close second, and he's every bit as unpleasant as Bluto, his father.
• Never My Fault: Not only do his parents bail him out when he gets in trouble, they go out of their way to try and find some way they can blame Junior for it, while ignoring his own behavior. That being said, there have been times when they've punished him - e.g. in "Junior Gets a Job", after finding out that Tank tried to sabotage Junior while the latter was washing cars for Bluto (so Junior could earn the money for a Mother's Day present for Olive), Bluto punishes his son by making him wash cars for a very long time.
• Spoiled Brat: Not only do his parents pretty much give him whatever he wants, whenever he wants, they openly enable, support, and actively encourage his nastier traits.

Voiced by: Marilyn Schreffler

• Corrupt Politician: She twisted inheritance law, eminent domain, and the Child Welfare Act into pretzels to try and seize the Oyl estate for herself, and her interests, and to strip Popeye of custody over Swee'pea respectively. While the way she did it was entirely legal (at least in-universe), the morality behind it is dubious, at best.
• Entertainingly Wrong: When it came to Bluto's "proposal", she took 2+2 and got 22. She figured that he had her blockade all the places where one could get married, and under his name, because he wanted her to marry him, and the moment he crashed into her estate, totaling his car in the process, Popeye's stolen wedding ring in hand, and landed before her in the classic pose (or something very close to it), she immediately agreed to marry him, aloud, before he could say anything. He never bothered to correct her.
• Four Eyes, Zero Soul: She wears glasses and has little in the way of scruples.
• Nice Job Fixing It, Villain!: Her machinations to seize the Oyl estate and strip custody of Swee'pea from Popeye get Olive and Popeye married to each other, giving Swee'pea, aka Popeye Junior, a stable, loving, two-parent family where he grows up to be a happy, well adjusted teen-age boy that is also a moral pillar for the community.
• Villain Has a Point: Child Protective Services should have been very, very interested in Popeye. A bachelor with a shady past, prone to get into fights, and no stable source of income is clearly not a good place to raise a child.