| Pencils: | Harry Lucey (signed) |
| Inks: | Harry Lucey (signed) |
| Colors: | Rosario Peña (signed) |
| Script: | ? |
| Pencils: | Dan DeCarlo (signed) |
| Inks: | ? |
| Colors: | Rosario Peña (signed) |
| Letters: | ? |
Introduction to the issue.
Introductions to the next two stories.
| Script: | Frank Doyle (credited) |
| Pencils: | Harry Lucey (credited) |
| Inks: | Terry Szenics (credited) |
| Colors: | ? |
| Letters: | Terry Szenics (credited) |
A takeoff on the then-recent payola scandals in the record and radio business.
| Script: | Frank Doyle (credited) |
| Pencils: | Harry Lucey (credited) |
| Inks: | Terry Szenics (credited) |
| Colors: | ? |
| Letters: | ? |
Forward for the next two stories.
| Script: | Dan Parent (credited) |
| Pencils: | Dan Parent (credited) |
| Inks: | Jon D'Agostino (credited) |
| Colors: | Barry Grossman (credited) |
| Letters: | Bill Yoshida (credited) |
| Script: | Craig Boldman (credited) |
| Pencils: | Rex Lindsey (credited) |
| Inks: | Rich Koslowski (credited) |
| Colors: | Barry Grossman (credited) |
| Letters: | Bill Yoshida (credited) |
Forward to the next two stories.
| Script: | Bob Bolling (credited) |
| Pencils: | Bob Bolling (credited) |
| Inks: | Bob Bolling (credited) |
| Colors: | ? |
| Letters: | Bob Bolling (credited) |
As Caramel promises in the story itself, this is the only time Caramel ever talks to anyone.
The story is also an example of how Bolling changed the designs depending on the type of story: while the girls are drawn in a cartoony style, Caramel is drawn more realistically than usual, and the adults are drawn in a realistic style.
| Script: | Frank Doyle (credited) |
| Pencils: | Harry Lucey (credited) |
| Inks: | Harry Lucey (credited) |
| Colors: | ? |
| Letters: |
Introduction to the next two stories.
| Script: | Frank Doyle (credited) |
| Pencils: | Harry Lucey (credited) |
| Inks: | Harry Lucey (credited) |
| Colors: | Barry Grossman (credited) |
| Letters: | Bill Yoshida (credited) |
| Script: | Frank Doyle (credited) |
| Pencils: | Harry Lucey (credited) |
| Inks: | Chic Stone (credited) |
| Colors: | ? |
| Letters: | Bill Yoshida (credited) |
Introduction for the next two stories.
| Script: | Bob Montana (credited) |
| Pencils: | Bob Montana (credited) |
| Inks: | Bob Montana (credited) |
| Colors: | ? |
| Letters: | ? |
First appearance of Archie's jalopy.
| Script: | Bob Montana (credited) |
| Pencils: | Bob Montana (credited) |
| Inks: | Bob Montana (credited) |
| Letters: | ? |
from The Best of Archie Comics (Archie, 2011 series) #2 (2012)Strip reprints.
Introduction to the next two stories and the cover for Jackpot #4.
The Steven King section is an excerpt from the text piece The Importance of Being Archie from Archie Americana Series #1.
| Script: | ? |
| Pencils: | Bill Vigoda (signed) |
| Inks: | Bill Vigoda (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | ? |
| Pencils: | Bill Vigoda (credited) |
| Inks: | Bill Vigoda (credited) |
| Colors: | ? |
| Letters: | ? |
| Script: | Ed Goggin (credited) |
| Pencils: | Harry Sahle (credited and signed "Sahle" on sign on page two) |
| Inks: | |
| Colors: | ? |
| Letters: | ? |
| Pencils: | Bob Montana (signed) |
| Inks: | Bob Montana (signed) |
| Colors: | ? |
| Letters: | ? |
Introduction to the next story.
| Script: | Angelo De Cesare (credited as Angelo DeCesare) |
| Pencils: | Gisèle Lagacé (credited as Gisèle) |
| Inks: | Rich Koslowski (credited) |
| Colors: | Digikore Studios (credited) |
| Letters: | Jack Morelli (credited) |
| Script: | Frank Doyle (credited) |
| Pencils: | Dan DeCarlo (credited) |
| Inks: | Rudy Lapick (credited) |
| Colors: | ? |
| Letters: | Vincent DeCarlo (credited) |
gossip
Introduction to the next section featuring a cover gallery and the story "Visit to a Small Panic".
The Kyle Gass introduction has appeared before in The Best of Archie Comics (Archie, 2011 series) #[nn] (August 2011), but is paired with a different text piece here.
| Pencils: | Joe Staton (signed) |
| Inks: | Bob Smith (signed) |
| Colors: | Rosario Peña (signed) |
| Pencils: | Joe Staton (signed) |
| Inks: | Bob Smith (signed) |
| Colors: | Rosario Peña (signed) |
| Script: | ? |
| Pencils: | Joe Staton (signed) |
| Inks: | Bob Smith (signed) |
| Colors: | Rosario Peña (signed) |
| Letters: | ? |
| Pencils: | Joe Staton (signed) |
| Inks: | |
| Colors: | Rosario Peña (signed) |
| Script: | Frank Doyle (credited) |
| Pencils: | Harry Lucey (credited) |
| Inks: | Marty Epp (credited) |
| Colors: | Barry Grossman (credited) |
| Letters: | Bill Yoshida (credited) |
Filmation producers Lou Scheimer and Norm Prescott, and their primary director Hal Sutherland, are caricatured here; Harry Lucey uses a more realistic drawing style for the real people than he does for the regulars.
When reprinted in Archie Double Digest (Archie, 2011 series) #260, writing is credited to George Gladir.
Introduction to the next story.
| Pencils: | Gisèle Lagacé (signed as Gisèle) |
| Inks: | Gisèle Lagacé (signed as Gisèle) |
| Colors: | Rosario Peña (signed as R Pena) |
| Letters: | ? |
| Pencils: | Gisèle Lagacé (signed) |
| Inks: | |
| Colors: | Rosario Peña (signed) |
| Letters: | ? |
| Script: | Tania DelRio (credited as Tony DelRio) |
| Pencils: | Gisèle Lagacé (credited as Gil Lagace) |
| Inks: | Rich Koslowski (credited as Richele Koslowski) |
| Colors: | |
| Letters: | Jack Morelli (credited as Jacqui Morelli) |
Introduction to the next two stories.
from Katy Keene Comics (Archie, 1949 series) #51 (March 1960) [page 1]| Script: | |
| Pencils: | George Frese (credited) |
| Inks: | George Frese (credited) |
| Colors: | ? |
| Letters: | ? |
Introduction to the next story.
| Script: | Alex Segura (credited) |
| Pencils: | Dan Parent (credited) |
| Inks: | Rich Koslowski (credited) |
| Colors: | |
| Letters: | Jack Morelli (credited) |