I missed this episode of Fleabag.
Let’s start with the thing everyone is talking about. We all know that Kane Parsons is 20 years old… but Kane Parsons is 20 years old!? Backrooms is far from a refined, polished horror film, but it is one hell of a welcome to a director with an exciting future ahead. There is such a clear understanding of every intention in the film from Parsons, even if they aren’t all realized with finesse.
That being said, this is his baby,…
This plays out like a misogynist’s nightmare, rather than the realisation of how different a world would be run by women.
This is so far from what a woman-led world would look like, and the film is more interested in teaching its protagonist a lesson than standing for what it thinks it believes in. How the hell does a film with this concept manage to be offensive?
No, a woman-run world would not simply swap around the sexism. Women wouldn’t…
It’s a difficult feeling to describe, but I feel exactly the same finishing this as I did when the credits of the first Paddington rolled.
It’s gooey, it’s a bit simple, and it’s everything my beating British heart needs.