pause

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pause

1. Prosody another word for caesura
2. Music a continuation of a note or rest beyond its normal length.
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Pause

 

an interruption in the flow of speech. A distinction is made between logical pauses, which are determined entirely by syntax, and rhythmic pauses, which depend not on syntax but on a rhythmic impulse. Logical pauses are encountered in all kinds of speech, and rhythmic pauses only in versified speech.

In quantitative versification (for example, the choral lyrics of the Greeks), a pause may be a structural element of a line of verse: it has a definite length and replaces a certain number of syllables of the same length. In tonic versification (for example, Russian verse), where the length of syllables is not regulated, a pause may be merely an element of demarcation in a line of verse. It denotes various obligatory word divisions (for example, at the end of a line or a caesura)—that is, it is associated not with versification but with declamation. Nonetheless, some prosodists (G. A. Shengeli, A. P. Kviatkovskii, and S. V. Shervinskii) consider it feasible to regard the pause as a structural element even in tonic verse, chiefly in the dol’nik (a Russian poetic meter).

REFERENCES

Shengeli, G. Tekhnika stikha. Moscow, 1960.
Shervinskii, S. Khudozhestvennoe chtenie. Moscow, 1935.
Shervinskii, S. Ritm i smysl. Moscow, 1961.
Kviatkovskii, A. Poeticheskii slovar’. Moscow, 1976.

M. L. GASPAROV

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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Degree of accommodation seems to be more related to CA/UEA convergence than to markedness and salience per se, except in the case of pausal imalah (F5).
It should also be noted that some of the relevant forms in the DSS may be pausal, a fact that might contribute to plene spelling.
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The amazing way she has coped argues strongly for allowing post-meno- pausal
lowering of this still accented [TEXT NOT REPRODUCIBLE IN ASCII] in closed syllables to [TEXT NOT REPRODUCIBLE IN ASCII], a development that is confirmed, and can be dated posterior to pausal lengthening, by Blau's (1981) brilliant recognition of additional input to it (i.e., to this last phase) in the shape of secondarily accented segol in closed pausal syllables.
Consider the pausal form for "hand": yad, written <yd>.
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Chapters four through six deal with Saadia's particulars of grammar: sounds, word formation, morphological ramifications, creation by analogy, verb, voices and tenses, contextual and pausal forms.