Parodos

parodos

One of the two side entrances to an ancient theater between the seats and the stage; used principally by the chorus, but also by the public.

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Parodos

(1) In the ancient Greek theater, an open passage to the orchestra between the amphitheater and the skene (the structure behind the orchestra). A chorus allegedly coming from Athens entered through the western parodos, located at the right of the audience; a chorus which had allegedly arrived from a foreign land entered through the eastern (left) parodos.

(2) In ancient Greek tragedy and Attic comedy, the first introductory passage recited or sung by the chorus. The singing or recitative alternated with declamation.

References in periodicals archive ?

O stai komunikacijos priemones isskiriamos tokios: pardavimas, reklama, pardavimo remimas, tiesiogine rinkodara, viesieji rysiai, parama/labdara, parodos ir pristatymai, korporacijos identitetas, ipakavimas, prekybos vietos ir prekiavimas, asmeninis poveikis.

Communication solutions by improving interactive art projects/Komunikacijos sprendimai tobulinant interaktyviojo meno projektus

Abieju kompleksu, seno ir naujo, sugretinimas aiskiai parodo autoriu tiksla "ikontekstinti" dabarti "amzinomis" istoristinemis raiskos priemonemis.

Manifestation of postmodernist ideas in architectural competitions and unrealized design projects in Lithuania of the 1970s and 80s/ Postmodernizmo ideju raiska XX a. 8-ojo ir 9-ojo desimtmeciu lietuvos architekturos darbu konkursuose ir neigyvendintuose projektuose

surengtos Paryziuje pasaulines parodos Baltijos paviljono konkursas, kuris vyko keliais lygmenimis--is pradziu kiekvienoje Baltijos valstybeje: "konkurso I laipsnio uzdavinys ir procedura--atrinkti kiekvienoje valstybeje skyrium geriausius projektus ir, nurodant klaidas, patarimo formoje rastiskai kiekvienam autoriui skyrium pasiulyti projektus istaisyti".

Architectural competitions in interwar (1918-1940) Lithuania: general tendencies/ Konkursai tarpukario (1918-1940) lietuvoje: bendrosios tendencijos

Gyvulininkystei paskatinti surengtos gyvuliu parodos Vilkaviskyje ir Seirijuose.

Circumstances of "Zagre" establishment and the first decade of the activity (1906-1915)/"Zagres" kurimosi aplinkybes ir pirmasis veiklos desimtmetis (1906-1915)

parodo abejotina autoriu supratima ir skoni (pvz.: Palanga, Birstonas ir kt.).

Town squares: experience and results of the reconstruction/Miestu aikstes: ju pertvarkymo patyrimas ir rezultatai

Menininkas teigia, kad jo projektas gime bendradarbiaujant su senoves baltu religine bendruomene Lietuvoje--"Romuva", kurios praktikuojami religiniai ritualai tapo pagrindiniais kurinio objektais: jie buvo iamzinti nuotraukose, atkurti pacios parodos erdveje, o bendruomenes nariai, pasitelke ritualus, padejo nubraizyti Vilniaus energetiniu zemes galiu plana.

Transformations of rituals in contemporary lithuanian art/Ritualu perkurimas siuolaikiniame lietuvos mene

The plays gradually took on a six-part structure: a prologos, in which the basic fantasy is explained and developed; the parodos, entry of the chorus; the contest, or agon, a ritualized debate between two parties--either an actor and the chorus or two actors, each supported by half of the chorus; the parabasis, or "coming forward," in which the chorus addresses the audience on the topics of the day and hurls scurrilous criticism at prominent citizens; a series of farcical scenes; and a final banquet or wedding.

Old Comedy

("Parodos") Once identifying her inducement, Gluck cannot neglect her vocation as a poet: What follows on these pages is an unflinching chronicle of a family's quiet dissolution.