Arturo Toscanini


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Toscanini, Arturo

 

Born Mar. 25, 1867, in Parma; died Jan. 16, 1957, in New York. Italian conductor.

In 1885, Toscanini graduated from the Royal School of Music in Parma, where he studied the cello. He began his career as an orchestral musician. In 1886 he made his conducting debut in Rio de Janeiro, and from 1887 to 1898 he was an opera and symphony conductor in Italy. From 1898 to 1903, 1906 to 1908, and 1921 to 1929, Toscanini was principal conductor and music director at La Scala in Milan, and from 1908 to 1915 he conducted at the Metropolitan Opera in New York. He also made conducting tours throughout the world. In 1928, Toscanini moved to the USA, where he conducted the orchestra of the Metropolitan Opera, the New York Philharmonic (1926–36), and the NBC Symphony (1937–53), which was created expressly for him. In the 1930’s he directed music festivals at Bayreuth and Salzburg.

Toscanini was one of the greatest artists of his time and an outstanding opera and symphony conductor. He was blessed with an exceptional artistic temperament and musical memory, and his energy and spirit infected audiences and performers alike. Toscanini strove for absolute precision and insisted on total fidelity to the composer’s intentions. His repertoire included classical and romantic music as well as modern compositions; in 1942 he conducted the premiere of D. D. Shostakovich’s Symphony No. 7 (“Leningrad”).

REFERENCES

Zweig, S. Arturo Toskanini: Izbr, proizv, vol. 2. Moscow, 1956.
(Translated from German.) “Toskanini.” In Ispolnitel’skoe iskusstvo zarubezhnykh stran, fasc. 6. Moscow, 1971.
Iskusstvo Arturo Toskanini: Vospominaniia, biograficheskie materialy. Leningrad, 1974.
Corte, A. della. Toscanini visto da un critico. [Torino] 1958.

I. M. IAMPOL’SKII

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Summary: In honour of the most influential conductor of classical music who in his interpretations also remained faithful to the composer: the new "Montblanc Donation Pen Arturo Toscanini" in black precious resin and platinised fittings pays homage to the musician who started as a young cellist and, in one single appearance, became one of the greatest maestri as conductor: Arturo Toscanini.
After studies with Michael Seal's conducting academy he became assistant conductor of the CBSO, and he now has his own Arturo Toscanini Orchestra in Parma (food capital of Italy, which suits him down to the ground).
Alpesh Chauhan, principal conductor of Filarmonica Arturo Toscanini Parma, makes his Orchestra of Opera North debut.
Demonet then discusses Gustav Mahler (creator of the modern Vienna Staatsoper, 1898-1907) and Arturo Toscanini (remaker of the Teatro alla Scala, Milan, 1898-1908).
But it wasn't performed until two years later, when Arturo Toscanini conducted it at Rockefeller Center in New York for a radio broadcast.
Fre wrote about the golden age of opera in the 19th century, from Verdi to Arturo Toscanini; the movement of food and music during the Baroque and Renaissance periods; the influence of grand music in Emilia-Romagna with the likes of Beethoven and Mozart and two global icons, opera stars Maria Callas and Luciano Pavarotti.
The Kitchener, Ont.-born, New York-based soprano made her New York City Opera debut as Tosca, and her Italian debut as Leonora in La forza del destino at the Fondazione Arturo Toscanini. She was Aida at the famed Palacio de Bellas Artes in Mexico, at the Theatre du Capitole de Toulouse and at the Teatro Sociale in Mantova.
Nor Arturo Toscanini bullying his way with his gimlet eyes and bilious beat through the Force of Destiny Overture for an NBC promotional film (though they are rather coy about that in this packaging).
Larry Weinstein's recent work Toscanini: In Hits Own Words is based upon over 150 hours of surreptitiously recorded taped interviews made by Arturo Toscanini's son, Walter at his Wave Hill home in New York during the 1950s.
Canadian soprano Michele Capalbo sang Aida this summer with Opera Nacional de Mexico and made her Italian debut as Leonora in La forza del destino for La Fondazione Arturo Toscanini in Parma.
Rival western premieres were given in New York by the NBC Symphony Orchestra under Arturo Toscanini, preceded in London by Sir Henry Wood conducting a radio broadcast with the London Symphony Orchestra, followed up a week later by a Proms performance at the Royal Albert Hall.
"La Bohme" made its debut in a production conducted by Arturo Toscanini in 1896 in Turin, Italy.