Algernon Charles Swinburne

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Swinburne, Algernon Charles

 

Born Apr. 5, 1837, in London; died Apr. 10, 1909, in Putney (London). English poet, playwright, and critic.

Swinburne studied at Eton and at Oxford University, where he became closely associated with D. G. Rossetti and other Pre-Raphaelites. His first series of verse collections, Poems and Ballads (1866), was fiercely attacked by bourgeois conservative critics for its daring treatment of “forbidden” (erotic) themes and for its pagan hedonism. In his later works—which included tragedies, novels, and literary monographs, as well as poems— Swinburne coupled his call for moral freedom with an appeal for political freedom. In A Song of Italy (1867) and Songs Before Sunrise (1871), for example, the poet reveals himself to be a confirmed republican and enemy of the church. The theme of man’s struggle against the supreme divine will runs through his verse drama Atalanta in Calydon (1865). Swinburne’s collections of the 1870’s are marked by their romantic, pastoral, and philosophical lyrics; fatalism and the impossibility of happiness occur there, too, as themes. Swinburne reformed English prosody and imparted a special beauty of sound to his poetry. He was also the author of tragedies, dramas in verse, novels, and literary criticism.

WORKS

Complete Works, vols. 1–20. London, 1925–27.
Letters, vols. 1–6. New Haven, Conn., 1959–62.
New Writings. Syracuse, N.Y., 1964.
In Russian translation:
Antología novoi angliiskoi poezii. Leningrad, 1937.

REFERENCES

Istoriia angliiskoi literatury, vol. 3. Moscow, 1958.
Fuller, J. O. Swinburne: A Critical Biography. London, 1968.
Swinburne: The Critical Heritage. London, 1970.
Raymond, M. R. Swinburne’s Poetics. The Hague-Paris, 1971.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
In two lively and erudite essays, Charlotte Ribeyrol contextualizes Swinburne's sexually transgressive poetics: "It's Bawdier in Greek: A. C. Swinburne's Subversions of the Hellenic Code" (Cahiers victoriens et edouardiens 78 [Autumn 2013]) focuses on Swinburne's artful exploitation of the ambivalent status of Hellenism in nineteenth century culture, its capacity to signify both scholasticism and obscenity; "Poetic Podophilia: Gautier, Baudelaire, Swinburne and Classical Foot Fetishism" (Journal of Victorian Culture 20.2 [2015]: 212-229) elucidates the classical and French origins of the eroticized foot imagery in Swinburne's poetry and suggests how his work may be read as part of a literary genealogy of Sigmund Freud's concept of the fetish.
(14) Edward Dowden, review of Studies in Song, by A. C. Swinburne, The Academy 453 (January 8, 1881): 20.
(1) Letter from Michael Field to A. C. Swinburne, May 27, 1889.
Eliot and A. C. Swinburne: Decadent Bodies, Modern Visualities, and Changing Modes of Perception" (Modernism/Modernity 11, no.