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Highly Dangerous

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Highly Dangerous
Directed byRoy Ward Baker (as Roy Baker)
Written byEric Ambler
Produced byAntony Darnborough
executive
Earl St. John
Starring
CinematographyReginald H. Wyer
Edited byAlfred Roome
Music byRichard Addinsell
Production
company
Distributed by
Release dates
  • 6 December 1950 (1950-12-06) (London)
  • 12 October 1951 (1951-10-12) (US)
Running time
88-90 minutes
CountryUnited Kingdom
LanguageEnglish

Highly Dangerous (U.S. title: Time Running Out[citation needed]) is a 1950 British spy film directed by Roy Ward Baker and starring Margaret Lockwood and Dane Clark.[1] It was written by Eric Ambler based on his 1936 novel The Dark Frontier. It was released in the USA by Lippert Pictures.[citation needed]

Plot

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Frances Gray is a British entomologist trying to stop a biological attack with the help of an American journalist.[2]

Cast

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Production

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Margaret Lockwood had not made a film in 18 months following Madness of the Heart, and had been focusing on stage work.[3] Earl St John wanted a comeback vehicle and commissioned Eric Ambler to write a film specifically as a vehicle for Lockwood. Ambler had recently specialised in melodramas, but Highly Dangerous was a comedy thriller in the vein of Lockwood's earlier hits, The Lady Vanishes and Night Train to Munich.[4] It was directed by Roy Ward Baker, who had served with Ambler during the war.[5]

"One thing about Eric is that he presents you with a script that is beautifully finished in every detail", said Baker.[6] He added " Eric had invented a language for the people the other side of the curtain which wasn’t Russian or anything else and the poor actors had to learn this stuff. He was playing a game with that."[7]

"I think Margaret Lockwood wanted to play a modern woman", recalled Baker. "It was actually Eric Ambler's first or second book, although the book had a different title and its main character was a man; Eric changed it to a woman to make it more interesting".[8]

The studio wanted a Hollywood leading man to play opposite Lockwood. Wendell Corey was originally sought[9] before the role was given to Dane Clark, who had recently left Warner Bros. "He was just delivering a stock leading man movie performance, which was virtually nothing," said Baker. "He wasn’t very efficient. I think he fell in love with London. He also fell deeply in love with Jean Simmons, which was unrequited. He was a pillock, I’m afraid. Marius Goring played the Belgravian heavy; he was very heavy, I'm afraid. I couldn't control him at all. It was a satisfactory run of the mill picture."[7]

There was location work done in Trieste. "I found it very difficult to make anything of that location," said Baker. "I was a bit disappointed and to tell the truth I didn't do it very well. The reason I say that is that many years later... I realised I’d been trying to piece it together in a logical way, sticking to the topography of Trieste. I’d done myself an injury because the audience doesn't give a damn."[7]

Filming started at Pinewood Studios in June 1950.[10]

Baker later said that "Highly Dangerous wasn't a very successful picture.... It was a good idea although I don't think I did it very well."[11]

Reception

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The Monthly Film Bulletin wrote: "Eric Ambler's script is a curious mixture of genuine adventure, and of comedy based on the recurrence of the Dick Barton theme. The adventures, unfortunately, follow an all too conventional pattern, and the comedy-burlesque only adds to their artificiality. It is particularly disappointing that a writer such as Eric Ambler should be involved in so undistinguished a thriller. Of the players, only Dane Clark succeeds in overcoming the obstacles of the script: Margaret Lockwood is as usual."[12]

Kine Weekly wrote: "The romp behind the Iron Curtain, perfectly handled by Margaret Lockwood and Dane Clark, leads to a box-office alternation of chuckles and chills. Grand fun, colourfully presented, it's certain to find favour with young and old alike."[13]

Variety wrote: "Miss Lockwood gives a smooth portrayal but fails to register adequate terror when given the third degree. Clark does well as the easy-going reporter. Marius Goring is a natural as police chief, while Naunton Wayne is a stern official of the Imperial General Staff. Wilfred Hyde-White contributes amother fine characterization as the British Charge D'Affaires, Roy Baker has directed with technical skill while lensing is sensitive."[14]

Film4 wrote: "An enjoyably silly British take on germ warfare and Cold War espionage."[15]

References

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  1. "Highly Dangerous". British Film Institute Collections Search. Retrieved 3 May 2026.
  2. "BRITISH THRILLER". The Australian Women's Weekly. Vol. 19, no. 4. Australia. 27 June 1951. p. 29. Retrieved 1 October 2017 via National Library of Australia.
  3. "Maggie comes back in Highly Dangerous". The Sunday Times. Perth. 7 May 1950. p. 10 Supplement: Sunday Times MAGAZINE. Retrieved 31 October 2015 via National Library of Australia.
  4. "Ambler writes a thriller-comedy". Times Pictorial. Dublin, Ireland. 15 April 1950. p. 13.
  5. STEPHEN WATTS (20 May 1951). "SUCCESS IN THE SHADOW OF FAILURE: Roy Baker Makes Mark as Director at Scene of Faded British Hopes On His Own Quick Return Army Training". New York Times. p. X5.
  6. McFarlane p 49
  7. 1 2 3 Fowler, Roy (Oct–Nov 1989). "Interview with Roy Ward Baker" (PDF). British Entertainment History Project.
  8. McFarlane p 50
  9. "IN THE FILM SPOTLIGHT". The Mirror. Vol. 27, no. 1457. Western Australia. 22 April 1950. p. 16. Retrieved 10 April 2016 via National Library of Australia.
  10. "JUST VERY, VERY, DEAR FRIENDS". The Mirror. Vol. 27, no. 1463. Western Australia. 3 June 1950. p. 15. Retrieved 10 April 2016 via National Library of Australia.
  11. McFarlane p 49-50
  12. "Highly Dangerous". The Monthly Film Bulletin. 18 (204): 204. 1 January 1951. ProQuest 1305813974.
  13. "Highly Dangerous". Kine Weekly. 405 (2267): 22. 7 December 1950. ProQuest 2732584008.
  14. "Highly Dangerous". Variety. 181 (1): 25. 13 December 1950. ProQuest 1505768137.
  15. Etherington, Daniel. "Highly Dangerous". Film4. Archived from the original on 3 March 2016.

Notes

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  • McFarlane, Brian, An Autobiography of British Cinema, 1997
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