Read this article for free through September 30, 2026. Buy this issue and use code SAVE30 for a 30% discount.
Abstract Gay Comix (1980–98) is well known as an important comics series that brought together just over one hundred LGBTQ+ creators over the course of its twenty-six issues and nearly two decades. Despite its renown, there exists no comprehensive overview of the series and the impact it had in building the LGBTQ+ comics community. This article reviews how Gay Comix innovated queer comics storytelling by assessing how gender, sexuality, and race were depicted across the whole series, examining in particular how nonwhite artists—Jennifer Camper, Burton Clarke, Roberta Gregory, and Ivan Velez Jr.—represented racially diverse characters. In its varied approaches to portraying LGBTQ+ lives, Gay Comix set the stage for the explosion of queer comics in the twenty-first century that now portray an even broader LGBTQ+ spectrum.
For more than forty-five years, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories. RHR includes sections devoted to public history and the art of teaching as well as reviews of a wide range of media—from books to television and from websites to museum exhibitions—thus celebrating the vast potential for historical learning in the twenty-first century.
The Weekly Read is a feature that highlights articles, books, and chapters freely available online. You can find a link to the selection here on the blog, as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.
We are pleased to announce the upcoming launch of Anthropocene History, the first scholarly journal dedicated to exploring the historical dimensions of the Anthropocene. Developed by editors Sverker Sörlin and Susanna Lidström of the KTH Royal Institute of Technology in Stockholm, in collaboration with the Editorial Office, this platinum open-access journal will provide a unique forum for understanding the intertwined histories of humans and the Earth in an era of profound planetary change. Sponsored by the KTH Royal Institute of Technology’s Centre of Excellence for Anthropocene History, the journal will be fully funded for its first decade—ensuring free access for readers and no publication fees for authors. The inaugural issue is set to debut in October 2026.
The Journal of Southeast Asian Studies (JSEAS) is joining our growing collection of Asian studies journals, with volume 57 to be published in 2027. Formerly published by Cambridge University Press, JSEAS volume 56 was published in 2025. The Journal of Southeast Asian Studies is one of the principal outlets for scholarly articles on Southeast Asia (Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, the Philippines, East Timor, Singapore, Thailand, and Vietnam).
Both Anthropocene History and JSEAS will be included in the e-Duke Journals 2027 collection.
The Michigan Mathematical Journal(MMJ) becomes a Duke University Press journal in 2027, with continued hosting on Project Euclid, and joins the Euclid Prime collection. Euclid Prime subscribers will receive perpetual access to MMJ content published in the subscription year, along with term access to the journal’s 76-volume backfile, reaching back to its founding in 1952.
The population studies journal Demography reached its S2O funding threshold for the 2026 volume, ensuring that the 2026 content will be available open access in perpetuity. Institutions can still subscribe to receive term access to the journal’s backlist (1964–2020, 2024–2025) and are encouraged to participate in support of the 2027 volume.
Duke University Press e-Book Collection Updates
With 130 books, the new Native and Indigenous Studies e-book collection brings together theoretically driven, interdisciplinary scholarship that reflects the field’s expanding global scope. View the full list of available subject collections at https://dukeupress.edu/information-for/librarians/electronic-products.
Subject Collection Top-Ups
Existing subject collection customers have the option to “top up” their subject collection by purchasing the year’s new batch of relevant titles. 2026 top-ups contain all relevant titles published in 2026. 2027 top-ups will be available in February 2027.
Purchase Partial Collections by Year
New customers who do not own the subject collection can purchase perpetual access to selected years, with a minimum purchase of three years of titles.
Direct to Open (D2O) Collection
Duke University Press will not be participating in the Direct to Open (D2O) model in 2027, and we appreciate the libraries that supported the 2026 collection. We were able to open five titles for 2026. In the future, we will continue to pursue various methods of permanently opening Duke University Press books.
Evidence-Based Acquisition (EBA)
We are also pleased to begin offering an evidence-based acquisition model for DUP e-books. For a minimum upfront fee, institutions will gain access to 3,600+ e-books during a 12-month period. At the end of the EBA, 100% of the upfront fee will go toward selecting the most valuable titles for perpetual ownership. For more detailed information, contact dup_libraryrelations@duke.edu.
For more information about 2027 collection pricing, please contact dup_libraryrelations@duke.edu. For more information about 2027 pricing for individual journals, please contact dup_orders@duke.edu.
Scholarly Publishing Collective and Project Euclid Launch 2027 Journal Pricing, New Title, and Collection Updates
2027 pricing updates for the Scholarly Publishing Collective (the Collective) and Project Euclid, both managed by Duke University Press, are now available. The Collective offers titles from the American Mental Health Counselors Association, Cornell University Press, Michigan State University Press, Penn State University Press, SBL Press, Texas Tech University Press, the University of Illinois Press, the University of North Carolina Press, and West Virginia University Press.
Scholarly Publishing CollectiveTitle Updates
Penn State University Press:
Arab Americana, sponsored by the Center for Arab Narratives, a National Institution of ACCESS, and supported by the William M. and Gail M. Plater Chair of the Liberal Arts at Indiana University, Indianapolis, joined the PSU Press portfolio in 2026 and will be a new title for the 2027 Penn State Journals Collection.
ab-Original: Journal of Indigenous Studies and First Nations and First Peoples’ Cultures will begin publishing again under the leadership of a new editorial board. The journal paused publication in 2021 with volume 4 and will resume with volume 5 in 2027.
Transformations: The Journal of Inclusive Scholarship and Pedagogy will resume publication next year as a PSU Press–owned title. The most recent volume, volume 30, was published in 2020. Volume 31 will appear in 2027.
The Journal of the Pennsylvania Academy of Science will become open access with the 2027 volume (volume 101).
University of Illinois Press:
Outright purchase of backfile volumes is available at a discount for the following titles: American Journal of Psychology, Process Studies, Ethnomusicology, and Jazz and Culture.
The Journal of the Ibn ‘Arabi Society, new to UI Press in 2027, will be exclusive to the Scholarly Publishing Collective and the Illinois Journals Collection.
University of North Carolina Press
Print subscriptions to Hispanófila and Romance Notes are available for order through the Collective.
West Virginia University Press
West Virginia History: A Journal of Regional Studies is adding a print option starting with volume 20. Print subscriptions are now available through the Collective.
Euclid Prime Collection Updates
The 2027 Euclid Prime collection will include 27 titles.
The Michigan Mathematical Journal (MMJ)is joining Euclid Prime for 2027 as a Duke University Press journal. Prime subscribers will receive perpetual access to content for the purchased year, as well as term access to the 76 volumes of back content (to 1952).
All content in the 2027 Euclid Prime collection will be available in accessible HTML or ePub formats, in addition to PDF.
The Albanian Journal of Mathematics is changing its editorial scope and will begin publishing under the new title Journal of Mathematics and Artificial Intelligence in 2027.
For more information about 2027 pricing for individual journals, please contact dup_orders@duke.edu. For more information about 2027 pricing for Collective and Project Euclid collections, please contact dup_libraryrelations@duke.edu. For information about the Collective, please contact Ray Lambert, Publishing Services Manager, at rlambert@duke.edu.
Heading on vacation? Relaxing at the beach? Or just cooling down indoors? Our staff has you covered! Head out to your local bookstore and grab a copy of one of these great books for your summer reading list.
Senior Editor Elizabeth Ault, is returning to a classic this summer, Herman Melville’s Moby-Dick. “Amidst our national literacy crisis, I’m committing to a different kind of beach read: a Moby-Dick book club with a friend. I’ve never actually read the entire book (though I have read and loved Dayswork, a pandemic I guess we call it a novel about the writing of it)! I already love the technical whale parts, though; of course, the hubris of an aged white man ruining his ship in a futile quest to tame nature is really beyond on the nose as a metaphor at this point. Nevertheless, I am excited to close the 81 tabs of Heated Rivalry fanfiction I have open to lock into Melville’s wild weirdness.”
Book Designer Courtney Richardson highly recommends Caro Claire Burke’s debut novel, Yesteryear. “From start to finish, I could NOT get enough of this delicious page-turner of a book. Post-covid I decided if I wasn’t gripped by a book, I didn’t have to finish it—and this book literally barely spent time closed once it was in my hands. I was rooting so hard for the main character Natalie to find her way through the messy life she created, but then a major plot twist had me turning over my thoughts and feelings about it entirely. I couldn’t believe I had missed all the cues for the real story underneath the story. For anyone who has spent a great deal of time trying to make themselves palatable, only to fail miserably, you will not want to miss this book.”
Exhibit Manager Jes Malitoris says, “For those seeking something spine-tingly, I highly recommend Lover’s Leap, from local North Carolina author Rikki Goodwin. It’s a fun, fast novel about a haunted Bed and Breakfast with some great spooks and twists that surprised even me as a fairly genre-savvy reader. A perfect poolside read.”
For our nonfiction lovers, Associate Books Marketing Manager Chris Robinson suggests Index, A History of theby Dennis Duncan. “Ittraces the fascinating history of the index, something that seems so benign that a book about it couldn’t be interesting. Duncan spans antiquity to search engines, showing how the index evolved from something to catalog vast amounts of knowledge in scrolls, codices, and finally books printed with a printing press. Also, imagine being the person who invented the page number and applied it to an index! I learned that the way I organize my records—separating by genre, then alphabetical by artist, then chronological by release—is an indexing method that goes back to the 1300s. The juiciest bits come when Duncan talks about how rival intellectuals and writers in the 18th and 19th centuries would make their own index to other writers’ books as a way to attack them. Such as ‘Flowers, Smith’s complete lack of knowledge about.’ Every book nerd should read this.”
Director of Marketing, Sales and Finance Cason Lynley highly recommends Kira Jane Buxton’s most recent novel, Tartufo. “Tartufo felt like a little holiday in the form of a book. Set in the beautiful medieval village of Lazzarini Boscarino, as nearly every character describes it when they mention the name of the village, the village is failing. Young people have left and only a small group of older villagers remain who are searching for ways to revitalize their village when their local truffle hunter discovers the world’s largest white truffle and an international auction invades the village, promising both financial gain and visibility to tourists. The cast of characters are delightful including the 22-year old mule, Maurizio, who is also a candidate for mayor, along with the descriptions of mouth-watering food (yes, I ate a lot of pasta while reading this) and the beautiful countryside.”
Books Marketing Manager Laura Sell suggests Lake Effectby Cynthia D’Aprix Sweeney, calling it a perfect summer read. “A smoothly written domestic novel, it goes down like a nice rosé. It explores what happens when two families in a Rochester neighborhood in 1977 are overtaken by the sexual revolution. Like the lake effect snows of the region, the actions of two characters dump a huge storm on their families with repercussions that continue for years.”
What are you reading this Summer? Let us know in the comments!
No matter where or how you choose to escape the summer heat, we have you covered. Check out the great new titles coming out this July.
Making Gay History recounts John D’Emilio’s career as a public historian, activist, and academic. Tracing his involvement in developing LGBTQ history from the 1970s to the 1990s, D’Emilio paints a queer history both personal and national that helps us understand how the LGBTQ movement has grown.
In Cisgender, Perry Zurn turns an incisive yet playful eye toward the “norm” against which transgender gets defined. Utilizing unplumbed archives and fresh interviews, Zurn offers a critical history of the term cis. This unique examination of cisgender is a must-read for all readers invested in trans life and the futures of gender.
Written by longtime climber Hil Malatino, Climbing explores gender, class, and sizeism in climbing culture, as well as grief, addiction, queer and trans-worldmaking, and the tensions between conservation and recreation. Climbing teases out how the art of navigating across rock can help us learn how to revel in being weird, vulnerable, and radically interdependent animals temporarily gifted the complicated tragicomedy of a body.
In Going to the Moon, poet Sally Ashton marvels at the Moon’s powerful influence since the dawn of humanity—how we have, in our own ways, gone to the Moon, and what we have found. Contemplating lunar settlement in the light of history, culture, the rise of the space industry, and geopolitical conflict, Ashton shares her sense of wonder at the simple beauty of our unchanged Moon and reveals what is at stake in our contemporary attempts to colonize it.
In Alfredo Jaar, Florencia San Martín analyzes the work of the prominent Chilean-born artist Alfredo Jaar, whose work challenges the linear and triumphalist temporality of Western modernity that obscures the violence of colonization and globalization. Alfredo Jaar enables us to reimagine art history, offering a fresh paradigm with which to think about global contemporary art.
The Future of Totality, edited by Nicholas Brown, Maria Elisa Cevasco, Fabio Akcelrud Durão, and Robert T. Tally, brings together a selection of Fredric Jameson’s former students and other prominent scholars to represent future directions of Jamesonian thought. Serving both as a tribute to the scholar and as a space for thinking about the future of his work, these essays explore new and unforeseen dimensions to which Jameson’s work leads.
Placing pressure on what it means to “do” feminist philosophy, Feminist Making, Doing, and Sensing, edited by Lauren Guilmette and Ada S. Jaarsma, offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a discipline. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking.
Inside the Body of Black Feminism connects historical studies of medical racism with Black feminist theories of the body to reimagine the material and metaphoric possibilities for political subjectivity across race, gender, and culture. Working through materials such as medical textbooks, memoirs, data visualizations, museum displays, speculative fiction, and horror films, Samantha Pinto explores how a visually inaccessible corporeal interior becomes discernible and racialized in the public sphere.
Providing a feminist ethnography of land politics, Surviving the State considers how the everyday, land-based practices of farmers in Myanmar’s Kalay Valley enables them to endure successive authoritarian regimes. Through robust ethnography, Hilary Oliva Faxon considers the centrality of land both to state efforts at control and to inhabitants’ ability to articulate claims.
Resurgency examines how Iraqi farmers outlast the long shadow of US military intervention as they return to repair their war-damaged homeland. Based on detailed ethnographic research, Kali Rubaii expands the temporal and descriptive definitions of war, displacement, and resistance.
In We Live with the Sea, Andrew Littlejohn addresses the implementation and controversy surrounding safety infrastructures following the March 2011 tsunami in northeastern Japan. Focusing on the tsunami survivors who resisted government plans for increased coastal defenses, Littlejohn argues that imposed modernist safety structures undermine the very things they claim to protect.
A critical and ethnographic exploration of wildfire management in Australia, one of Earth’s most fire-prone countries, Timothy Neale’s How to Control Fire on a Burning Continent ties contemporary wildfire problems to ongoing colonization and Indigenous dispossession, exploring Indigenous-led land management and cultural burning as a practical assertion of sovereignty.
Read this article for free through August 31, 2026. Learn more about the journal and sign up for issue alerts.
Abstract The Swahili people are an African maritime culture based on long-distance trade in the Indian Ocean. One characteristic of Swahili material culture is the use of imported ceramics in religious architecture like mosques and tombs, but also in domestic architecture like palaces and large stone houses. Imported ceramics, mainly from Iran and China, were used to symbolize the wealth of the Swahili political and merchant elite, the wangwana. This article discusses the different types of ceramics imported into East Africa, as well as the trading networks between the Swahili coast, Yemen, Oman, Iran, India, and China. Finally, the relationship between people and artifacts is explained through the study of the Swahili society and rituals.
Monsoon publishes original and innovative research essays and special thematic issues that analyze the cultural, historical, and political circumstances that have shaped, and currently affect, the littoral societies of the Indian Ocean (IO). The interdisciplinary, peer-reviewed, biannual journal aims to raise the profile of IO studies, bringing research on the societies, arts, and cultures of the basin to a wide audience. It also aims to fill a glaring gap in the extant literature on the IO region, which has consistently sidelined African and Gulf societies.
The Weekly Read is a feature that highlights articles, books, and chapters freely available online. You can find a link to the selection here on the blog, as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.
liquid blackness is an open-access journal; read this article and the full issue for free. Learn more about the journal and sign up for issue alerts.
Abstract This essay and visual dossier outline a metaphysical approach to studying, experiencing, and interpreting the spiritual dimensions of black visual culture. Prompted by Howard Thurman’s writing on spiritual principles and practices, the black esoteric tradition, and a lesser‐known passage by Frantz Fanon, this project reclaims the “metaphysical” as a way of entering black visual culture’s often mysterious and transcendent qualities. Claiming the metaphysical as a “living methodology,” it samples hip‐hop and jazz album covers that dance between the exoteric (legible, surface) and esoteric (intuitive, unquantifiable) dimensions of black artmaking. An intergenerational archive that includes Wu‐Tang Clan’s Enter the Wu‐tang (36 Chambers) alongside covers from Pharoah Sanders and Kamasi Washington, these images visualize complex ideas about bodies, the universe, and consciousness. Tracing these images’ vast influence across black creative life, this essay considers the formal resonances between the album covers and two works of contemporary black experimental filmmaking: Arthur Jafa’s immersive projection film AGHDRA (2021) and Washington’s film collaboration with the Ummah Chroma, As Told to G/D Thyself (2019).
liquid blackness seeks to carve out a place for aesthetic theory and the most radical agenda of Black studies to come together in productive ways, with the goal of attending to the aesthetic work of blackness and the political work of form. In this way, the journal develops innovative approaches to address points of convergence between the exigencies of Black life and the many slippery ways in which blackness is encountered in contemporary sonic and visual culture.
The Weekly Read is a feature that highlights articles, books, and chapters freely available online. You can find a link to the selection here on the blog, as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.
Read this article for free through August 31, 2026. Buy this issue and use code SAVE30 for a 30% discount.
Abstract Personal criticism has long been a staple of feminist inquiry and this group of contemporary writers and thinkers offer new engagements with this method of critique by engaging forcefully and impactfully with the corporeality of the “I,” using it to offer nuanced perspectives on power and situatedness. More specifically, in the worlds offered by Scarred: A Feminist Journey Through Pain (L. Ayu Saraswati), Mendings (Megan Sweeney), An Archive of Tongues: An Intimate History of Brownness (Moon Charania), and Ordinary Notes (Christina Sharpe), all from 2023, readers find new ways to understand what women-of-color feminisms have called “theory in the flesh.”
Meridians, an interdisciplinary feminist journal, provides a forum for the finest scholarship and creative work by and about women of color in US and international contexts. The journal engages the complexity of debates around feminism, race, and transnationalism in a dialogue across ethnic, national, and disciplinary boundaries. Meridians publishes work that makes scholarship, poetry, fiction, and memoir by and about women of color central to history, economics, politics, geography, class, sexuality, and culture. The journal provokes the critical interrogation of the terms used to shape activist agendas, theoretical paradigms, and political coalitions.
The Weekly Read is a feature that highlights articles, books, and chapters freely available online. You can find a link to the selection here on the blog, as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.
Alejandra Mejía is joining you in Paris for LASA 2026! We are represented in the exhibit hall this year by our UK partner, Mare Nostrum Group (MNG). Browse books and journals in Latin American studies in booth 111 or on our conference landing page. Or, check out our complete list in the field.
Use coupon code LASA26 to save 40% on all books and journal issues when you order on our website through July 14, 2026. Customers in the UK and Europe can order books with code DUKELASA26 from MNG.
The Weekly Read for May 23, 2026, is “Letters from Underground” by Rosalind C. Morris. The article appears in For Whom Do We Read, a special issue of differences (37:1), edited by Peter Szendy.
Read this article for free through August 20, 2026. Buy this issue and use code SAVE30 for a 30% discount.
Abstract What is the difference between reading and “giving a reading”? This essay explores that question and the different forms of approaching it given by anthropology and literary criticism while examining letters sent from underground by informal miners who have been the object of state-sponsored sieges in South Africa. It considers these brief missives against the backdrop of a rich tradition of letter-writing and reading by migrant miners (where epistles are frequently read aloud and in public), as well as the solicitation of affidavits for cases brought on behalf of the miners in human rights cases. Attentive to the mediatic status of the letters as they circulate in the mass media, the essay explores a history of theorizing reading and authorship as either a demand or a condemnation of “literalness” and explores the relationship between this demand or condemnation and the problem of demetaphorization in accusations of inhumanity, especially as it gets coded as cannibalism.
In 1989, differences was born of the collision between continental theories of difference on the one hand and US politics of diversity on the other. Today, this collision remains crucial to the struggle against the effects of pervasive capitalist logics on critical thinking. In exploring the relationship between difference, as the structural fracturing of the modern subject, and differences, as a multiplicity of socio-political identities, the journal aims in all critical registers—from the aesthetic to the overtly political—to test the limits of legibility, whether that thinking is inside or outside the academy.
The Weekly Read is a feature that highlights articles, books, and chapters freely available online. You can find a link to the selection here on the blog, as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.
The Weekly Read for May 16, 2026, is “Held in Enmity: Incapacitation, Destruction, Iran” by Milad Odabaei. The article appears in In/Capacitations of Tradition, a special issue of History of the Present (16:1), edited by Basit Kareem Iqbal and Milad Odabaei.
Read this article for free through July 31, 2026. Buy this issue during the spring sale and save 40%! Use code SPRING26 at checkout through May 19th.
Abstract The June 2025 Israeli and American bombardment of Iran reignited a debate on the fate of Iranian freedom dreams amid domestic and foreign forces of violence and destruction. Most participants in this conversation settle on identifying the Islamic Republic and Israel as the sources of evil, thereby perpetuating a politics of enmity characteristic of these very states. This essay offers an alternative psychoanalytical and archeological problematization that emphasizes the limits of impersonal, epistemic, and political-theological traditions to sublimate destructive drives and existential dangers and create the possibility of self-fashioning and political debate. The author recognizes this condition as the incapacitation of tradition and theorizes it dialectically to encompass both the external, geopolitical, and environmental thresholds of debate and its internal, historical, and epistemological limits. The author suggests that the politics of enmity characteristic of our times can be denaturalized as a symptom of the incapacity of ethical and political paradigms: “the enemy” psychopolitically protects against a confrontation with limits of debate and the impossibility of politics.
History of the Present is a journal devoted to history as a critical endeavor. Its aim is twofold: to create a space in which scholars can reflect on the role history plays in making categories of contemporary debate appear inevitable, natural, or culturally necessary; and to publish work that calls into question certainties about the relationship between past and present that are taken for granted by the majority of practicing historians.
Critical Noise is the new website of History of the Present’s editorial collective. It offers rigorously argued critical historical and historiographical work that is engaged with politics and ethics. It is open access and the contributions will generally be shorter than those in the journal. The aim is to expand the critical historical network of the journal through a variety of fora, including “Archives of Dissent,” “Critical Nodes in a Discursive Landscape,” and an occasional symposia on new or classic books and articles. Critical Noise and History of the Present, which is published biannually by Duke University Press, are independent of one another but share theoretical and political commitments.