William Winslow House // 1850

The Smith-Winslow House on Warren’s Main Street is a striking two-story Italianate house with cubical massing with smooth stucco walls and bold detailing. The residence was constructed in around 1850
and was owned by Captain William Winslow captain of the schooner ‘‘Metamora’’, a trading vessel, and proprietor of Warwick’s Rocky Point, a shore resort and amusement park just across Narragansett Bay. The Winslow House was designed by Rhode Island architect, Russell Warren, who showcased his architectural prowess through the roof cupola, overhanging eaves, window hoods, and the unique Egyptian columns at the entry. Today, the residence operates as the Women’s Resource Center, a non-profit founded in 1977 to provide comprehensive domestic violence intervention and services that educate, advocate, and shelter any individual in need of assistance in the region.

Judge Alfred Bosworth House // c.1849

The only two-story temple-front Greek Revival style house in Warren, Rhode Island, the Judge Alfred Bosworth House on Federal Street, is believed to be the work of great architect Russell Warren. Alfred Bosworth (1812-1862) ran a law office in Warren and Providence and represented Warren in the General Assembly from 1839 until 1854 and then served as a justice on the Rhode Island Supreme Court. Bosworth was of counsel for Rhode Island in suits growing out of the boundary question between Rhode Island and Massachusetts, specifically around Fall River. Judge Bosworth died at home in 1862 and his widow, Anne, lived here afterwards. At the end of the century the Bosworth House was converted to an ice cream parlor, named Maxfield’s, which became a very popular attraction in town. The company, owned by Nathaniel and Julia Maxfield, attracted throngs of local residents every summer who would eat ice cream on the front yard of the house. Maxfield’s was even frequented by Providence writer, H. P. Lovecraft, when he was a young man. During the mid-1900s, the house served as a nursing home until 1988, when owners restored the house back to a residence and removed the asphalt siding that was added to the exterior around the time of the Great Depression.

Old Cooper Shop // c.1800

This stunning Greek Revival house on Lyndon Street in Warren, Rhode Island, was according to historians, built around the turn of the 19th century as a cooper shop! A cooper as a professional, would make wooden barrels, tubs, and casks from wooden staves, which were all made in this building before it was converted and renovated around 1830 in the Greek Revival style for Deacon John J. Bickner, who was likely affiliated with the Episcopal Church across the street, which was designed by architect, Russell Warren. Due to the connection, it is possible that the renovation for Bickner was undertaken by Russell Warren as well. On its facade, the house has two-story applied pilasters which break up the bays and smooth flushboard siding which makes the house even more stately!

St. Mark’s Episcopal Church // 1829

St. Mark’s Episcopal Church in Warren, Rhode Island, is a small, yet architecturally significant building that was one of the first examples of the Greek Revival style in the community. The episcopal church was formed in Warren in 1828, with members originally meeting in Cole’s Hotel while this site and construction completed on their new house of worship. The well-connected congregation hired architect, Russell Warren, who had just completed the Westminster Arcade, a landmark in the Greek Revival style, in Downtown Providence. Distinguished by its beautiful four columned Ionic portico and canted door frames, the church also originally had a square tower and parapet, which were removed following the 1938 hurricane, and replaced with a simple pediment. The parish closed in 2010 and the diocese sold the building in 2012 to private owners, who converted it about ten years ago into a residence, but retained the historic stained glass windows and character of the building. The entire site today (2026) is being renovated with what appears to be a modern addition on the side (not pictured). Hopefully the architecture of this landmark will be preserved.

Warren Baptist Church // 1844

The Warren Baptist Church on Main Street in Warren, Rhode Island, is a landmark example of an ecclesiastical building in the Gothic Revival style completed in stone. Like many communities in Rhode Island, Baptists in Warren, were the first and largest denomination in the community, dating back to the 18th century. The congregation’s first purpose-built church was constructed in 1764 and was burned by the British in 1778 as they left Warren. Its replacement (1784) was demolished for the present building sixty years later. Interestingly, this site is significant additionally as the site of the founding of Brown University. as when Reverend James Manning was called in 1764 to take over the congregation and its new church building, he did so with the proviso that he could open a school for the training of Baptist ministers because all existing colonial colleges at the time provided for training only in the Congregational and Episcopal ministries. The school was located behind the present location of the church and it spent its first four years here in Warren, holding its first commencement in that church until the new school (and Reverend Manning as president) were lured to Providence, where Brown University has remained ever since. The present Warren Baptist Church was built in 1844 and was designed by famed Rhode Island architect, Russell Warren, who is best-known for his work in the Federal and Greek Revival styles, but here shows his expertise and skill in the Gothic mode. The building is notable for its lancet-arched windows and belfry with narrow lancet arched louvered windows set below the clock faces set in triangular trefoil tracery. The congregation also maintains Tiffany windows donated by members of the church.

Atlantic House Hotel // 1844-1877

Prior to the present Park Gate Cottage at the corner of Bellevue and Pelham streets in Newport, this was the location of the stunning Atlantic House Hotel. Proprietor William T. Potter purchased this land in 1844 and built the Atlantic House Hotel, a massive Greek Revival style structure designed by Rhode Island architect Russell Warren. The Atlantic House faced Touro Park and the Old Mill and took the form of a large temple with a central two-story Ionic portico and hipped roof side wings. The building was constructed of wood and clad with smooth finish siding that was scored to resemble granite blocks to give it more stature. During the Civil War, the Atlantic House was home to the U.S. Naval Academy (1861-1865) when it was moved here to protect it from attack by the confederate forces at its location in Annapolis, Maryland. After the war, the Navy returned to Newport to establish three major facilities–the United States Naval Torpedo Station, the Naval Training Station and the Naval War College. The aged hotel saw dwindling numbers of visitors as newer, modern hotels were built after the Civil War. The hotel was demolished in 1877, just 33 years after completion, to make way for the Park Gate Cottage presently on the site.

Levi Gale Mansion // 1835

One of my favorite houses in Newport, Rhode Island is this amazing high-style Greek Revival mansion across from the Touro Synagogue. The house was built in 1835 for Levi Gale, and designed by esteemed Rhode Island architect Russell Warren. Gale was born in New Orleans and moved to Newport and is listed as a merchant. It is possible that Levi Gale was involved in the Triangular Trade, the trading of enslaved people, sugar (often in its liquid form, molasses), and rum between West Africa, the West Indies and Rhode Island. Many do not realize, but Rhode Island was heavily involved in the slave trade. The house follows the more traditional Federal form, but with two-story composite pilasters and flush siding, scored and painted white to resemble ashlar marble. The home is elegantly sited, but it is actually not on its original lot. It was actually built adjacent to Washington Square, in the place of the present Newport County Courthouse, and was moved to its present site in 1925. The mansion was cut in half, moved a block away, and re-assembled on a new foundation. It is now used as a Jewish community center, owned by the congregation that owns Touro Synagogue.

Bradford-Norris House // 1792

William Bradford (1729-1808), who would become Deputy Governor of Rhode Island from 1775 to 1778, came to Bristol to practice medicine by 1758. When he arrived, he rented Mount Hope Farm (featured before), before building a home in town. When the British Navy bombarded Bristol on October 7, 1775, his home was among the buildings destroyed. He afterward went aboard ship to negotiate a cease fire, saving what was left of the town. In 1792, he built a 2 1/2-story Federal style, boxy house on this lot, close to the street. The home was willed to his son Hersey, who resided there until the 1840s, when he mortgaged the house to Francis Dimond, who resided in a Greek Revival temple front home (also featured on here previously). He gifted the modest Federal home to his daughter, Isabella, possibly as a wedding gift upon her marriage to Samuel Norris, a sugar refiner. Mr. Norris and Isabella hired architect Russell Warren, who designed her father’s home nearby, to renovate the house in the spring of 1845, moving the house away from Hope Street. The house was given its third floor and additional bay, along with the ornate design which characterizes it to this day, including the Ionic porch and Chinese Chippendale balustrade. The house remained in the Norris family until 1942 and is now a B&B.

Russell Warren House // 1807

Architect Russell Warren (1783-1860), who I have featured on here numerous times, built this 2-story, 5-bay, hip-roof Federal house in Bristol, Rhode Island. This residence as interpreted by Warren as an example of the Federal style with stylistic features most notably being the angulated quoins (at the corners of the house). The house was designed for William Van Doom, a Bristol tailor of modest means. In 1814, Warren, a young and aspiring architect, saw the significant wealth in Bristol and decided to buy this home he designed. Siting himself in the vicinity of the extremely wealthy DeWolf family, he gained recognition and success by designing three expensive and elaborately crafted houses for them at this time, only Linden Place remaining. Warren lived in this house from 1814 until 1823.

Bristol County Courthouse // 1816

Located on the Bristol Town Green, facing the main commercial area and harbor, the old Bristol County Courthouse is a well-preserved example of a building for civic use in town, at the height of its growth. It is believed that the courthouse is the work of architect Russell Warren, who lived in a home he designed just blocks away. This Federal-style stone building is faced with brick and subsequently stuccoed, giving it the unique composition it has today. The focus of the symmetrical facade is the large central arched window with granite quoins, and Y-tracery that echos Gothic design. As part of the 1836 state Bicentennial, the stucco facing was added over the original brick facing, and the exterior was painted a Gothic Revival sand color with darker trim, replicated in a 1976 restoration. From 1819, the courthouse served as one of the five state houses used in rotation by the Rhode Island General Assembly (in 1854, the General Assembly decided to meet only in Providence or Newport). In 1853, it reverted to courthouse use, a function which ceased in the early 1980s. The Bristol County Sheriff maintained offices there until 1997, when the building was purchased from the state for $1 by the Bristol Statehouse Foundation. The nonprofit foundation has worked to restore and maintain the building. Today, the building is used for education, community programs, meetings, and events.

“The House with the Eagles” // 1808

In 1807, a young John Howe (1783-1864), a descendent of the DeWolf family, married Louisa Smith, and built this family home soon after. He hired local esteemed architect Russell Warren (who was the same age as Howe at the time) to design the home, which is a simply designed, hipped roof home with an elliptical fanlight and sidelights at the central entrance. It is embellished with superb architectural woodwork with an ornate roof balustrade. Howe and his family lived in the home until 1822, when it passed to ship captain, Benjamin Churchill, who appears to have been involved with the transport of slaves to the Americas. According to local legend, Churchill gave the house its name by having the sailors of his ship, the Yankee, carve four American eagles, which he placed at the corners of the Chippendale balustrade that crowned his roof. Churchill’s tenure in the home was brief, and in 1825 the house passed to Byron Diman, a powerful merchant with interests in whaling, banking, and the local cotton mills who served as governor of Rhode Island in 1846–1847. The home has been restored numerous times and is well maintained.

Francis M. Dimond House // 1838

Built in 1838, just three years after the Talbot House in Bristol, Rhode Island, (just two houses away), the Dimond House remains as the other of the two remaining Greek, temple-front homes in town. Like the Talbot House, this home was also designed by Russell Warren, but is unique as it is in the tetrastyle (with four columns) and utilizes the Ionic order with the capitals featuring volutes (scrolls). Additionally, a polygonal bay can be seen on the right side of the home. Images show that the bay features stunning lancet windows! The home was designed for Francis Moore Dimond (1796-1859), who was born in Bristol, and later traveled to the Caribbean and served for several years (1832-1835) as the United States consul at Port-au-Prince. It is entirely possible that Dimond was involved in the slave trade, but I wasn’t able to find more than a couple articles referencing his connections to the infamous DeWolf Family. From 1842 to 1849, Dimond was United States Consul to the Mexican port city of Veracruz. When he returned to Rhode Island, he promoted the Southern Pacific Railway and presided over its construction. He was elected lieutenant governor of Rhode Island in 1853. He became the governor of Rhode Island when Philip Allen, then Governor, resigned to become a Senator. He held the governor’s office just one year. He moved back to Bristol and lived out his final days at his home.

Josiah Talbot House // 1835

Anyone that has followed this account for a while knows at least one thing, I LOVE Greek temple-front homes. Designed by famed architect, and Bristol-native, Russell Warren, this 2-story, 3-bay, gable-roof Greek Revival house is one of the finest in the state. Its facade has a pair of fluted Corinthian columns, set in antis (where the side walls extend to the front of the porch). A simple side-hall entrance is framed by heavy Doric pilasters, supporting a broad, plain entablature, making this such a head-turning Greek Revival home. The walls are sheathed with horizontal flush boarding at the facade to give a smoother look and clapboards on the side and rear. The home was built for Josiah Talbot, a sea captain. The house is excellently preserved to this day, almost 200 years later.

“Longfield” // 1848

“Longfield”, aka the Abby DeWolf House was built in 1848 and is one of the finest homes in Bristol, Rhode Island. The home was completed from designs by Providence architect Russell Warren, who also designed other mansions in town (I’ll post those later on in this series), the Westminster Arcade in Providence, and “Hey Bonnie Hall” a since demolished Federal style home I featured a couple days ago. Longfield’s name derives from the 60-acre meadow, part of the 300-acre Henry DeWolf farm, given to Abby DeWolf when she married Charles Dana Gibson at just 21 years of age. The DeWolf Family paid for the home as a gift to Abby. The DeWolf Family is infamous for being highly active in the slave trade, and was believed to have transported over 11,000 enslaved people from Africa to the Americas before congress abolished the African Slave Trade in 1808, which “prohibited the importation of slaves into any port or place within the jurisdiction of the United States…from any foreign kingdom, place, or country.” This policy did little as many owners of slaves just kept children born into slavery and also opened plantations in the Caribbean and South America. After Abby died in 1901, the home went to her granddaughter who maintained the home. By the 1970s, the home was sold out of the family and began a period of decades of deterioration to its current state. The interior is effectively gutted, but some original woodwork and fireplaces remain. Recent calls for a townhouse development with ample parking was proposed and approved by the town a couple years ago, but would greatly diminish its siting and architectural integrity. Nothing has happened on the site, but here’s to an appropriate restoration!

“Hey Bonnie Hall” // 1808-1944

Formerly located on the Poppasquash Peninsula in Bristol, Rhode Island, the William DeWolfe House, also known as Hey Bonnie Hall, was constructed in 1808 for William DeWolf (1762-1829) and his wife Charlotte Finney (1764-1829). William DeWolf was a member of the infamous DeWolf Family of Rhode Island, which is believed to have transported tens of thousands of enslaved people to the United States and Caribbean before the African slave trade was banned in Rhode Island. The Ocean State played a leading role in the transatlantic slave trade. Not only did Rhode Islanders have slaves—they had more per capita than any other New England state. The beauty of Hey Bonnie Hall, and its melodic name hid the dirty money with which it was built. With his extreme wealth, William hired Providence architect Russell Warren to construct the home in a high form of the Federal style. Eventually, the home was willed to Anna DeWolf, who married Nathaniel Russell Middleton, from a slave-owning family in Charleston, South Carolina (birds of a feather…). It was Anna Middleton who gave the house its curious name of “Hey Bonnie Hall”. When she was younger, she used to sing an old Scottish song called “Hey The Bonny Breast Knots” over and over again to delight her grandfather, William, the first owner of this home. After Anna’s death, the home was willed to her two unmarried daughters. The Great Atlantic Hurricane of 1944 proved fatal for the grand estate, when the front portico was ripped off the home and flew away. The damage was deemed too expensive to repair and the home was demolished that year.